Everything is painfully set up and contrived, while almost none of it seems even passingly real. In its favor, however, the movie looks good and the stars are appealing.
Nights in Rodanthe (2008)
Tomatometer
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Reviews Counted:126
Fresh:39
Rotten:87
Average Rating:4.7/10
Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Theatrical Release:10-10-2008
Synopsis: Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life... Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love. [More]
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni, Viola Davis, Mae Whitman
Director: George C Wolfe
Director: George C Wolfe
Screenwriter: Ann Peacock, John Romano
Producer: Denise Di Novi
Composer: Jeanine Tesori
Studio: Warner Bros.
Reviews for Nights in Rodanthe
Sure its soapy and saccharine but that is exactly what Nicholas Sparks' fans want
Typical Sparks formula: difficult circumstances, unlikely love, delirious joy, gut-wrenching tragedy, and redemptive moral. Unfortunately, this film doesn't deliver the goods.
Richard Gere and Diane Lane are swathed in so much cheese in Nights in Rodanthe, this weepy story should unfold in Wisconsin instead of a tiny strip of land off the coast of North Carolina.
Another sappy soap opera for Nicholas Sparks fans satisfied by panoramic seascapes offset intermittently by lingering interludes of dysfunctional strangers locking lips and loins.
perfectly calibrated to jerk tears with the precision of the atomic clock at the U.S. Naval Observatory, and with the irresistible insistence of an industrial grade milking machine
'Nights in Rodanthe' serves up too much manipulated sentimentality for my taste, even though I admit being incurably romantic most of the time.
Despite stretches of credulity in the plot, the on-screen chemistry between Gere and Lane carries the movie.
I was pretty well braced for everything to come, but man, that scene with the daughter at the end still got me. Damn you, Nicholas Sparks, and your magical tear jerking super powers!
...[A] moping melodramatic malaise. Ridiculously artificial in its Cupid-driven cornucopia of sketchy endearment. [Rodanthe] has the forceful flair of an unlit wax candle.
When the script veers into Sparks' slap-in-the-face melodrama, including two natural disasters, the movie drowns in corn syrup.
Nights in Rodanthe starts slow, stalls in the middle, and by the time the tragedy hits, a slideshow with still photographs set to music would seem faster.
I imagine that the Nicholas Sparks fan base is going to eat this movie up. However, for myself, it was one of the most boring movies of the year.
Richard Gere suffers less than Diane Lane. He gets by with a mixture of skill and self-irony. She acts up a storm in every scene, but you root for the hurricane.
This is one of the increasingly rare Hollywood films that treat people in middle age as though their feelings were just as intense and their needs just as valid as those of people half their age.
The major highlight is the awkward, out-of-step dialogue between Lane and Gere as their budding relationship morphs from wariness to friendliness to love.
What really sells this three-hanky tear-jerker -- and there were a lot of women buying it during a recent screening -- is Lane's steely and vulnerable performance. Like Tinker Bell, she almost made me believe in fairies. Almost.
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