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P2 (2007)
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Reviews Counted:67
Fresh:23
Rotten:44
Average Rating:4.3/10
Consensus: P2 is full of gore, but low on suspense, featuring a cat-and-mouse plot has been done many times before.
Rated: 18 [See Full Rating] for strong violence/gore, terror and language.
Runtime: 1 hr 38 mins
Genre: Horror/Suspense
Theatrical Release:02-05-2008
Synopsis: Most people who have been alone in a parking garage have probably felt vulnerable to an attacker amidst the silence of the cold concrete walls, but what would you do if your assailant were the... Most people who have been alone in a parking garage have probably felt vulnerable to an attacker amidst the silence of the cold concrete walls, but what would you do if your assailant were the attendant? That's the question posed by P2, which fits into that sub-genre of thrillers that unfold in one primary location (think Mario Bava's KIDNAPPED, PHONE BOOTH, or WIND CHILL). The script, co-written by Alexandre Aja (THE HILLS HAVE EYES, HIGH TENSION), Franck Khalfoun, and Gregory Levasseur, offers a basic cat-and-mouse tale with a couple of jolts of bone-rattling gore. It's Christmas Eve, and young New York executive Angela (Rachel Nichols) is the last to leave her office before heading to New Jersey for a holiday with the family. Already late, she is dismayed to find that her car won't start. The handsome, seemingly helpful garage attendant, Thomas (Wes Bentley), checks out the car for her, but to no avail. The next thing she knows, Angela wakes up in the garage office in a dress, chained to a chair, with a Christmas dinner laid out before her. Thomas has been watching her for a long time, and with everyone else gone for Christmas, he finally has her alone. Angela will have to fight with everything she has to make it through to Christmas morning. Under the first-time direction of co-screenwriter Khalfoun, P2 is a solid thriller that delivers ample action, despite being an amped-up two-person stage play. Nichols is an appealing heroine in a physically demanding role, while Bentley's wacko Thomas never veers into cartoonishness. This isn't one for the SAW crowd, though the two brief moments of splatter are certainly of that gross-out caliber. Vintage Christmas songs are also used to strong effect. [More]
Starring: Wes Bentley, Rachel Nichols
Starring: Wes Bentley, Rachel Nichols
Director: Franck Khalfoun
Director: Franck Khalfoun
Screenwriter: Franck Khalfoun, Alexandre Aja, Gregory Levasseur
Story: Alexandre Aja, Gregory Levasseur
Producer: Alexandre Aja, Gregory Levasseur, Patrick Wachsberger, Erik Feig
Composer: Tomandandy
Studio: Summit Entertainment
Reviews for P2
Despite an enormously creepy turn from Bentley, the story has nowhere else to go but into the standard (albeit judiciously used) stalk-and-slash territory.
P2 doesn't have the grisly intensity of Aja's other work, in spite of a few moments of cartoonish gore.
Amid the dumbness and disgust for paying customers, the movie does manage to cough up something I didn't expect: a performance so terrible you can't quite believe it's happening: Bentley's.
a strictly middle-of-the-road entry in the slasher genre, scoring points for performances and areas of execution but running out of creative juice far too early, settling for stock chills and thrills
It sounds like a formula slasher film, but it's actually done well.
The same old grim game of cat and mouse. Sure, we hope the mouse gets away. But mostly we just want the whole thing to end.
Toda a trama nada mais é do que uma mera desculpa para enfiar a belíssima atriz num vestidinho branco justo e encharcá-la a fim de que ele fique ainda mais grudado em seu corpo escultural.
Though the filmmakers probably believe it becomes some sort of female-empowerment vehicle in the end, it's really just another thriller that relishes in the victimization of women.
Even by the low standards of the horror subgenre playfully nicknamed "torture porn," P2 is scraping the bottom of the movie barrel.
Routine but skillful, P2 takes a bare-bones premise and uses it to string up a series of escalatingly tense situations.
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