Old People Can Talk Dirty Too
Never Again (2002)
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Reviews Counted:60
Fresh:19
Rotten:41
Average Rating:4.5/10
Consensus: The performances are excellent, but much of the story rings false.
Runtime: 1 hr 38 mins
Genre: Dramas
Synopsis: Like WHEN HARRY MET SALLY for fiftysomethings living in a world that feels like THERE'S SOMETHING ABOUT MARY, NEVER AGAIN is a candid, lighthearted film that looks at the emotional and sexual lives... Like WHEN HARRY MET SALLY for fiftysomethings living in a world that feels like THERE'S SOMETHING ABOUT MARY, NEVER AGAIN is a candid, lighthearted film that looks at the emotional and sexual lives of two single 54-year-old New Yorkers. Written, produced, and directed by Eric Schaeffer, the film presents this mismatched middle-aged pair as they question the worth of love. The two meet under the strangest of circumstances--in a gay bar where the straight Christopher (Jeffrey Tambor) is testing out a new image, and Grace (Jill Clayburgh) is looking for anonymity and a solitary moment after a bad date. They quickly discover that they share the romantic credo of "never again," however, as they get to know each other they realize that this credo may not be the answer to their problems. Although the movie is frank about the sexual aspects of their lives, it never gets graphic, and the warmth and humanness with which it portrays sexuality only adds to the appeal of the film. Stars Tambor and Clayburgh give honest performances in roles that Schaeffer wrote specifically for them. NEVER AGAIN is unique in its portrayal of older people in a romantic comedy, and the way that it supports its characters, has faith in them, and develops them as real, believable people is truly special. [More]
Starring: Jeffrey Tambor, Jill Clayburgh, Caroline Aaron, Sandy Duncan
Starring: Jeffrey Tambor, Jill Clayburgh, Caroline Aaron, Sandy Duncan, Bill Duke, Suzanne Shepherd
Director: Eric Schaeffer
Director: Eric Schaeffer
Screenwriter: Eric Schaeffer
Producer: Terence Michael, Eric Schaeffer, Bob Kravitz, Dawn Wolfrom
Studio: USA Films
Reviews for Never Again
Now all we need is a flick about elderly queers in heat. No, The Dresser doesn't count.
Though the characters are sometimes forced into madcap situations for the sake of adding yuks, the film works best when the protagonists are just being themselves
Schaeffer has crafted a winsomely appealing love story for -- surprise! -- the over-50 set.
An intelligent, funny look at dating and relationships among the middle-aged.
Just offbeat enough to keep you interested without coming close to bowling you over.
A very funny romantic comedy about two skittish New York middle-agers who stumble into a relationship and then struggle furiously with their fears and foibles.
There are enough things that poke out rather boldly from Never Again's modest proportions to keep it verging on interesting. And not all of them are strapped to Jill Clayburgh's waist.
What Eric Schaeffer has accomplished with Never Again may not, strictly speaking, qualify as revolutionary. But it's defiantly and delightfully against the grain.
Despite these annoyances, the capable Clayburgh and Tambor really do a great job of anchoring the characters in the emotional realities of middle age.
Schaeffer isn't in this film, which may be why it works as well as it does.
It's a pleasure to see [Clayburgh] back in full force, having aged beautifully, and in a role that serves as such a neat bookend to An Unmarried Woman.
By turns touching, raucously amusing, uncomfortable, and, yes, even sexy, Never Again is a welcome and heartwarming addition to the romantic comedy genre.
"Never Again" is a feel-good romance for real people. If you want a smart, mature romantic comedy, this is the one to see.
A funny, raw, touching, ridiculous, outrageous and heartbreaking midlife romantic comedy, wrinkles and all
Jeffrey Tambor's performance as the intelligent jazz-playing exterminator is Oscar-worthy.
Never Again doesn't quite rise above the conventions it attempts to deconstruct, but at its center are two gifted actors who are more than willing to take chances.
Tambor and Clayburgh are actually both very likeable in their roles, but the script is just miserable.
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