Artsy but unconvincing. November keeps viewers guessing, but not in a good way.
November (2005)
Tomatometer
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Reviews Counted:75
Fresh:23
Rotten:52
Average Rating:5/10
Consensus: Murky and too artsy for its own good, November ends up being a case of style with little substance.
Runtime: 89 mins
Genre: Thriller
Synopsis: This stylish thriller, which was shot on mini-DV in only 15 days in guerilla manner, displays a moody aestheticism and cohesive vision that suggests a bigger budget. The claustrophobic interiors,... This stylish thriller, which was shot on mini-DV in only 15 days in guerilla manner, displays a moody aestheticism and cohesive vision that suggests a bigger budget. The claustrophobic interiors, spare soundtrack, and innovative lighting make the most of a compelling, challenging script that leaves the viewer perennially uncertain as to what is real. Courtney Cox-Arquette, demonstrating her dramatic chops in a drastic shift from her FRIENDS character, stars as Sophie Jacobson, whose boyfriend Hugh (James Le Gros, DRUGSTORE COWBOY, LOVELY & AMAZING) is shot and killed one night in a convenience store while she waits in the car. Traumatized, Sophie is plagued by headaches and strange episodes that increasingly impair her everyday life. Resuming her job as a photography teacher at the local college, she is confronted by a photograph taken the night of the shooting. When she investigates to find out who took it, the answer sets off a string of events that defy explanation. The narrative unfolds in a nonlinear way, traveling both directions in time from the central event of the shooting, recalling in equal parts MEMENTO and MULHOLLAND DRIVE. The couple's history is elaborated, providing new insight into the events surrounding that fateful night, while certain episodes repeat themselves with subtle variations, leaving audiences to parse the truth for themselves. As new elements are constantly introduced, everyone starts to question Sophie's sanity--including the audience. Finally, reality comes unglued and the shock of Sophie's trauma is explored in a new way. [More]
Starring: Courteney Cox-Arquette, Anne Archer, James LeGros, Michael Ealy
Starring: Courteney Cox-Arquette, Anne Archer, James LeGros, Michael Ealy, Nora Dunn
Director: Greg Harrison
Director: Greg Harrison
Screenwriter: Benjamin Brand
Producer: Danielle Renfrew
Studio: Sony Pictures Classics
Reviews for November
The lack of proper resolution to the story is more vexing than intriguing.
Essentially a student film that happens to star some big-name actors.
Full of twists and turns and strange developments, but it's frustrating to try to figure out where it's headed.
Does not provide enough 'clues' to Sophie's emotional background to make us care whether or not she survives the trauma of 7/11.
Best approached and appreciated as a puzzle that can be completed in various ways and a reminder that memory, like images, can be fixed, but not always trusted.
In the gritty psychological thriller November, a gutsy Courteney Cox puts a world of distance between herself and her lightweight 'Friends' image.
November is the real deal, subtle and scary and touching and profound and unforgettable all at once.
A detective investigating the shooting comments on some photos that pertain to the case: 'It's a shame. They're almost too arty for their own good.' The same can easily be said about November.
...spends much of its time replaying scenes with different outcomes, never indicating which is reality, a dream, a memory or just plain dress rehearsal.
A profoundly irritating and meaningless experience... can we please stop making this same movie over and over again, already?
It's supposed to look stylish, a film noir... but a psychological thriller cannot live by mood and atmosphere alone.
Excruciatingly, the film disgorges its crime and variations of it again and again. We'd prefer more detective work and less of what plays out as a grisly loop.
Whatever we think one minute is utterly meaningless, without connection, the next.
Director Greg Harrison seems more interested in pretentiously highbrow visual effects than developing a compelling narrative during November, his convoluted, ineffective psychological thriller.
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