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Movies / On DVD / The Next Best Thing
The Next Best Thing

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The Next Best Thing (2000)

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Reviews Counted:91

Fresh:17

Rotten:74

Average Rating:3.7/10

Consensus: Story elements clash and acting falls short.

Runtime: 1 hr 48 mins

Genre: Dramas

Synopsis: At her job, driving instructor Abbie (Madonna) has no problems getting her students to bend over backwards and tie themselves into knots for her. But in life she can't seem to find anyone to tie... At her job, driving instructor Abbie (Madonna) has no problems getting her students to bend over backwards and tie themselves into knots for her. But in life she can't seem to find anyone to tie the knot with her. Robert (Everett), her best friend and confidant, runs a successful landscaping business but is having equally dismal luck finding his Mr. Right. When Abbie's latest relationship crumbles, she turns to Robert (who happens to be gay) for comfort and advice. They commiserate over a parade of margaritas and martinis, which results in an unexpected tryst. Abbie becomes pregnant and believing, that this may be her one shot at motherhood, decides to have the child. Robert, committed to being a good father, moves in with her, and together they create an unconventional but loving home for their precocious son, Sam (Stumpf). Robert continues to date but keeps parenting as his first priority. Abbie, on the other hand, uses her yoga skills to remain celibate but finally relents when she meets Ben (Bratt), a handsome and charming investment banker. Romance flowers between Abbie and Ben, and as they grow closer Robert feels his role as father threatened. Tensions mount, and when Abbie and Ben announce plans to be wed, the family explodes over a heart-wrenching custody battle for Sam. Everett sparkles and Madonna oozes her usual cool in this drama/comedy from the director of MIDNIGHT COWBOY. [More]

Starring: Madonna, Rupert Everett, Benjamin Bratt, Illeana Douglas

Starring: Madonna, Rupert Everett, Benjamin Bratt, Illeana Douglas, Michael Vartan, Josef Sommer, Malcolm Stumpf, Lynn Redgrave, Neil Patrick Harris, Mark Valley, Stacy Edwards, Linda Larkin

Director: John Schlesinger

Director: John Schlesinger
Screenwriter: Thomas Ropelewski
Producer: Leslie Dixon, Tom Rosenberg, Linne Radmin
Composer: Gabriel Yared

[See More Credits]

Reviews for The Next Best Thing

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
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Full Review Source: UK Critic | comment Comment
01/01/00
Ian Waldron-Mantgani
Ian Waldron-Mantgani
UK Critic
N/R

Click to read the article

Full Review Source: Shadows on the Wall | comment Comment
12/10/01
Rich Cline
Rich Cline
Shadows on the Wall
N/R

Click to read the article

Full Review Source: Sight and Sound | comment Comment
12/02/02
Kevin Maher
Kevin Maher
Sight and Sound
N/R

Click to read the article

Full Review Source: Empire Magazine | comment Comment
01/01/00
Empire Magazine
Top Critic Icon Top Critic
N/R

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Full Review Source: Empire Magazine | comment Comment
04/03/01
Empire Magazine
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N/R

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Full Review Source: Time Out | comment Comment
01/26/06
Time Out
Top Critic Icon Top Critic

If you thought Madonna's singing was flat, wait until you see how listlessly she delivers her lines in this film.

comment Comment
01/01/00
Todd Anthony
Todd Anthony
South Florida Sun-Sentinel

Madonna's acting performance is not more or less than average.

Full Review Source: Hollywood Report Card | comment Comment
01/01/00
Ross Anthony
Ross Anthony
Hollywood Report Card

Madonna's noticeably weak, strained and unconvincing.

Full Review Source: Seattle Post-Intelligencer | comment Comment
01/01/00
William Arnold
William Arnold
Seattle Post-Intelligencer

Buena muestra de que para ser un verdadero padre hace falta mucho más que una mera preferencia sexual

Full Review Source: Moviola | comment Comment
01/01/00
Jorge Avila Andrade
Jorge Avila Andrade
Moviola

Yet another film of missed opportunities in which provocative ideas are destroyed -- in this case, by either the lame writing of Thomas Ropelewski or the timid direction of John Schlesinger, or possibly both.

Full Review Source: Sacramento Bee | comment Comment
01/01/00
Joe Baltake
Joe Baltake
Sacramento Bee

Ultimately, the film works because Schlesinger handles the comedy-to-drama transition with skill.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews

Madonna has presence and grace, but her lines come out as if they've been practiced too many times in front of the mirror (in a quasi-British accent, no less).

Full Review Source: New York Daily News | comment Comment
01/01/00
Jami Bernard
Jami Bernard
New York Daily News

Its creaky, all-consuming insistence on its characters' normalcy entombs everything interesting about them in contrived schlock and transparent gloss-over techniques.

Full Review Source: SPLICEDWire | comment Comment
01/01/00
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

After the melodrama kicks in, the film turns disastrously sappy.

Full Review Source: Orlando Sentinel | comment Comment
01/01/00
Jay Boyar
Jay Boyar
Orlando Sentinel

A comedy that salutes friendship as a resilient and abiding bond that can carry people over troubled waters.

Full Review Source: Spirituality and Practice | comment Comment
01/01/00
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

[Madonna], as usual, tries hard but seems manufactured.

Full Review Source: Boxoffice Magazine | comment Comment
01/01/00
Bridget Byrne
Bridget Byrne
Boxoffice Magazine

Never having decided whether it wants to be comedy or a sentimental hand-wringer, it tries to be both and winds up being neither.

comment Comment
01/01/00
Jay Carr
Jay Carr
Boston Globe

Delivers a pro-family message with a twist.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
01/01/00
Nick Carter
Nick Carter
Milwaukee Journal Sentinel

A pleasing but mindless diversion that goes down well with buttered popcorn and a large Coke.

Full Review Source: CNN.com | comment Comment
01/01/00
Paul Clinton (CNN.com)
Paul Clinton (CNN.com)
CNN.com
Top Critic Icon Top Critic
 
 
1 - 20 (sorted by critic A-Z; UK critics are listed first)
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