Richard Eyre directs the film like a chamber play. He leans on Philip Glass’s ever-present and insistent music like a crutch. But his natural gift for framing scenes is terrifically assured. A potent and evil pleasure.
Notes on a Scandal (2006)
Tomatometer
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Reviews Counted:165
Fresh:143
Rotten:22
Average Rating:7.5/10
Consensus: In this sharp psychological thriller, Judi Dench and Cate Blanchett give fierce, memorable performances as two schoolteachers locked in a battle of wits.
Theatrical Release:02-02-2007
Synopsis: Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara... Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara Covett (Dench), a hard-nosed spinster schoolteacher, and her poisonous friendship with fellow teacher Sheba Hart (Blanchett). When the young and beautiful Sheba shows up as the new art instructor, everyone is charmed by her, including the embittered Barbara. Barbara is thrilled when her lonely life is shaken up by Sheba's overtures of friendship, as Sheba invites her to share in family dinners, and opens up to her about her marital troubles and personal longing. Barbara narrates her own feelings of longing to us from her meticulous diaries, and it becomes increasingly clear that her take on the friendship is uncomfortably intense, if not borderline delusional. Things reach a fever pitch when Barbara happens upon Sheba dallying in the art room with a 15-year-old student. She tells Sheba that she must end the affair at once, but decides not to report her to the school, and instead, to use her knowledge of the indiscretion to draw Sheba closer to her, and put her in her debt. But when Barbara's demands on Sheba become too high, things soon unravel, setting off a chain of events that will leave viewers chewing their nails to the quick, but unable to tear their eyes away. Both Blanchett and Dench are dazzling to watch as they deftly handle the barbed wit of Patrick Marber's screenplay. Directed by Richard Eyre of the Northern Theatre of London, and with a score by Philip Glass, NOTES ON A SCANDAL takes what could serve as mere tabloid fodder and plays it out on the level of Shakespearean tragedy. [More]
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson, Philip Davis, Michael Maloney, Juno Temple, Max Lewis, Julia McKenzie
Director: Richard Eyre
Director: Richard Eyre
Screenwriter: Patrick Marber
Producer: Scott Rudin, Robert Fox
Composer: Philip Glass
Studio: Fox Searchlight Pictures
Reviews for Notes on a Scandal
Bill Nighy is stunning in the small but pivotal role of Sheba's devastated husband, and Dench locates the desperate pathos in Barbara's malevolence.
Dench's performance is the greatest pleasure in a hugely enjoyable, highly literate drama.
A sensationally stylish and tense drama. Great performances all round make this a movie to remember.
Superbly directed, utterly compelling drama with a strong script and deservedly Oscar-nominated performances from both Dench and Blanchett.
If you can ignore the script’s gaping plotholes this is an acting showcase to savour, with Dame Judi on imperious form.
Intelligent, classy and skin-crawling. You won't see a better acting masterclass this year.
Notes on a Scandal is about something deeply unlovely in human nature rarely explored by poets, or novelists, or film-makers: the explosive combination of desire and social envy.
There are brilliantly handled scenes of anger, embarrassment and humiliation, and brutal physical and emotional confrontations of great power.
This internalised dramatic thriller makes the most of subtly perceptive writing, directing and acting.
Shrewdly adapted from Zoë Heller's best-selling novel, Notes On A Scandal grabs your attention with a gentle touch and refuses to let go.
Dramatic overstatement saturates just about every piece of this production. Even that master of orchestral pop minimalism, Philip Glass, managed to write a score that slinks into the dark shadows of old gothic witchery.
What in Zoe Heller’s novel, upon which the film is based, served as a subtle undercurrent here is hammered upon to a desperate degree. Exacerbating the film’s ill-suited film noir-ish tone is Philip Glass’ intrusive score.
Setting aside the scads of preposterous plot contrivance, Patrick Marber’s screenplay is full of jaundiced cleverness about England’s class system, but that’s far from enough to save this disreputable movie.
Dench's coup de grace of trying to get Blanchett to comfort her over her dying 'pussycat' reads no differently than the ridiculous requests Kramer made to Seinfeld after giving him his blood.
It's a shame that such a deliciously twisted story comes across as so pedestrian onscreen.
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