To put it plainly, most of Off the Black is simply terrible.
Off the Black (2006)
Runtime: 1 hr 32 mins
Synopsis: Veteran actor Nick Nolte puts his explosive personal life behind him for a while, returning to what he does best with OFF THE BLACK. Nolte stars as Ray, a weathered high-school baseball umpire whose life veered off the rails some time ago and shows no sign of getting back on track. Nolte slips... Veteran actor Nick Nolte puts his explosive personal life behind him for a while, returning to what he does best with OFF THE BLACK. Nolte stars as Ray, a weathered high-school baseball umpire whose life veered off the rails some time ago and shows no sign of getting back on track. Nolte slips into the role with consummate ease, and you can almost smell the alcohol on his breath as Ray drunkenly wheezes through the first half-hour of director James Ponsoldt's inaugural feature. Ray slumps to his lowest ebb one night as some pranksters from the high school vandalize his home, but he manages to catch one of the fleeing boys, Dave (Trevor Morgan), as he tries to escape the scene. Dave cleans up the mess in a bid to escape criminal charges, and the two men strike up an unusual friendship full of deep conversation and endless soul searching; their relationship is further developed as they attend Ray's high-school reunion, with Dave pretending to be his son. Ponsoldt provides a suitably snug small-town backdrop for Nolte and Morgan to work in, and occasionally dips into a pool of impressive supporting players--including Timothy Hutton as Dave's father and Rosemarie DeWitt as Ray's enigmatic friend--to bolster the interaction between the leads. The emotional pasts of Ray and Dave are carefully unraveled, and although the storyline is far from original, Ponsoldt's film is a worthy exercise, thanks to the impressive acting and interplay from Nolte and Morgan. [More]
Genre: Dramas
Starring: Nick Nolte, Trevor Morgan, Timothy Hutton, Noah Fleiss, Sally Kirkland
DVD Info
Release:
May 4, 2008
DVD Features:
- Keep Case
- Anamorphic Widescreen - 16.9
Audio:
- Dolby Digital 5.1 Surround - English
- Closed Captioned - English
- Subtitled - Spanish
Additional Release Material:
- Audio Commentary - James Ponsoldt - Director
- Behind-the-Scenes
- Deleted Scenes
Reviews
Ponsoldt's debut is full of quiet heartache, and effectively establishes a consistent melancholy tone. And Nolte is exceptional.
Just a simple little "people drama," nothing more, but a very well-crafted and heartfelt one all the same.
"Off the Black" is writer/director James Ponsoldt's first movie...When I found out how young Ponsoldt is, only twenty-six, I was shocked that someone so young could have such insight into, and such empathy for, the existential disquietude of middle age.
A modest drama fueled by Nick Nolte's gutsy lead performance as a disheveled 57-year-old junkyard proprietor who's been as flattened by life as the rusty old cars he crushes.
The material is awfully familiar, and first-time director James Ponsoldt paces the entire 90 minutes so slowly that you might think he's talking about chess rather than baseball.
Just 'off the black' is a baseball term for a pitch that's a fraction off from being a really good strike. Same here, this movie is just a fraction off from being a really good film.
OFF THE BLACK is a small picture that might get lost amidall the holiday hoopla and Oscar-bait fare that is clogging the cineplexes. It's worth seeking out; those who do will find a sweet but not saccharine story.
Off the Black is a small, dry, emotionally loaded short story that has been carried to film like baked fish to a platter.
Writer-director James Ponsoldt's film treats big subjects -- loneliness, coming-of-age and father-son relationships -- with such half-baked conviction, it's a wonder the screen doesn't redden with embarrassment.
...There's nothing too small about Nolte's performance. He's the perfect companion for a rookie feature film director looking to make a good first impression.
The beauty of this film lies in its sense of promise. All the characters are in crisis, yet no one completely falls apart.
Throughout the film, there is a sense that the actors know a lot about these characters and that they believe in them. The result is a movie that we believe in, no matter where it goes.
There's something very right with Off the Black in terms of pure emotion and performance craft.
Tells a familiar story, but does it well enough to merit a passing grade.
Despite some nice touches, this is the sort of too-precious indie film that gives its characters unnecessary quirks (like diabetes) to make them more 'real'.
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