One of the year end's best films - great story, superb acting and beautiful to look at.
The Painted Veil (2006)
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Reviews Counted:140
Fresh:103
Rotten:37
Average Rating:7.1/10
Consensus: Visually, The Painted Veil has all the trappings of a stuffy period drama, but Norton's and Watts's deft portrayals of imperfect, complicated characters give the film a modern-day spark.
Rated: 12A [See Full Rating] for some mature sexual situations, partial nudity, disturbing images and brief drug content
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:27-04-2007
Synopsis: The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite... The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite who must put herself in strange and turbulent surroundings before she finds her true self. A complex and beautiful international production, this adaptation benefits greatly from the lack of restrictions that inhibited its previous incarnations in 1925 (with Greta Garbo) and in 1957 (as THE SEVENTH SIN). After pressure from her wealthy parents to settle down, Kitty marries mild-mannered bacteriologist Walter (Edward Norton), despite her lack of love for him. Shortly after their vows, he takes her to Shanghai, where she immediately has an affair with Charles Townsend (Liev Shrieber), an English Vice Consul. Walter becomes aware of Kitty's indiscretion and promptly whisks her away to the mountain village of Mei-tan-fu, where they befriend another English expat, the secretly decadent Deputy Commissioner Waddington (Toby Jones, in an extremely likable performance). Walter begins working to hold an encroaching cholera epidemic at bay---leaving Kitty to ponder her role in the situation as death looms over the village like a specter. A labor of love that took the better part of a decade for producer Norton and screenwriter Ron Nyswaner, THE PAINTED VEIL is a large, complex, and visually sumptuous production that employed a primarily Chinese crew on its intense location shoots. Norton's passion for the material is on full display, as he turns in another solid performance. Watts, however, who portrayed another unfaithful wife in Curran's previous film WE DON'T LIVE HERE ANYMORE (2004), is the heart of the film, all bee-stung lips and sweat on porcelain skin. Romantic, escapist entertainment in the best sense, THE PAINTED VEIL is yet more proof that there is an endless pool of silver screen potential in the classics of literature. [More]
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg, Yu Xia, Lu Ying, Toby Jones
Director: John Curran
Director: John Curran
Screenwriter: Ron Nyswaner
Composer: Alexandre Desplat
Studio: Warner Independent
Reviews for The Painted Veil
A rich and resounding picture of love lost and regained ... 2006's most romantic movie.
Sturdy adult fare that works lush period locations and the subtle gifts of its talented actors to its advantage.
Norton and Watts know exactly how to communicate all their characters' unspoken desires, fears and frustrations. ...an absorbing study of love in all its colors, from passion to rage and from heartache to ecstacy.
Finds just the right balance between the familiar and the surprising to become one of the season's best entertainments.
The combination of a good story, fine acting and location shooting make this worth seeing.
The acting is quite splendid, especially in the vicinity of the quite splendid Watts.
The Painted Veil recalls an earlier era of film direction, when movies moved rather than manipulated and craft superseded special effects.
A thoughtful and beautifully mounted story for grown-ups, The Painted Veil brings the quiet pleasures of a fine novel, showing us that the world's complicated geography is no match for the terrain of the human heart.
The film comes together as a quirky but touching love story and a screen-filling spectacle that's balanced with both the hard-edge and exotic spiritual dimension W. Somerset Maugham would have admired.
The Painted Veil does what a romantic drama needs to do. It testifies to love as the great educator.
The Painted Veil doesn't have quite the gripping pressure that Maugham built in his prose with such sober, masterly confidence, but it is strong work, honestly done.
The Painted Veil is rich with history and heartbreak. It's stirring stuff.
The story is told with integrity, and its sense of 1920s colonial China makes for an absorbing, cultural-political backdrop.
A handsome but suffocating adaptation of a W. Somerset Maugham novel.
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