Give this call a miss.
One Missed Call (2008)
Tomatometer
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Reviews Counted:73
Fresh:0
Rotten:73
Average Rating:2.5/10
Consensus: One of the weakest entries in the J-horror remake sweepstakes, One Missed Call is undone by bland performances and shopworn shocks.
Rated: 15 [See Full Rating] for intense sequences of violence and terror, frightening images, some sexual material and thematic elements.
Runtime: 87 mins
Genre: Horror/Suspense
Theatrical Release:04-04-2008
Synopsis: In the tradition of THE RING, THE GRUDGE, DARK WATER, and PULSE, ONE MISSED CALL is yet another moody Japanese ghost story to be adapted for American screens. Originally made by cult director... In the tradition of THE RING, THE GRUDGE, DARK WATER, and PULSE, ONE MISSED CALL is yet another moody Japanese ghost story to be adapted for American screens. Originally made by cult director Takashi Miike in 2003 from Yasushi Akimoto's novel CHAKUSHIN ARI, this American version retains the elements that are sure to please J-Horror fans--jerky apparitions, ghostly children, desperate messages from beyond the grave, possessed electronic devices, and strong female characters. While this remake, which is the debut English-language film from French director Eric Valette, dispenses with some of the freakiness of Miike's version, the creepiness remains. Shannon Sossamon is Beth, a developmental psychology student who has plenty of cause for concern after her friend Leann (Azura Skye) receives a panicked cell phone message from herself days in the future. After Leann falls in front of a train at the same date and time on the message, Beth suspects that she may be next. Beth's fear seems even more justified after her friend Taylor (Ana Claudia Talancon) befalls a similar fate as her phone message is being investigated by a reality TV host (Ray Wise) who specializes in unexplained phenomena. With the help of police chief Jack Andrews (Ed Byrnes), Beth discovers a link between the calls and a deceased mother and daughter. A slow burning ghost tale, ONE MISSED CALL establishes a mood of creepiness before the opening credits and sustains it right through to the conclusion. Instead of major shocks or gore, we're given subtle glimpses of ghostly figures or slightly distorted faces that are effective in creating unease. Sossamon makes a pleasing heroine, and the always excellent Wise makes the most of his small role. Almost old-fashioned in its restraint, the film is a good candidate for family viewing--and spooky enough to give all but the most jaded horror fan goose bumps. [More]
Starring: Shannyn Sossamon, Edward Burns, Ana Claudia Talancon, Ray Wise
Starring: Shannyn Sossamon, Edward Burns, Ana Claudia Talancon, Ray Wise, Azura Skye
Director: Eric Valette
Director: Eric Valette
Screenwriter: Andrew Klavan
Producer: Broderick Johnson, Andrew A. Kosove, Scott Kroopf, Jennie Lew Tugend, Lauren C. Weissman
Composer: Reinhold Heil, Johnny Klimek
Studio: Warner Bros.
Reviews for One Missed Call
The worst part about this movie is that, even though it's impossible to piece everything together logically, it's easy to see where it's going because there's nothing new here. There's a sameness to all these Japanese-turned-American retreads.
The script appears to blatantly rip-off plot devices and story elements from The Ring, but screenwriter Andrew Klavan avoids plagiarism by tacking on an incomprehensible second ending where Ring would have left off.
If the first wide release movie of 2008 is an indicator of the kind of year a writers' strike Hollywood has in store, we may all be watching DVDs.
The phone terror theme is tired and director Eric Valette's version is even more predictable than the original. If it's going to call itself a horror, then don't make us laugh.
About as fresh and vital as a fifth-generation dub of The Star Wars Holiday Special.
While it may be clichéd to proclaim the original foreign film to be superior, the fact remains that the Japanese pic contains more scares and intended laughs than this slapdash American remake.
Why, after realizing how deadly these calls can be, does every victim still insist on listening to them? Perhaps only the screenwriters know for sure.
Puerile and low-rent, piggybacking on the fad of updating foreign horror films by dumbing them down for us American simpletons.
Yet another tired, ultimately incoherent horror movie that undoes the promise of its pretty good premise and potentially interesting story structure with dull scares, sloppy ending and a pair of unconvincing, leaden lead performances.
Another mediocre remake of a Japanese horror film in which flashes of computer-generated ghosts are meant to compensate for lousy acting and a banal storyline.
More useless than bad, the type of thing that will divert your attention for an hour and a half but nothing more.
I staunchly refuse to be afraid of my cell phone, or at least if I'm going to be afraid of it, I need better reasons than the ones given in this.
A film so utterly misbegotten that it almost makes Alien Vs. Predator: Requiem look competent by comparison.
Pity this most mysterious 'Can you hear me now?' of all is spoiled by too many answers to too many questions.
Takeshi Miike's original 2003 One Missed Call was second-rate techno-phobic J-horror tripe, meaning that Eric Valette's even lousier American remake is something like the next generation of suck.
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