the film is almost suffocatingly long, even though its ideas about actors, acting and real life are among Cassavetes's most intriguing.
Opening Night (1977)
Rated: 15
Runtime: 2 hrs 26 mins
Theatrical Release: 15-06-2007
Synopsis: John Cassavetes, known for his in-depth explorations of individuals who appear to be on the brink of sanity, paints another powerful portrait with OPENING NIGHT. Gena Rowlands stars as Myrtle Gordon, a Broadway actress rehearsing for her latest play, SECOND WOMAN, which concerns a woman... John Cassavetes, known for his in-depth explorations of individuals who appear to be on the brink of sanity, paints another powerful portrait with OPENING NIGHT. Gena Rowlands stars as Myrtle Gordon, a Broadway actress rehearsing for her latest play, SECOND WOMAN, which concerns a woman who is unable to admit that she is aging. When a beautiful young fan gets hit by a car while trying to chase Myrtle down, she begins to ponder her own mortality, seeing visions of the young girl. This prompts Myrtle to challenge the playwright and director as to the play's overriding hopelessness; when opening night approaches, it appears that she has lost touch with reality. As the boozing actress, Rowlands adds another unforgettable performance to her resume, committing herself fully to Myrtle's character, making the film a challenging yet ultimately rewarding viewing experience for those that value a true grit performance. Cassavetes and Ben Gazzara deliver solid supporting turns, but it is Rowlands who steals the show. In focusing on an individual whose profession--an actress re-creating other people's lives--is directly linked to her psychological confusion, Cassavetes has made a universal commentary on coming to terms with one's inevitable aging, as well as the potential peril of living a life in which the lines between fact and fiction can all too easily blur. [More]
Genre: Dramas
Starring: Gena Rowlands, John Cassavetes, Peter Falk, Ben Gazzara, Paul Stewart
Reviews
As you might expect, coming from indie godfather John Cassavetes, 1977’s Opening Night is something else, a weird, raw, ragged portrait of an actress on the verge of a
The film of the week is 30 years old and hasn't aged a day. It's John Cassavetes's Opening Night, a truly mesmerising study of anxiety and identity crisis in theatreland.
Woody Allen said that he could watch a Bergman movie and feel himself gripped as if by a thriller; that's how I felt watching this restored version of John Cassavetes's 1977 picture Opening Night
The camerawork is instinctively fluid, the performances savage – this is one of the best films about theatre ever made.
At once a lament to the ravages of age and an examination of those tiny foibles which separate reality from dramatic artifice, it’s a baffling and intricate film which, although light on conventional pleasures, still manages to provoke and beguile.
Opening Night is a film so ambitious that it's hard to imagine anyone less accomplished and passionate than John Cassavetes even attempting it.
As densely layered and difficult as anything else Cassavetes ever directed, as dense as any American film from the 1970s.
Another of Cassavetes' puzzling, personal, neurotic, and often brilliant productions that would have benefited from editing with a scythe.
Rowlands sings a different kind of mad song in Opening Night, playing a diva-like actress preparing a part about aging that haunts her, at times literally, with a vision of lost youth.
The scenes in which Myrtle consults first one and then another spiritualist are typical of Cassavetes's genius in filming madness.


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