The only good reason to watch the first half of The Painted Veil is to prepare for the second half, in which a pair of note-perfect performers are finally given more than one note to play.
The Painted Veil (2006)
Tomatometer
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Reviews Counted:140
Fresh:103
Rotten:37
Average Rating:7.1/10
Consensus: Visually, The Painted Veil has all the trappings of a stuffy period drama, but Norton's and Watts's deft portrayals of imperfect, complicated characters give the film a modern-day spark.
Rated: 12A [See Full Rating] for some mature sexual situations, partial nudity, disturbing images and brief drug content
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:27-04-2007
Synopsis: The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite... The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite who must put herself in strange and turbulent surroundings before she finds her true self. A complex and beautiful international production, this adaptation benefits greatly from the lack of restrictions that inhibited its previous incarnations in 1925 (with Greta Garbo) and in 1957 (as THE SEVENTH SIN). After pressure from her wealthy parents to settle down, Kitty marries mild-mannered bacteriologist Walter (Edward Norton), despite her lack of love for him. Shortly after their vows, he takes her to Shanghai, where she immediately has an affair with Charles Townsend (Liev Shrieber), an English Vice Consul. Walter becomes aware of Kitty's indiscretion and promptly whisks her away to the mountain village of Mei-tan-fu, where they befriend another English expat, the secretly decadent Deputy Commissioner Waddington (Toby Jones, in an extremely likable performance). Walter begins working to hold an encroaching cholera epidemic at bay---leaving Kitty to ponder her role in the situation as death looms over the village like a specter. A labor of love that took the better part of a decade for producer Norton and screenwriter Ron Nyswaner, THE PAINTED VEIL is a large, complex, and visually sumptuous production that employed a primarily Chinese crew on its intense location shoots. Norton's passion for the material is on full display, as he turns in another solid performance. Watts, however, who portrayed another unfaithful wife in Curran's previous film WE DON'T LIVE HERE ANYMORE (2004), is the heart of the film, all bee-stung lips and sweat on porcelain skin. Romantic, escapist entertainment in the best sense, THE PAINTED VEIL is yet more proof that there is an endless pool of silver screen potential in the classics of literature. [More]
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg, Yu Xia, Lu Ying, Toby Jones
Director: John Curran
Director: John Curran
Screenwriter: Ron Nyswaner
Composer: Alexandre Desplat
Studio: Warner Independent
Reviews for The Painted Veil
The film, alas, never scales their acting heights, plodding along in a staid fashion and tamping down the strong emotions that reside below its surface. This should have been a much more powerful movie.
Like a long-term relationship, The Painted Veil is well-intentioned and not particularly sexy, but understands duties of forgiveness, sacrifice, and commitment.
If you like classy costume dramas filled with British accents, or have to write a paper on Maugham, this might be worth the price of a ticket.
This time director John Curran digs just a little deeper and finds something remarkably human in the material.
It's an actor's love fest, with Naomi Watts, Edward Norton, and Liev Schreiber snatching every last drop of ennui and tight-fisted emotion they can.
Locates deep and subtle truths about the manner in which infidelity and misunderstandings can breed self-disgust in the (more) aggrieved party.
Feels like it's going through the motions, applying period gloss to a story that needs to be more tactile.
The Painted Veil lifts Maugham's story clear of its prissy, attenuated spirituality, and into genuine passion.
Prepare to be magically transported to another world by this alluring, magnificent melodrama that unfolds in pre-revolutionary China.
Maugham ... still translates to the screen perfectly.... Watts, Norton, and Toby Jones are fully convincing.
This is one of those epic love stories that the Movie Chicks adore, but it's also a very good little movie.
A thoroughly grown-up movie that compellingly thinks its way through the toughest matters of the heart.
If The Painted Veil ultimately lacks some of the novelty and ambition of the year's best pictures, it still ranks as one of 2006's quiet gems.
Naomi Watts is far too good for most of her roles, sitting in an ape's paw or watching spectral videotapes. The Painted Veil is a welcome exception.
Despite a fierce lead performance by Naomi Watts, The Painted Veil is a quaintly bloodless, picture-postcard adaptation of W. Somerset Maugham's 1925 China-set novel -- more Merchant Ivory than David Lean.
The third and best cinematic adaptation of W. Somerset Maugham's 1925 novel, The Painted Veil is a beautifully mounted and incisively acted period piece, bristling with intelligence and caustic wit.
A beautiful and very believable story, set in China in the 1920s, about the personal transformation of a married couple.
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