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Notting Hill (1999)
Tomatometer
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Reviews Counted:97
Fresh:80
Rotten:17
Average Rating:7.1/10
Consensus: Charming performances provide romance aplenty.
Runtime: 2 hrs 4 mins
Genre: Comedies
Synopsis: Julia Roberts and Hugh Grant forge memorable chemistry in this charmer about two very different people--William, an unassuming bookstore owner in London's Notting Hill section, and Anna, a... Julia Roberts and Hugh Grant forge memorable chemistry in this charmer about two very different people--William, an unassuming bookstore owner in London's Notting Hill section, and Anna, a Hollywood actress--who, against the odds, fall in love. After Anna wanders into William's shop while filming on location in London, the two share an instant attraction and find themselves attempting to forge a normal relationship despite Anna's megawatt star power. Screenwriter Richard Curtis (FOUR WEDDINGS AND A FUNERAL) has crafted a traditional romantic comedy that is surprisingly frank in its depiction of the lives of the rich and famous and the price they pay for success. [More]
Starring: Julia Roberts, Hugh Grant, Hugh Bonneville, Emma Chambers
Starring: Julia Roberts, Hugh Grant, Hugh Bonneville, Emma Chambers, Rhys Ifans, Tim McInnerny, Gina McKee, James Dreyfus
Director: Roger Michell
Director: Roger Michell
Producer: Duncan Kenworthy, Tim Bevan, Eric Fellner
Screenwriter: Richard Curtis
Composer: Trevor Jones
Reviews for Notting Hill
Sometimes it's the simple, unfussy entertainment that comes off best.
t's an agreeably slick affair, with decent support performances, elegant camerawork, and several impressive set pieces.
We should be pleased enough to see a star-vehicle romantic comedy which actually does contain star quality, romance and comedy.
Notting Hill is Four Weddings And A Funeral with inferior character actors, no Simon Callow, and fewer jokes.
Clearly, Roberts can play the version of herself with which you're familiar and happy. Where that leaves you on the real-unreal continuum is a little less clear.
Notting Hill cynically merges Hollywood gloss and smarminess with an overwrought but highly exportable English taste for quirk.
The same old romantic comedy formula story that has become a Hollywood trademark is revived here.
It’s a crowd-pleaser, all right (so were public hangings, once), but with all the emotional resonance of a tap on the knee with a rubber hammer.
An unconvincing romance, languid pacing and a lot of empty scenes played out specifically for laughs, to the detriment of plot.
The movie-star-playing-a-movie-star-who-wants-to-be-a-real-person conceit also has an odd, chilling effect on Julia Roberts, whose appeal, overwhelmingly, is based on her seeming just like the rest of us.
Lately, romance comedies have expanded in running time, doubtless to compensate for their shrinkage in charm, and this is no exception -- it's way too long for something far too slight.
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