Better than the original since a 30 year-old Mia Farrow runs off with the deaf-mute Antichrist and the movie.
The Omen (2006)
Tomatometer
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Reviews Counted:158
Fresh:41
Rotten:117
Average Rating:4.6/10
Consensus: Even with the force of a "classic" behind it, remake fever can't hold up the hollowness of this style-drenched Omen.
Rated: 15 [See Full Rating] for disturbing violent content, graphic images and some language
Runtime: 1 hr 50 mins
Genre: Horror/Suspense
Theatrical Release:06-06-2006
Synopsis: Many believe the prophecy from the Book of Revelation provides a map to a terrifying future…or it presents fragments of history that have come to life in our time. The signs, they claim, are all... Many believe the prophecy from the Book of Revelation provides a map to a terrifying future…or it presents fragments of history that have come to life in our time. The signs, they claim, are all around us: terrorist attacks, extreme weather… the list goes on. The passage specifically points to the arrival of the Anti-Christ, who is branded with the numerical sequence “666”: the mark of the Beast. The Anti-Christ will receive his power directly from Satan to establish a counterfeit kingdom on earth, signaling the beginning of Armageddon… Robert Thorn is unaware of such dark prophecies. Thorn, a senior American diplomat, has other things on his mind. His wife, Katherine, has endured a difficult delivery and she’s as yet unaware their newborn child has died. Devastated by the loss, Thorn’s concern turns to Katherine, who had suffered two previous miscarriages. The news will surely devastate her. The hospital priest, Father Spiletto, presents Thorn with another child born that night, whose mother died in childbirth. The priest compels Thorn to take the infant boy as his own; Katherine will never know the truth, and their son, which they name Damien, will be raised as their flesh and blood. Katherine embraces the child as her own, blossoming in motherhood; Thorn, it would seem, has made the right choice. Thorn’s career ascends – he becomes the U.S. ambassador to Great Britain – and the family settles into an estate outside London. But certain events, all seeming to revolve around the now five-year-old Damien, are deeply disturbing: Damien’s nanny hangs herself at the youngster’s birthday party; a strange priest brings dire warnings to Thorn; a children’s trip to the zoo results in a panicked frenzy; Damien becomes hysterical during a drive to church; and blurred movements in a series of photographs portend shocking deaths. The troubling incidents multiply, pointing to something wrong – terribly wrong – with Damien. Enter Mrs. Baylock, Damien’s new nanny, who seems to have a preordained devotion to the child. Then tragedy strikes closer to home. But only later does Thorn comprehend the truth: Damien is no ordinary child; he is the long-prophesized Anti-Christ. Now, Thorn must make the ultimate sacrifice to prevent the unspeakable terror that awaits the world. The prophecy is clear, the signs unmistakable: Armageddon is upon us. On 6 / 6 / 06, the omen is revealed...and our darkest fears are realized. -- © 20th Century Fox [More]
Starring: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, Mia Farrow
Starring: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick, Mia Farrow, Josh Hutcherson, David Thewlis, Pete Postlethwaite
Director: John Moore
Director: John Moore
Screenwriter: Dan McDermott
Composer: Marco Beltrami
Studio: 20th Century Fox
Reviews for The Omen
Neither good enough to be worthwhile, nor bad enough to be interesting.
Goes to show that magic can't always strike twicenot even when virtually the same script is used.
It really is quite fun, but you can't take it seriously in the least.
Yet another remake no one needs is The Omen, based on an empty 1976 horror vessel.
This version of The Omen brings virtually nothing new, and instead shabbily pantomimes through the script of the original.
If you've never seen The Omen, the technically well-made remake is an effective chiller a cut above today's standard, but if you have, there's no reason to watch this rote replay.
It’s like hearing a great cover version of a classic rock song. They do such a great job. The art direction is gorgeous in this in its own haunting way.
[Director Moore] adheres closely to Seltzer and director Richard DonnerRichard Donner's template, from the prevailing sense of dread to the atmosphere of general gloom, interrupted by well spaced and effective bursts of gore.
Context is everything: In 1976, The Omen was trashy and creepy, but 30 years later, it's just a trivial and slavish remake, failing to endow the old-fashioned yarn with contempo touch or stylishness; Moore's version doesn't even qualify as guilty pleasure
Everything Da Vinci Code tries to be, but fails, this is one of the better recent remakes.
Unduly somber, self-important, and clumsily executed, this Omen is best unseen and unheard. You have been warned.
I am not entirely convinced that The Omen (1976) needed to be remade, but having seen director John Moore's take on the anti-Christ infancy, I am glad that it was.
Moore's version looks sharper and plays classier than the first film, but still hides the same old silly fright mask underneath.
A faithful re-creation altered to appease a modern audience's thirst for well-crafted gore.
Anybody who's seen the 1976 film will probably be pretty bored by this one, which is rather like an inferior copy of a painting that was no masterwork to begin with.
This latest unnecessary remake of a minor horror flick lacks even the benefit of novelty.
In this era of unnecessary and pointless remakes, The Omen is unequivocally the most unnecessary and totally pointless remake since Gus Van Sant's Psycho.
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