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On Guard (1997)
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Reviews Counted:30
Fresh:26
Rotten:4
Average Rating:7/10
Consensus: A spirited, old-fashioned swashbuckler.
Runtime: 2 hrs 8 mins
Genre: Foreign Films
Synopsis: This superb swashbuckler stars Daniel Auteuil as Legardere, a swordsman in 18th-century France who befriends his fellow fencing student, the dashing Duke de Nevers (Vincent Perez), only to wind up... This superb swashbuckler stars Daniel Auteuil as Legardere, a swordsman in 18th-century France who befriends his fellow fencing student, the dashing Duke de Nevers (Vincent Perez), only to wind up on the run and accused of his murder. Nevers' villainous cousin (Fabrice Luchini) has orchestrated the killing, and is now after the Duke's infant child, Aurore, who is rescued and raised by Legardere. The years pass and Aurore grows into a ravishing beauty (played by Marie Gillain), who has inherited her father's skill with a sword, and, controversially, developed more than just a daughterly love for her protector. Sworn to avenge the Duke's death and restore Aurore's rightful title, Legardere undertakes a daring scheme of retribution and revenge. Like a great old novel (it's adapted from LE BOSSU by Paul Feval) the film grips one's attention firmly from beginning to end, with Auteuil a dashing Fairbanks-esque hero, Luchini a most hissable villain, and Gillain a damsel worth dying for. Sumptuous photography lovingly captures the epic sets and breathtaking outdoor locations without ever distracting from character, plot, or pace. [More]
Starring: Daniel Auteuil, Fabrice Luchini, Vincent Perez, Marie Gillain
Starring: Daniel Auteuil, Fabrice Luchini, Vincent Perez, Marie Gillain, Sacha Bourdo, Claire Nebout, Philippe Noiret, Didier Pain, Renato Scarpa, Jacques Sereys, Jean-François Stévenin, James-Spencer Thieree
Director: Phillippe De Broca
Director: Phillippe De Broca
Screenwriter: Phillippe De Broca, Jean Cosmos, Jerome Tonnerre
Producer: Patrick Godeau
Composer: Philippe Sarde
Studio: Empire Pictures
Reviews for On Guard
It has a dashing and resourceful hero; a lisping, reptilian villain; big fights; big hair; lavish period scenery; and a story just complicated enough to let you bask in your own cleverness as you figure it out.
The film's frenetic action takes place across beautifully rendered landscapes, and the ever-lunging ambitiousness and ingenuity in its wordplay justifies the fencing term employed for the film's release in America.
In the spirit of Voltaire and Molière, On Guard volleys great wit and deadly gestures in a milieu of lush apparel, landscapes, captivating music and 18th-century lacy sleeves.
Though it lacks the utter authority of a genre gem, there’s a certain robustness to this engaging mix of love and bloodletting.
This far-fetched adventure tale might be old-fashioned, but it's also one of the best swashbucklers in movie history.
Sometimes, nothing satisfies like old-fashioned swashbuckling. And in this regard, On Guard delivers.
A big, gorgeous, sprawling swashbuckler that delivers its diversions in grand, uncomplicated fashion.
De Broca (who also co-wrote with Jean Cosmos) gives it a frisky energy.
Vastly enjoyable--a stylish, affectionate, old-fashioned swashbuckler...staged with such elan that the result is completely winning.
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