Perhaps overaware of its solemn literary inheritance, it tiptoes around sex and race, and, in turning Shakespeare's grown-ups into Dawson's Creek teens, jettisons much of the original's grandeur.
O (2001)
Tomatometer
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Reviews Counted:123
Fresh:78
Rotten:45
Average Rating:6/10
Consensus: Though well-intentioned and serious in its exploration of teen violence, O is an uneven experiment that doesn't quite succeed.
Runtime: 1 hr 34 mins
Genre: Dramas
Synopsis: A contemporary retelling of Othello, Shakespeare's timeless tale of treachery and jealousy, O will perhaps introduce a new audience to the genius of William Shakespeare and some of his most... A contemporary retelling of Othello, Shakespeare's timeless tale of treachery and jealousy, O will perhaps introduce a new audience to the genius of William Shakespeare and some of his most intriguing and tragic characters. Set in an elite private school located deep in the American South, Mekhi Phifer portrays NBA hopeful Odin James, the only black student at the school. Odin not only enjoys widespread popularity with the students, he is dating Desi Brable (Julia Stiles), the beautiful daughter of the Dean of Palmetto Grove Academy (John Heard). Odin's best friend, Hugo Goulding (Josh Hartnett), drawn closely from Shakespeare's nefarious Iago, is a starting forward on the basketball team, and the son of Coach Duke Goulding (Martin Sheen). Hugo has been asked by his father to look out for Odin because of the particular pressures facing him at Palmetto Grove. Yet Hugo is bitterly envious of Odin and the attention Odin receives from the coach and everyone else at school. An introspective and somewhat mysterious young man, Hugo seeks to manipulate those around him to his own private ends. Placed by his own father in the role of Odin confidante, Hugo is, in reality, seeking to destroy the very person he pretends to befriend. As the basketball season comes to a dramatic finish, conflict among the six friends escalates into irrevocable tragedy when Hugo executes a plan prompting Odin to throw away all that he cares about most- the woman he loves, his bright future, his very soul. -- © 2001 Lions Gate Films [More]
Starring: Josh Hartnett, Mekhi Phifer, Julia Stiles, John Heard
Starring: Josh Hartnett, Mekhi Phifer, Julia Stiles, John Heard, Eldon Henson, Andrew Keegan, Rain Phoenix, Martin Sheen, A.J. Johnson, Harold Shumate
Director: Tim Blake Nelson
Director: Tim Blake Nelson
Screenwriter: Brad Kaaya
Producer: Daniel Fried, Eric Gitter
Composer: Jeff Danna
Studio: Lions Gate Films
Reviews for O
It's highly enjoyable and well acted, with the Iago figure better motivated than in the original play, no single line of which has been retained except for the odd echo.
The presence of old lags Martin Sheen and John Heard just beggars belief. What were they thinking?
Hartnett never allows him to become a hissable villain, keeping Hugo shy of our sympathies, yet his every move is utterly believable.
This is definitely worth watching, thanks to the performances and Nelson's direction.
The camera is subtle but insistent in how it views characters with darkness, pity and suspicion.
Credit, none the less, to the film-makers' game, unpatronising approach, and to Phifer and Stiles as compelling innocents.
It almost works but, because O did not go as far as it should, fails to capture the true drama of Shakespeare's tale of jealousy and fatal deception.
This arty melodrama is not likely to make teenage America get down with Shakespeare.
progressively fewer fragile uplifting beats, so if you like down films ... "O" is certain to take you there.
The pathological envy, racism, fear and jealousy that drive Shakespeare's "Othello" make a scary sense in the world of modern teenagers.
An interesting experiment with some occasional moments of great power.
This intelligent, well-paced film rendition forgoes the Elizabethan verse, while capturing the disturbing essence and gripping plot of Shakespeare's classic tragedy.
The key to Othello is making the audience consider a guy who strangles his spouse out of jealousy to be a tragic figure. O doesn't accomplish that.
If the plot is largely Shakespearean, the most important nuances get lost along the way.
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