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Once in the Life (2000)
Tomatometer
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Reviews Counted:25
Fresh:7
Rotten:18
Average Rating:4.7/10
Consensus: Once in a Life is a promising directorial effort by Laurence Fishburne. But the story is too conventional and similar to the many ghetto action/dramas that come before it.
Runtime: 1 hr 47 mins
Genre: Dramas
Synopsis:
A gritty drama centered around brotherhood and friendship, Once in the Life is a realistic depiction of how every day choices affect our path in life. It is a cautionary tale about making the wrong...
A gritty drama centered around brotherhood and friendship, Once in the Life is a realistic depiction of how every day choices affect our path in life. It is a cautionary tale about making the wrong choices and the inevitable, tragic conclusion of an individual who is drawn to a life of crime -- Once in the life, always in the life.
The story focuses on two estranged brothers, 20/20 Mike and Torch, both of whom are involved in the world of crime. Mike is street smart and intuitive while Torch has a quick fuse due in part to a drug habit. They reconnect by chance in a police station and become involved in a heroin deal set up by Freddie Nine Lives, a flunkie for Manny Rivera, the local crime boss. The deal goes bad resulting in the death of Rivera's nephew.
Distrustful of everyone, including each other, the brothers are now forced to turn to an old friend of Mike's, Tony the Tiger, for help. Unfortunately, Mike is unaware that Tony works for Rivera, who has already instructed Tony to kill the brothers and avenge his nephew's death. Tony sets forth as ordered, but finds himself in inner turmoil over his genuine fondness for Mike. Rivera, sensing Tony's conflict, kidnaps Tony's wife and child to insure that he completes the task.
As Mike, Torch and Tony each attempt to deal with their emotions and find a way out of their own predicament, the issues of friendship, family and loyalty are deeply explored. In the end, the inevitability of the life they chose leaves them with no way out and reaches a forgone conclusion of death and tragedy.
Starring: Laurence Fishburne, Titus Welliver, Eamonn Walker, Annabella Sciorra
Starring: Laurence Fishburne, Titus Welliver, Eamonn Walker, Annabella Sciorra, Gregory Hines, Dominic Chianese, Paul Calderon
Director: Laurence Fishburne
Director: Laurence Fishburne
Screenwriter: Laurence Fishburne
Producer: David L. Bushell, Laurence Fishburne, Helen Sugland
Composer: Branford Marsalis
Reviews for Once in the Life
While the line-readings are often dead-on, Fishburne's movie suffers from the usual one-room claustrophobia and Mametian repetitions.
The pingpong repetition of dialogue is more precious than poetic and heavy silences and actorly asides draw out a slim story that packs few dramatic surprises.
The film doesn't have a lot to offer that hasn't been done better -- and worse -- in hundreds of ghetto-sink shoot-em.
Billy's meltdown provides a real-time reality check, but for most of the time we're waiting for the payoff, and when it comes, I'm afraid, it's not very satisfying.
The good news is that Fishburne also stars, and has recruited a talented group of actors to flesh out the cast; the bad news is that no one seems to have been on hand to help out with the rest of film.
Needlessly convoluted storytelling, talkiness and misplaced narrative emphasis.
Serves only to demonstrate that Fishburne, a talented, inventive actor, is, unfortunately, not ready to write and direct motion pictures.
Despite numerous cutaways to juice things up, a movie that once moved becomes static and verbal in the stretch.
Would easily qualify for an Oscar nomination if it were in a movie that was a bit less like canned theater and more cinematic.
While this cautionary tale of brotherhood gone wrong doesn't exactly break new ground, it certainly shows off its writer-director-star's triple-threat filmmaking potency.
Enough expertise has been lavished on this small film to make one almost forget that Once in the Life has been done more than once before.
The script bogs itself down in reminiscing passages that steal Life's soul.
Without a coherent story to hold our attention, the mood of somber, lower-depths desperation soon becomes monotonous.
In opening up his play for a filmed version, Once in the Life, Fishburne may have only succeeded in magnifying the flaws of his original.
Strictly for die-hard Fishburne fans, and even they might be getting awfully fidgety by the end.
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