It is a simple and well-known story but sadly this version overcomplicates it to its detriment.
Nosferatu: The Vampyre (1979)
Tomatometer
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Reviews Counted:33
Fresh:31
Rotten:2
Average Rating:7.6/10
Consensus: Stunning visuals from Werner Herzog and an intense portrayal of the famed bloodsucker from Klaus Kinski make this remake of Nosferatu a horror classic in its own right.
Runtime: 3 hrs 34 mins
Genre: Horror/Suspense
Synopsis: Frequent Werner Herzog collaborator Klaus Kinski portrays Dracula, with Bruno Ganz amd Isabelle Adjani playing as the formerly happy couple who fall prey to Dracula's lust for life and love in this... Frequent Werner Herzog collaborator Klaus Kinski portrays Dracula, with Bruno Ganz amd Isabelle Adjani playing as the formerly happy couple who fall prey to Dracula's lust for life and love in this adaptation of F.W. Murnau's vampire classic. [More]
Starring: Klaus Kinski, Isabelle Adjani, Bruno Ganz, Roland Topor
Starring: Klaus Kinski, Isabelle Adjani, Bruno Ganz, Roland Topor, Walter Ladengast, Dan van Husen, Jan Groth, Carsten Bodinus, Martje Grohmann, Rijk de Gooyer, Clemens Scheitz, Lo van Hensbergen, Tim Beekman, Jacques Dufilho, Beverly Walker, John Leddy, Margiet van Hartingsveld
Director: Werner Herzog
Director: Werner Herzog
Producer: Werner Herzog
Screenwriter: Werner Herzog
Story: Henrik Galeen, Bram Stoker
Composer: Popol Vuh, Florian Fricke, Richard Wagner, Charles Gounod
Reviews for Nosferatu: The Vampyre
Sumptuous yet earthy, philosophical yet humorous, it's a masterpiece in its own right.
A competent, atmospheric remake, but, considering the quality of Murnau's masterwork, is it necessary?
The acting is too eccentric and the narrative drive too weak to satisfy fans of the genre, but Herzog's admirers will find much in the film's animistic landscapes and clusters of visionary imagery.
The movie challenges us with images and emotions that have hardly ever been seen before.
Werner Herzog's 1979 homage to F.W. Murnau's 1922 silent film is an appropriately chilling telling of the Gothic tale filled with delightfully scary touches and recreated camera angles from Murnau's original.
Sometimes dismissed for being too slowly paced and too slavish to its source, it is in fact superior to the original.
The film's reason for being (it's a shrine to Herzog's favourite German director) is also the end of the conversation.
Herzog's reimagining can't match the original, but still gives it a unique, intensely creepy spin.
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