With so much raw comedic potential and a cast any director would be happy to get a hold of, Sarne somehow manages to direct it all into one aimless, inept and leering aberration.
Myra Breckinridge (1970)
Tomatometer
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Reviews Counted:21
Fresh:6
Rotten:15
Average Rating:4.5/10
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: MYRA BRECKENRIDGE may be the first punk manifesto, a celebration of pop culture nihilism. A precursor to films by directors like David Lynch, and perhaps influenced by those of avant-garde Italian... MYRA BRECKENRIDGE may be the first punk manifesto, a celebration of pop culture nihilism. A precursor to films by directors like David Lynch, and perhaps influenced by those of avant-garde Italian filmmaker Federico Fellini, this outrageous, searing, blackly comic cult film satirizes Hollywood, homosexuality, America, family, and more. Myron Breckenridge (Rex Reed) is a frustrated homosexual who undergoes a sex-change operation, against the advice of his doctor. As a result, Myron becomes Myra (Raquel Welch), a stunningly beautiful woman with a rocket of a body. Myra moves to the South and enrolls at a university, where her adventures include sodomizing a Southern man--and stealing his girlfriend while she's at it. In general, the bodacious, lewd Myra wreaks havoc on Southern conventions in this outrageous classic film. Once thought to be "unfilmable," Gore Vidal's book was the satiric source material for this film. Originally Rated X in 1970, the film may seem less shocking today, but it retains a truly bizarre quality. Among the most memorable moments is the appearance of Mae West, top-billed and still bawdy as ever in her 70s, singing a comically sultry number. [More]
Starring: Mae West, Raquel Welch, John Huston, Roger Herren
Starring: Mae West, Raquel Welch, John Huston, Roger Herren, Farrah Fawcett, Jim Backus, Andy Devine, John Carradine, Roger C. Carmel, Rex Reed, Tom Selleck
Director: Michael Sarne
Director: Michael Sarne
Producer: Robert Fryer
Reviews for Myra Breckinridge
The Citizen Kane of chaotic trash, this is car crash cinema at its most compelling.
Yes, it's bad, but you quickly get beyond its badness. It's hypnotically awful. It's audaciously dreadful.
Extravagantly tasteless, surprisingly inept filming of Gore Vidal's briefly notorious novel.
One might appreciate Anthology's all-new print -- with its epic sets and costumes, slumming icons, and unfocused meta-ambitions -- as the queer precursor to Southland Tales.
Raquel Welch's big chance is snatched away by Sarne's careless and unprofessional direction, and Rex Reed's self-parody is much too pat and easy.
Loaded with pop references and clips from old movies, it's like a bizarre comic precursor to 'The Dreamers'...
...it's hard to imagine how a film could be any worse, yet Myra has a silly, chaotic, almost endearing quality about it that proclaims its own innocence.
The film and its purported message are just like the monster between Welch’s legs: A big fat fake.
If you truly analyze this, it's a very bisexual scene, and it's a classic, and I was told by a film buff friend that it was considered an A-list movie at the time.
Much-maligned comedy which, three decades after its disastrous debut, seems to be have been way ahead of its time.
The film version of Gore Vidal's Hollywood-themed transsexual satire starts off promisingly, but after a couple of reels plunges straight downhill under the weight of artless direction.
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