The times may not be as apocalyptic as they once were, but this is still an Omen for the age of irony.
The Omen (2006)
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Reviews Counted:158
Fresh:41
Rotten:117
Average Rating:4.6/10
Consensus: Even with the force of a "classic" behind it, remake fever can't hold up the hollowness of this style-drenched Omen.
Rated: 15 [See Full Rating] for disturbing violent content, graphic images and some language
Runtime: 1 hr 50 mins
Genre: Horror/Suspense
Theatrical Release:06-06-2006
Synopsis: Many believe the prophecy from the Book of Revelation provides a map to a terrifying future…or it presents fragments of history that have come to life in our time. The signs, they claim, are all... Many believe the prophecy from the Book of Revelation provides a map to a terrifying future…or it presents fragments of history that have come to life in our time. The signs, they claim, are all around us: terrorist attacks, extreme weather… the list goes on. The passage specifically points to the arrival of the Anti-Christ, who is branded with the numerical sequence “666”: the mark of the Beast. The Anti-Christ will receive his power directly from Satan to establish a counterfeit kingdom on earth, signaling the beginning of Armageddon… Robert Thorn is unaware of such dark prophecies. Thorn, a senior American diplomat, has other things on his mind. His wife, Katherine, has endured a difficult delivery and she’s as yet unaware their newborn child has died. Devastated by the loss, Thorn’s concern turns to Katherine, who had suffered two previous miscarriages. The news will surely devastate her. The hospital priest, Father Spiletto, presents Thorn with another child born that night, whose mother died in childbirth. The priest compels Thorn to take the infant boy as his own; Katherine will never know the truth, and their son, which they name Damien, will be raised as their flesh and blood. Katherine embraces the child as her own, blossoming in motherhood; Thorn, it would seem, has made the right choice. Thorn’s career ascends – he becomes the U.S. ambassador to Great Britain – and the family settles into an estate outside London. But certain events, all seeming to revolve around the now five-year-old Damien, are deeply disturbing: Damien’s nanny hangs herself at the youngster’s birthday party; a strange priest brings dire warnings to Thorn; a children’s trip to the zoo results in a panicked frenzy; Damien becomes hysterical during a drive to church; and blurred movements in a series of photographs portend shocking deaths. The troubling incidents multiply, pointing to something wrong – terribly wrong – with Damien. Enter Mrs. Baylock, Damien’s new nanny, who seems to have a preordained devotion to the child. Then tragedy strikes closer to home. But only later does Thorn comprehend the truth: Damien is no ordinary child; he is the long-prophesized Anti-Christ. Now, Thorn must make the ultimate sacrifice to prevent the unspeakable terror that awaits the world. The prophecy is clear, the signs unmistakable: Armageddon is upon us. On 6 / 6 / 06, the omen is revealed...and our darkest fears are realized. -- © 20th Century Fox [More]
Starring: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, Mia Farrow
Starring: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, Mia Farrow, Josh Hutcherson, David Thewlis, Pete Postlethwaite
Director: John Moore
Director: John Moore
Screenwriter: Dan McDermott
Composer: Marco Beltrami
Studio: 20th Century Fox
Reviews for The Omen
In his zeal to creep us out, [director] Moore forgot the subtle brilliance of Damien's portrayal in the original, which was largely as a pawn.
As is the case of any virtual carbon copy, this version isn't quite as sharp.
...a slow-paced, surprisingly tedious update that ultimately feels more redundant than anything else.
Expected to be disappointed after having been so scared by the original, I was pleased to find the antichrist plot device to be new and exciting again.
...only genuinely scary in the way it reveals the dearth of creativity in the current Hollywood landscape of sequels and retreads.
The Xerox approach to the story causes it to add up to a huge 'So what?' by the film's end.
Younger viewers may find this new movie more exciting; anyone with a memory of the old Gregory Peck version will most likely feel a sensation of "been there, done that."
A delightful throwback to a time when really good horror movies were more interested in the mystery than the special effects.
Nothing ruins a gag faster, be it in humor or horror, than someone having to explain it to you. But in the case of The Omen, we already knew the tale. The constant repetition and reminders are just onerous overkill.
'Was the original this deliberately slow?' you'll wonder. 'Was Gregory Peck powerfully stoic, or was he really as stuffy as Liev Schreiber in the role of Satan's stepdad? Did the director telegraph every killing?'
The central problem is that the film, for all its gothic iconography and moody lighting, is a silly bore. Global warming is scarier.
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