Hicks directs with polite seriousness, using too many montages and too much bland dialogue.
No Reservations (2007)
Tomatometer
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Reviews Counted:155
Fresh:61
Rotten:94
Average Rating:5.2/10
Consensus: This romantic comedy may look good on paper, but it's too predictable and melancholy for the genre.
Rated: PG [See Full Rating] for some sensuality and language.
Runtime: 1 hr 45 mins
Genre: , Romance, Tragedy, Romantic Comedy, Food, Remake, Theatrical Release
Theatrical Release:31-08-2007
Synopsis: A master chef, Kate (CATHERINE ZETA-JONES) lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates... A master chef, Kate (CATHERINE ZETA-JONES) lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates everyone around her. With breathtaking precision, she powers through each hectic shift, coordinating hundreds of meals, preparing delicate sauces, seasoning and simmering each dish to absolute perfection. More at ease behind the scenes, she only leaves the sanctuary of her kitchen to accept compliments for one of her signature dishes, or, on rare occasions, to tangle with a customer who dares question her expertise. After work, most nights find her in bed before midnight, set to rise at dawn to beat her competition to the fish market for the next day's freshest selections. Kate's perfectionist nature is put to the test when a brash new sous-chef joins her staff, the high-spirited and freewheeling Nick (AARON ECKHART). A rising culinary star himself, Nick favors opera while working and loves to make everyone around him laugh. His casual approach to both life and cuisine couldn't be more different from Kate's, yet the chemistry between them is undeniable...as is the discord, like forks clanging off a granite countertop. It might be easier to deal with this turbulence at work if Kate wasn't already off-balance at home, struggling to connect with her nine-year-old niece, Zoe (ABIGAIL BRESLIN), who has recently--and very unexpectedly--come to live with her. A bright, perceptive child, more comfortable with fish sticks than foie gras, Zoe is clearly out of place in Kate's routine but Kate is determined to make a home for her...just as soon as she figures out how. As the weeks progress, Kate is not sure what steams her more--that Nick's talent scores big points with 22 Bleecker's owner, Paula (PATRICIA CLARKSON), and its discriminating clientele, or that his easygoing charm quickly wins over the shy Zoe, who finds it easier to open up to him than to her aunt. But when he challenges the boundary between rivalry and romance, Kate finds herself questioning, for the first time in years, some of the choices and beliefs that have made her so self-sufficient and so safe. If she wants to forge a real bond with Zoe, find happiness with Nick and rediscover her appetite for life, Kate will have to try something bold and new, and learn to express herself outside the realm of her kitchen. That would be like trying to cook without a recipe. But, as Kate discovers, sometimes the best recipes are the ones you create yourself. --© Warner Bros. [More]
Starring: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Patricia Clarkson
Starring: Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin, Patricia Clarkson, Jenny Wade, Bob Balaban
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Sandra Nettelbeck, Carol Fuchs
Producer: Sergio Aguero, Kerry Heysen
Composer: Philip Glass
Studio: Warner Bros.
Reviews for No Reservations
Whereas Ratatouille is the filmic equivalent of an entree, think of this pleasant time-filler as a particularly palatable side dish.
It's a tragedy, a romantic comedy and a drama, with its charismatic cast navigating the manufactured highs and lows with enough skill to deepen what otherwise might have been a movie sorely lacking in depth.
For a movie so keen on the idea of creating your own recipe, it sure likes to stick to the familiar ones.
I found myself wanting to shout at the screen, 'Would you please just hurry up and have sex with your new sous chef so we can skip to dessert and go home?!’
If you want a romantic comedy that's mostly charming and doesn't insult your intelligence or morals, I suggest this light, heartwarming summer fare--with just a few reservations.
Honestly, the best thing you can do is go rent Mostly Martha, the 2002 German film this Hollywood remake is based very, very closely on. But if you really can't stand to read subtitles, then this is your next best bet.
Good, old-fashioned Hollywood gloss with smooth and winning portrayals from its three leads, and food so lusciously photographed that Zeta Jones may just be the second most beautiful sight onscreen.
While European films have a certain subtlety about them, American versions lose a little something in the translation, like taking a vintage Dom Perignon and distilling it into Pabst Blue Ribbon.
"No Reservations" is a bland movie about food. The show is middling fare that could have used more spice.
Zeta-Jones and Eckhart manage to turn this film into an okay chick flick that IS probably best left for the chicks.
Mired in cliches, the movie wants us to believe what it tells us, instead of showing us genuine people and emotions.
Sometimes movies make sense in a logical way; sometimes they make only emotional sense. No Reservations makes no damned sense at all.
No Reservations is worth penciling in to your schedule, though it's more guilty diversion than memorable feast.
Such undercooking accounts for a lot of the film's forgettable flavor and is the main reason you'll feel hungry again an hour after leaving the theater.
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