Given that this is a French film, there's an unmistakable edge to its satirical portrayal of postwar East-West relations.
OSS 117: Cairo - Nest of Spies (2008)
Reviews
Directed and co-written by Michel Hazanavicius and starring the French comedian Jean Dujardin as OSS 117, the movie is a sketch stretched to tedious feature length.
[This] may just be the silliest movie I've ever seen, and I mean that in the best way: Frankly, they had me at the title.
Hubert Bonisseur de la Bath is invincibly smug, occasionally smarmy and obsessed with food. If that whets your appetite, he's your homme.
Director and co-writer Hazanavicius' comedy generally avoids broad jokes in favor of tweaking the conventions and attitudes of cold war-era spy thrillers just enough to bring their fatuous absurdities to the surface.
Dujardin is what really makes it all work, though. He's an absolute riot, with Conneryesque looks and physicality, and the ability to segue into utter goofballery with a degree of arch-browed suaveness.
Dujardin nails his character, who is deeply dense but always seems to draw the winning card, mainly through dumb luck. And Hazanavicius clearly knows the '60s-era Bond films, which are full of ripe targets that he lovingly demolishes.
The film is a collection of not especially funny routines - with lots of homophobic jokes thrown in - that have been done to death in previous movies of this sort.
A pleasant sorbet to wash away the aftertaste of the pre-summer clunkers.
Director Michel Hazanavicius and screenwriter Jean-Francois Halin have steered the film away from the coarseness of the Austin Powers movies toward something a bit more elegant and cinematic, though still shamelessly silly.
The hero of OSS 117: Cairo, Nest of Spies might be described as a French equivalent of James Bond.
[Jean] Dujardin's good-natured buffoonery rubs off, his behavior carrying the film.
The tongue-in-cheek humor, which relentlessly lampoons action-movie conventions and the die-hard European colonial mentality, is consistently clever and witty, and the movie is a scream.
As the country responsible for unleashing Austin Powers in Goldmember upon the world, we probably deserved worse payback than this.
Closer in spirit to the deadpan stylings of early Zucker brothers than the more obvious slap-shtick of the Austin Powers franchise,
Spoofy fun at first, but eventually wears quite thin, and I don't think all that much could have been lost in the subtitles.
Trust the French to make a comedy seemingly drawing from both Jerry Lewis and Edward Said.
Director Hazanavicius and co-writer Jean-Francois Halin have created an impressively believable throwback to those late ’50s international Hitchcock films.
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