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On Guard (1997)
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Reviews Counted:30
Fresh:26
Rotten:4
Average Rating:7/10
Consensus: A spirited, old-fashioned swashbuckler.
Runtime: 2 hrs 8 mins
Genre: Foreign Films
Synopsis: This superb swashbuckler stars Daniel Auteuil as Legardere, a swordsman in 18th-century France who befriends his fellow fencing student, the dashing Duke de Nevers (Vincent Perez), only to wind up... This superb swashbuckler stars Daniel Auteuil as Legardere, a swordsman in 18th-century France who befriends his fellow fencing student, the dashing Duke de Nevers (Vincent Perez), only to wind up on the run and accused of his murder. Nevers' villainous cousin (Fabrice Luchini) has orchestrated the killing, and is now after the Duke's infant child, Aurore, who is rescued and raised by Legardere. The years pass and Aurore grows into a ravishing beauty (played by Marie Gillain), who has inherited her father's skill with a sword, and, controversially, developed more than just a daughterly love for her protector. Sworn to avenge the Duke's death and restore Aurore's rightful title, Legardere undertakes a daring scheme of retribution and revenge. Like a great old novel (it's adapted from LE BOSSU by Paul Feval) the film grips one's attention firmly from beginning to end, with Auteuil a dashing Fairbanks-esque hero, Luchini a most hissable villain, and Gillain a damsel worth dying for. Sumptuous photography lovingly captures the epic sets and breathtaking outdoor locations without ever distracting from character, plot, or pace. [More]
Starring: Daniel Auteuil, Fabrice Luchini, Vincent Perez, Marie Gillain
Starring: Daniel Auteuil, Fabrice Luchini, Vincent Perez, Marie Gillain, Sacha Bourdo, Claire Nebout, Philippe Noiret, Didier Pain, Renato Scarpa, Jacques Sereys, Jean-François Stévenin, James-Spencer Thieree
Director: Phillippe De Broca
Director: Phillippe De Broca
Screenwriter: Phillippe De Broca, Jean Cosmos, Jerome Tonnerre
Producer: Patrick Godeau
Composer: Philippe Sarde
Studio: Empire Pictures
Reviews for On Guard
Turns out to be a nifty swashbuckler whose plot easily could have been lifted from a number of Douglas Fairbanks silent pictures.
The cast has a high time, but de Broca has little enthusiasm for such antique pulp.
“On Guard!” won’t be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world’s best actors, Daniel Auteuil, have a whale of a good time.
Boasting the best sword-fighting sequences to hit the screen in many years, it is so enjoyably old-fashioned it even looks as if it were made in the '70s.
This rip-snorting period yarn from France wisely follows two important rules of swashbuckling adventures: It never lets the action overwhelm the plot, and it never, ever takes itself too seriously.
A big, gorgeous, sprawling swashbuckler that delivers its diversions in grand, uncomplicated fashion.
De Broca (who also co-wrote with Jean Cosmos) gives it a frisky energy.
This is, not to put too fine a point on it, a swashbuckler, a costume drama. If you love that old story form, you will be in old-fogy heaven, as it is nearly a perfect example of a genre that died out years ago.
One of the most splendid entertainments to emerge from the French film industry in years.
For both the artsy foreign-film crowd and the blue-collar action-movie fans
Despite its postdated irrelevance and its dopey title, this Daniel Auteuil vehicle is ludicrous fun.
Wonderful fencing scenes and an exciting plot make this an eminently engrossing film.
The film's frenetic action takes place across beautifully rendered landscapes, and the ever-lunging ambitiousness and ingenuity in its wordplay justifies the fencing term employed for the film's release in America.
In the spirit of Voltaire and Molière, On Guard volleys great wit and deadly gestures in a milieu of lush apparel, landscapes, captivating music and 18th-century lacy sleeves.
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