Filmed in impressionistic splashes of motion and color -- the somber blues of the sweets shop contrasting brilliantly with the violent neon glow of the passing subway -- it's Edward Hopper's Nighthawks brought to stunning, iridescent life.
My Blueberry Nights (2008)
Tomatometer
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Reviews Counted:115
Fresh:56
Rotten:59
Average Rating:5.5/10
Consensus: Though well filmed, My Blueberry Nights is a mixed bag of dedicated performers working with thin material.
Theatrical Release:22-02-2008
Synopsis: With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS... With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets out across America to find herself and recover. She makes a stop in Memphis, where she pulls double-duty at a diner by day and a bar at night, and watches the disintegration of another pair of troubled lovers (David Strathairn and Rachel Weisz). She moves on to Nevada where she befriends a vivacious card player and smalltime hustler (a delightfully saucy Natalie Portman) who challenges her notions of contentment. However, it is New York City and the arms of an English café owner (Jude Law) for which Elizabeth's heart truly longs and ultimately returns. While MY BLUEBERRY NIGHTS isn't Wong's best film--as it suffers from some clunky, heavy-handed dialogue and some frustratingly broad performances--it still contains all of the hallmarks of his aesthetic, and is therefore hard not to fall for. The film is undeniably beautiful, and features the director's trademark visual sense: shimmering neons, lush chiaroscuro, and swirling slow-motion images. It makes for a seductive view of America, one populated by swaggering, yet deeply melancholic drifters that listen to Otis Redding and Ruth Brown, drink too much, and love even more. The sadness and tears that emerge from America's taverns in the wee hours are as breathtakingly alluring as its natural landscapes. In Wong's hands, everything is cast in the light of joy-life and death, suffering and happiness-and the same goes for his understanding of America. Whether this America ever existed is wholly irrelevant; for when you watch a Wong movie, you happily enter his country, wherever that may be. [More]
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman, Rachel Weisz
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai, Lawrence Block
Story: Wong Kar-Wai
Producer: Wong Kar-Wai, Jacky Pang Yee Wah
Composer: Ry Cooder
Studio: Weinstein Company
Reviews for My Blueberry Nights
The film is 90 minutes that feel like a lifetime as nothing really happens ... disappointing at best and extremely aggravating at worst.
An uneven movie with amazing moments, and then all the excessive slow motion in between.
The banal story serves as an excuse for some stylish, moody photography.
yperstylizarismeno mehri asfyksias, horis polla-polla apo oysia na anastatonoyn ton enthoysiasmo toy Kar Wai me ta filtra kai ta hromata kai ta fota apo neon kai toys kapnoys kai tis myrodies tis Amerikis
To complain that it is hardly a film that shows Wong at the height of his power is to close oneself off to the small, somewhat lovely pleasures that it manages to offer.
Although sincerely interested in exploring New York isolation, Nights relies too heavily on a stilted performance from singer Norah Jones and the cheesy romantic babbling of her off-kilter romantic interest (Jude Law).
[Portman], not Jones, is the savory dish of movie magic in a mostly bland Blueberry Nights.
With the clutch of strong performances, its stunning visual style and the accessibility of its English-language script, Wong should find a whole new set of admirers for his plaintive meditation -- provided audiences still are in the mood for love.
General audiences will likely be lost, but the film's cast list may just attract those who were wanting for Wong Kar Wai and had yet to find him. And if the film can win the auteur even more fans, then it can't really be that bad.
Could it be that the director feels less certain he gets his message across in a language that is not his? Voice overs from several characters are used to make explicit what should ideally have been inferred from what transpires on screen.
The longer this slice of fanciful blueberry-pie Americana sits with me, the better I like it.
My Blueberry Nights may be a bit more interested in look than feel -- it conveys blue as a color far more effectively than it conveys blue as an emotional state -- but it's a feast of beauty while it gracefully unfolds on-screen.
... while the actors' dialogue delivery is perfectly natural, the aphoristic philosophical nuggets Wong favors sound banal and clunky in this context, leaving the film thematically in the shallow end of the pool.
Wong Kar Wai's first English-speaking feature bears some artistic merits, particularly for viewers unfamiliar with his oeuvre, but overall it's a disappointing work.
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