As an addition to the psychological thriller genre, The Orphanage is a solid, well-rehearsed entry.
The Orphanage (2007)
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Reviews Counted:149
Fresh:128
Rotten:21
Average Rating:7.3/10
Consensus: When it seems like every horror movie nowadays is a remake or a grisly exercise in sadism, The Orphanage is a breath of fresh air for critics and audiences alike, seamlessly blending in a poignant tale of loss with the scares and blood.
Theatrical Release:21-03-2008
Synopsis: It might come as no surprise that the producer of the Spanish supernatural thriller THE ORPHANAGE is none other than Mexican director Guillermo Del Toro (PAN'S LABYRINTH, THE DEVIL'S BACKBONE), for... It might come as no surprise that the producer of the Spanish supernatural thriller THE ORPHANAGE is none other than Mexican director Guillermo Del Toro (PAN'S LABYRINTH, THE DEVIL'S BACKBONE), for his influence is felt greatly throughout the picture. Made by an entire crew of newcomers--director Juan Antonio Bayona, screenwriter Sergio G. Sanchez, director of photography Oscar Faura, composer Fernando Velazquez--THE ORPHANAGE is an extremely accomplished work. The story concerns Laura (Belen Rueda), who has returned with her husband Carlos (Fernando Cayo) and adopted child Simon (Roger Princep) to the large manor where she was raised in an orphanage as a child. Laura is determined to fix up the abandoned house and open it as a refuge for ill children. But from the moment she returns, the past begins to haunt her. It isn't long before she begins to see the children who she used to play with as a seven-year-old. And when Simon goes missing one afternoon, she's convinced that they have taken him hostage. What follows is a murky descent into Laura's mind, where she doesn't know what is real and what is a figment of her tortured imagination. Bayona brings Sanchez's complex script to life with the help of Faura's haunting imagery and Valazquez's atmospheric score. But what makes THE ORPHANAGE an even greater achievement is its insistence on being more than just a superficial scare-fest. Bayona and Sanchez are more interested in deeper themes of memory, loss, and grief, establishing Laura as a mother who feels guilt over not being able to protect her child from outside forces. The result is a film that is both unsettling and moving. [More]
Starring: Belen Rueda, Fernando Cayo, Geraldine Chaplin
Starring: Belen Rueda, Fernando Cayo, Geraldine Chaplin
Director: Juan Antonio Bayona
Director: Juan Antonio Bayona
Screenwriter: Sergio G. Sanchez
Producer: Guillermo Del Toro
Composer: Fernando Velazquez
Studio: Picturehouse
Reviews for The Orphanage
More suspenseful than scary, the movie is apt to disappoint anyone expecting to scream out loud in the theater. Nonetheless, it's effective at casting a creepy pall over the proceedings which permeates the picture for the duration.
The Orphanage avoids cynical gimmickry and condescension. It's harrowing in a more sophisticated way, and a fine example of why we've come to expect some kind of elegance from Spanish-language horror films.
The film is less of a shocker than an adventure in anxiety, testing and twisting some of the classic studies in infantile curiosity.
...the movie leaves you feeling not simply wrung-out by shock and carnage, but genuinely spooked.
This Christmas, Spain has given the film world the best possible gift: a new and brilliant young director.
The truly disturbing element is the heavy reliance on childhood loneliness, fear and sickness.
This elegant, psychologically rich ghost story compares favorably with the best of the genre, including The Haunting (1963) and, especially, The Innocents (1961).
Like the best of horror films, it gets under your skin not with gore or cheap jolts but with an unnerving, ever-building tension, and with images that remain with you long afterward, interrupting your own quiet dreams.
Ms. Rueda is such a gifted actor that she keeps this movie alive through thick and thin.
Sergio Sanchez's richly ambiguous screenplay allows you to interpret what you are watching on both a supernatural and a psychological level, and either way is equally unnerving.
Despite a few bloodcurdling shocks, this handsome Spanish ghost story from producer Guillermo del Toro follows in the suggestive, richly romantic tradition of the old Val Lewton chillers.
In a genre that has been battered by the cheap grotesqueries of special effects, it is a pleasure to be unsettled by something as simple as an invasive beam of light in the shadows of a haunted house.
In a season filled with dark-themed films, it stands out as an elegantly mounted, surprisingly humane but terrifying horror thriller well worth seeing.
a spooky, slightly melodramatic movie that is part Hitchcock, part Poltergeist and all creepy.
Bayona has an amazing touch for color, light and darkness, sound, space and nuance, and his presentation of horror never tricks or insults the audience.
Whatever narrative missteps the film makes are almost totally irrelevant compared to its actual reason for being: to scare the audience ****less.
By exploring the psychological terrain of a haunted woman, the movie brings a dimension of reality into this otherworldly situation.
Latest News for The Orphanage
August 05, 2009:
Fessenden Signs on for Orphanage Remake ![]()
New Line's remake of "The Orphanage" has got itself a director: Larry Fessenden, who has written the script with producer Guillermo del Toro. More...
May 15, 2009:
Orphanage Duo Reunites for "Powerful Story" ![]()
Juan Antonio Bayona and Sergio Sanchez, the director and screenwriter of "The Orphanage," are reteaming on what looks set to be Bayona's second film. More...
March 12, 2009:
Bayona Set for Third Twilight Movie ![]()
Summit Entertainment has announced that Spanish director Juan Antonio Bayona ("The Orphanage") will direct "Eclipse," the third installment in the "Twilight" series. More...
November 14, 2008:
Five Favorite Films with Guillermo del Toro
RT caught up with Hellboy II director Guillermo del Toro at the DVD/Blu-ray Launch Event for Hellboy II: The Golden Army, where the celebrated fantasy auteur shared his favorite... More...
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