You'll stumble in your seat all right, not so much out of fear but lack of balance, your inner ear destroyed by random blasts of sound.
The Omen (2006)
Tomatometer
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Reviews Counted:158
Fresh:41
Rotten:117
Average Rating:4.6/10
Consensus: Even with the force of a "classic" behind it, remake fever can't hold up the hollowness of this style-drenched Omen.
Rated: 15 [See Full Rating] for disturbing violent content, graphic images and some language
Runtime: 1 hr 50 mins
Genre: Horror/Suspense
Theatrical Release:06-06-2006
Synopsis: Many believe the prophecy from the Book of Revelation provides a map to a terrifying future…or it presents fragments of history that have come to life in our time. The signs, they claim, are all... Many believe the prophecy from the Book of Revelation provides a map to a terrifying future…or it presents fragments of history that have come to life in our time. The signs, they claim, are all around us: terrorist attacks, extreme weather… the list goes on. The passage specifically points to the arrival of the Anti-Christ, who is branded with the numerical sequence “666”: the mark of the Beast. The Anti-Christ will receive his power directly from Satan to establish a counterfeit kingdom on earth, signaling the beginning of Armageddon… Robert Thorn is unaware of such dark prophecies. Thorn, a senior American diplomat, has other things on his mind. His wife, Katherine, has endured a difficult delivery and she’s as yet unaware their newborn child has died. Devastated by the loss, Thorn’s concern turns to Katherine, who had suffered two previous miscarriages. The news will surely devastate her. The hospital priest, Father Spiletto, presents Thorn with another child born that night, whose mother died in childbirth. The priest compels Thorn to take the infant boy as his own; Katherine will never know the truth, and their son, which they name Damien, will be raised as their flesh and blood. Katherine embraces the child as her own, blossoming in motherhood; Thorn, it would seem, has made the right choice. Thorn’s career ascends – he becomes the U.S. ambassador to Great Britain – and the family settles into an estate outside London. But certain events, all seeming to revolve around the now five-year-old Damien, are deeply disturbing: Damien’s nanny hangs herself at the youngster’s birthday party; a strange priest brings dire warnings to Thorn; a children’s trip to the zoo results in a panicked frenzy; Damien becomes hysterical during a drive to church; and blurred movements in a series of photographs portend shocking deaths. The troubling incidents multiply, pointing to something wrong – terribly wrong – with Damien. Enter Mrs. Baylock, Damien’s new nanny, who seems to have a preordained devotion to the child. Then tragedy strikes closer to home. But only later does Thorn comprehend the truth: Damien is no ordinary child; he is the long-prophesized Anti-Christ. Now, Thorn must make the ultimate sacrifice to prevent the unspeakable terror that awaits the world. The prophecy is clear, the signs unmistakable: Armageddon is upon us. On 6 / 6 / 06, the omen is revealed...and our darkest fears are realized. -- © 20th Century Fox [More]
Starring: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, Mia Farrow
Starring: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, Mia Farrow, Josh Hutcherson, David Thewlis, Pete Postlethwaite
Director: John Moore
Director: John Moore
Screenwriter: Dan McDermott
Composer: Marco Beltrami
Studio: 20th Century Fox
Reviews for The Omen
Those who have seen the original will be nonplussed by every identical plot development, while younger viewers used to the breakneck luridness of today’s Fangoria-approved freakouts will wonder why this one is so slow and ponderous.
You know a movie is not worth the celluloid it's printed on when the only clever or even remotely original thing about it is its release date.
I felt like I was seeing The Da Vinci Code with slightly shadier priests.
John Moore's remake of The Omen rivals Gus Van Sant's Psycho both for its fidelity to the source material and for its utter pointlessness.
The devil taking over the world is a terrifying concept, yet here there's so little urgency to the proceedings that you'd think his master plan extended only to prank phone calls to the Vatican and TPing ministers' houses.
This one does a little bit better job of ratcheting up the tension than the first one, which at times seems a little humdrum for a horror flick.
Where [in the original]the camera quickly cut away, now it lingers on the carnage... This isn't necessarily a sign of how much we have progressed since then.
As there are no new surprises or twists, The Omen is mainly instructive for comparison's sake --something like a survey of obnoxious modern filmmaking trends.
I don’t approve of remakes, but The Omen redux is riveting, imaginative and ultimately bone-chillingly satisfying.
It may be 6.6.06, but the date you should remember is 6.20.06, which is when the original is re-released as a Collector's Edition DVD.
Ah --- once again --- Hollywood and its remakes --- why do they bother? It does not bode well for a film when the audience is laughing at what is supposed to be a very serious scene.
A funny thing happened the other night --- I went to see a horror film and a comedy broke out.
...features an alarming number of classy actors getting whacked in the most ghastly and classless of ways.
If the movie didn't take itself so seriously, it could have been a great popcorn muncher. As is, it'll still work fine for those willing to forgive its trespasses.
Other than the obvious marketing advantages of releasing this movie on 06/06/06, a second Omen seems completely unnecessary, even if it is kind of fun.
Schreiber and Stiles are fine actors, but this isn't a fine script, and there is nothing like Peck's campy meltdown to keep us entertained and horrified.
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