Largely Masterpiece Theatre moviemaking, but of a very high order...an elegantly appointed, intelligently played picture that does Maugham's period piece proud.
The Painted Veil (2006)
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Reviews Counted:140
Fresh:103
Rotten:37
Average Rating:7.1/10
Consensus: Visually, The Painted Veil has all the trappings of a stuffy period drama, but Norton's and Watts's deft portrayals of imperfect, complicated characters give the film a modern-day spark.
Rated: 12A [See Full Rating] for some mature sexual situations, partial nudity, disturbing images and brief drug content
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:27-04-2007
Synopsis: The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite... The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite who must put herself in strange and turbulent surroundings before she finds her true self. A complex and beautiful international production, this adaptation benefits greatly from the lack of restrictions that inhibited its previous incarnations in 1925 (with Greta Garbo) and in 1957 (as THE SEVENTH SIN). After pressure from her wealthy parents to settle down, Kitty marries mild-mannered bacteriologist Walter (Edward Norton), despite her lack of love for him. Shortly after their vows, he takes her to Shanghai, where she immediately has an affair with Charles Townsend (Liev Shrieber), an English Vice Consul. Walter becomes aware of Kitty's indiscretion and promptly whisks her away to the mountain village of Mei-tan-fu, where they befriend another English expat, the secretly decadent Deputy Commissioner Waddington (Toby Jones, in an extremely likable performance). Walter begins working to hold an encroaching cholera epidemic at bay---leaving Kitty to ponder her role in the situation as death looms over the village like a specter. A labor of love that took the better part of a decade for producer Norton and screenwriter Ron Nyswaner, THE PAINTED VEIL is a large, complex, and visually sumptuous production that employed a primarily Chinese crew on its intense location shoots. Norton's passion for the material is on full display, as he turns in another solid performance. Watts, however, who portrayed another unfaithful wife in Curran's previous film WE DON'T LIVE HERE ANYMORE (2004), is the heart of the film, all bee-stung lips and sweat on porcelain skin. Romantic, escapist entertainment in the best sense, THE PAINTED VEIL is yet more proof that there is an endless pool of silver screen potential in the classics of literature. [More]
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg, Yu Xia, Lu Ying, Toby Jones
Director: John Curran
Director: John Curran
Screenwriter: Ron Nyswaner
Composer: Alexandre Desplat
Studio: Warner Independent
Reviews for The Painted Veil
A major motion picture achievement,a magnificent adaptationthat achieves near perfection on the screen.
Movies don't elicit sighs from me often, but for The Painted Veil I sigh.
Curran, his actors and screenwriter Ron Nyswaner have made an old-fashioned melodramatic epic that, as steeped as it is in the language and tradition of old movies, is never less than thrummingly alive.
A pet project of Watts and Norton for years, the two actors clearly have great affinity for the story and capture authentic chemistry of young marrieds at odds, who develop respect -- if not necessarily love -- for each other.
[The film] rubs off a few of the barbed edges from W. Somerset Maugham's 1925 novel about love and infidelity in a time of cholera, but no matter: the centerpiece is Naomi Watts' outstanding portrayal of an adulteress redeemed.
It's really the Norton-Watts show, and they make The Painted Veil resonate with love and regret.
The third film iteration of The Painted Veil turns W. Somerset Maugham's distaff bildungsroman into a fine romance.
A rich character study that showcases another fine performance from Watts.
A soaring, tragic tale of transcendence and forgiveness that resonates long after the credits roll.
The movie achieves a rare balance for an historical fiction: making use of the backdrop without allowing it to overwhelm the characters and their story.
A period piece with an edge, combining lush photography with an engaging script, strong acting and on-screen chemistry between Norton and Watts.
The Painted Veil sets a few fine actors to work with one of W. Somerset Maugham's 1920s tales of Occidentals confronting the Far East and their own tangled emotional lives.
The Painted Veil has the power and intimacy of a timeless love story. By all means, let it sweep you away.
Intelligent scripting, solid thesping and eye-catching location shooting aren't enough to make a compelling modern film of The Painted Veil
There's room for old-fashioned literary cinema, but Curran's third version of Maugham's morality tale (done with Garbo in 1934 and Eleanor Parker in 1957) doesn't illuminate the nuanced journey taken by an ill-matched couple so well depicted in the book
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