The film's searing emotionalism is enhanced by lovely camerawork and a magnificent violin score.
The Betrayal (2008)
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Reviews Counted:29
Fresh:27
Rotten:2
Average Rating:7.6/10
Runtime: 1 hr 36 mins
Genre: Education/General Interest
Synopsis: When she shot her first roll of film on THE BETRAYAL (NERAKHOON) back in the mid-1980s, Ellen Kuras was just another aspiring filmmaker. Over 20 years later, upon completion of her wildly ambitious... When she shot her first roll of film on THE BETRAYAL (NERAKHOON) back in the mid-1980s, Ellen Kuras was just another aspiring filmmaker. Over 20 years later, upon completion of her wildly ambitious project, she is one of America's most celebrated cinematographers. Her talent behind the camera has resulted in one of the most gorgeous documentaries the screen has ever seen. While Kuras wears many hats on the film--director, writer, cinematographer--she doesn't wear nearly as many as her collaborator, Thavisouk Phrasavath. Not only is Phrasavath the film's co-director, co-writer, and editor; most importantly, he's the star. With poetic grace, Kuras and Phrasavath tell his family's tragic, moving tale. From the war-torn fields of Laos to a refugee camp in Thailand in the 1970s, to the gang-ridden streets of Brooklyn in the 1980s, the Phrasavaths faced danger and hardship everywhere they went. Betrayed on a multitude of levels, it's a miracle they managed to survive. This is due in large part to Phrasavath, who kept his family together in their darkest hours. Kuras's greatest achievement with THE BETRAYAL is the way she tells a broad, epic, large-scale story with the intimacy of a home movie. But this sure doesn't look like a home movie. Using 16mm whenever possible, Kuras produces beautiful, luminescent imagery that one rarely encounters in non-fiction cinema. It is this commitment to artistry that makes THE BETRAYAL more than just a powerful documentary about an immigrant family in America. It is a profoundly inspiring tale of survival. [More]
Director: Ellen Kuras, Thavisouk Phrasavath
Director: Ellen Kuras, Thavisouk Phrasavath
Producer: Flora Fernandez-Marengo, Ellen Kuras
Composer: Howard Shore
Studio: Cinema Guild
Reviews for The Betrayal
The Betrayal puts a human face and name on the term collateral damage and expands its definition in the process.
Self-consciously poetic and shot within a luscious inch of its life, the film's also an engrossing heartbreaker: a family saga that spans continents, political administrations, and decades of travail to arrive at a harder, wiser place.
...meditative images from renowned cinematographer Kuras skillfully mixed with archival footage, stills and talking heads by editor Thavi into a story with so many shocks and ironies that it resonates in waves after the telling.
Succeeds on every level. Kuras cares not only about the story itself, which is monumental, but about the form it takes, which is a thing of beauty.
The Betrayal (Nerakhoon) is a remarkable achievement, haunting the viewer long after it ends.
The touching music (which includes quasi-choral chants) completes a film that, despite its tough subject matter, is life-affirming in the best possible way.
A doc that wears its viewpoint on its sleeve -- but a viewpoint worth watching
[Betrayal's] saga, told with soul-stirring specificity, is also in a sense the history of 20th century bloodshed and dislocation, hauntingly anticipated in 5,000-year-old Lao prophecies.
Although slow in its delivery, "Betrayal" delivers a stinging criticism of life in America. When foreigners come here for freedom, they may get more freedom than they wanted.
"Somewhere within the countless hours of footage shot for the project is a truly stunning movie that sheds light on America's imperialism. Sadly, it's not there on the screen."
The filmmakers have created a shimmering, absorbing experience that's both specific and general, both concrete and abstract.
The Betrayal is a potent mix of archival footage, talking heads and visually arresting montages.
The Betrayal (Nerakhoon) is quiet, contemplative and impressionistic, which makes the story it has to tell all the more powerful.
The filmmakers, plying the easier path of sentimentality, never explore the psychological complexity of the disenfranchisement suffered by the Phrasavaths. Instead, they emphasize the everyday humiliations of poverty%u2014the better to place blame.
Epic story of one man and his war-torn family, across continents, decades, and cultures, with the director remarkably along through 24 tumultuous years.
A compelling documentary about a son and his mother struggling to keep their souls alive after surviving war in Laos and poverty in America.
Parts look as though taken by actors, until one realizes that these are the same real people over years, heavier or thinner, baby-faced or mature.
The Betrayal avoids the taint of opportunism; Kuras and Phrasavath become collaborators in telling his story.
Latest News for The Betrayal
November 19, 2008:
A Closer Look at Oscar's Documentary Contenders ![]()
With awards season just around the corner, it's time to start handicapping the various Oscar races -- and the Los Angeles Times has kicked things off with a look at the 15... More...
November 10, 2008:
Trailer & Poster review ![]()
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