Harsh 'hood reality and good acting? Now that's quite a score.
Paid in Full (2002)
Tomatometer
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Reviews Counted:41
Fresh:21
Rotten:20
Average Rating:5.8/10
Consensus: Though well-acted and non-exploitative, Paid in Full treads a very well-worn story.
Runtime: 1 hr 38 mins
Genre: Dramas
Synopsis: Set in the early 1980s, this entry in the African-American urban gangster genre puts character development in the front seat for a change as it rolls through the Harlem streets on its usual... Set in the early 1980s, this entry in the African-American urban gangster genre puts character development in the front seat for a change as it rolls through the Harlem streets on its usual rise-and-fall route. Ace (Wood Harris) starts out a laundry delivery guy, but thanks to a chance encounter with a Latin coke dealer (Esai Morales), he quickly works his way to the top of a drug empire. Mitch (Mekhi Phifer) is his more extroverted, colorful pal, the "born hustler" whose bravado hides a tragic family life. For a while the money just keeps rolling in and everyone's happy, but then comes the inevitable turn to tragedy, heralded by the arrival of the brash, trigger-happy Rico (rapper Cam'ron in his screen debut). A sensitive script and moody direction by Charles Stone III allows PAID IN FULL to sidestep a lot of the cliched glamour of similar films. The violence is realistically depicted, and the ultimate emptiness and paranoia of the lifestyle is allowed to manifest slowly through a nice, low-key performance by Harris. Roc-a-Fella mogul Damon Dash produced, based on the true story of Harlem drug lords he remembers from his childhood, one of whom even served as a technical advisor. [More]
Starring: Wood Harris, Cam'ron, Mekhi Phifer, Chi McBride
Starring: Wood Harris, Cam'ron, Mekhi Phifer, Chi McBride, Esai Morales, Regina Hall, Kevin Carroll, Elise Neal
Director: Charles Stone
Director: Charles Stone
Screenwriter: Austin Phillips, Azie Faison, Matthew Cirulnick, Thulani Davis
Producer: Damon Dash, Jay Z, Brett Ratner
Composer: Vernon Reid, Frank Fitzpatrick
Studio: Dimension Films
Reviews for Paid in Full
Very familiar, yes, but a stylish and above all well-acted tale of friendships gone sour and the inevitable steep price of crime -- a much better movie than it’s ever going to get credit for.
If there's a way to effectively teach kids about the dangers of drugs, I think it's in projects like the (unfortunately R-rated) Paid.
Paid in Full is remarkably engaging despite being noticeably derivative of Goodfellas and at least a half dozen other trouble-in-the-ghetto flicks.
It does offer an uncommon thoughtfulness that makes it far less exploitative or sensationalistic than most examples of its genre.
Though filmed partly in Canada, Paid in Full has clever ways of capturing inner-city life during the Reagan years.
An intelligent crime drama, not because of the criminal activity it dramatizes but because of its powerful examination of the forces that drive criminals.
Bolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness.
For a rapsploitation film to target and frown upon the darker forces of its nature is certainly a good sign for the maturation of the genre.
Rings true, from the smooth dialogue to the unaffected performances of the central actors.
Harris and Phifer's chemistry lends the inevitable tragedies some genuine punch.
It's good, hard-edged stuff, violent and a bit exploitative but also nicely done, morally alert and street-smart.
Stone seems to have a knack for wrapping the theater in a cold blanket of urban desperation.
...does such a fine job of engulfing you in its world and allying you with its characters' choices, good and ill, that its shortcomings are remembered only as an afterthought.
This is a heartfelt mea culpa -- which gives Paid in Full much of its unexpected emotional power.
Instead of a hyperbolic beat-charged urban western, it's an unpretentious, sociologically pointed slice of life.
This familiar rise-and-fall tale is long on glamour and short on larger moralistic consequences, though it's told with sharp ears and eyes for the tenor of the times.
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