As amusing as lung cancer.
Palindromes (2005)
Tomatometer
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Reviews Counted:110
Fresh:47
Rotten:63
Average Rating:5.3/10
Consensus: Unique but cold.
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: With PALINDROMES, fiercely independent writer-director Todd Solondz (HAPPINESS, STORYTELLING) places the topic of abortion under his scathing microscope. This time around, Solondz takes an even... With PALINDROMES, fiercely independent writer-director Todd Solondz (HAPPINESS, STORYTELLING) places the topic of abortion under his scathing microscope. This time around, Solondz takes an even more daring approach by casting seven different actors to play the film's lead role. Aviva Victor is the young New Jersey cousin of the recently deceased Dawn Wiener (the heroine from Solondz's Sundance-winning WELCOME TO THE DOLLHOUSE). Living under the watchful eye of her overprotective parents Joyce (Ellen Barkin) and Steve (Richard Masur), Aviva dreams of the day when she will be able to call herself a mother--a wish that is prematurely granted after an adolescent tryst. Unfortunately, her parents will not allow her to have the baby under any circumstances, which causes Aviva to run away from home. On the road, she falls for a lonely trucker (Stephen Adly Guirgis) and winds up at the home of the ultra-evangelical Mama Sunshine (Debra Monk), who cares for a wide variety of disabled children. But when the trucker reappears and it becomes quite clear that the bond he shares with Aviva is not just some perverted fantasy, the relationship builds to its inevitably tragic conclusion. Solondz's biting satire is a bold statement in support of a mother's right to choose, but it also takes a surprisingly humane approach to those on the other side of the argument. Featuring standout performances by Barkin, Monk, and Guirgis, PALINDROMES makes a bold, powerful statement. [More]
Starring: Ellen Barkin, Debra Monk, Stephen Adly Guirgis, Jennifer Jason Leigh
Starring: Ellen Barkin, Debra Monk, Stephen Adly Guirgis, Jennifer Jason Leigh, Richard Masur
Director: Todd Solondz
Director: Todd Solondz
Screenwriter: Todd Solondz
Producer: Derrick Tseng, Mike Ryan
Composer: Nathan Larson
Studio: Wellspring
Reviews for Palindromes
I'm still sorting it all out, but if a work of art has this much of a lasting impact, I want you to see it -- if only so we can compare notes. Thumbs up for this unique, creepy, confusing, disturbing film.
Take away the subversive hilarity of his movies, and [Solondz] could well be the cinematic equivalent of the Unabomber.
Palindromes is Todd Solondz's first significant cinematic failure, a pitch-black fable twice as shallow and trite as it is intriguing.
Solondz isn’t just smart, but singularly brilliant at pinpointing the way inner neuroses and insecurities are as much a constant in life as exterior joys and tragedies
It's a mean-spirited and obvious excuse to wallow in physical and moral ugliness no matter how you look at it.
Remarkably, Solondz gets a consistent character out of the numerous players. Still, the weirdness of the presentation blunts her trauma, and for the first time in a Solondz film, the movie's as well.
There may not be a more troubled filmmaker in the world today who isn’t taping beheadings for Islamic Jihad.
Forward or backward, the multi-actor device spoils the chance for this to mean anything except a failed experiment that has nothing to say.
What could have been Solondz's most complex and challenging film winds up being a bit on the flat side.
Solondz secures sincere performances from his able cast, and no one can accuse him of pulling his punches.
While not as perversely enjoyable as his sophomore masterpiece... "Palindromes" nonetheless serves up experimental, thought-provoking fare with a side of queasy comedy
As depressing as it is hard to watch, Palindromes is also consistently, horrifyingly funny and sharp-witted.
It should be said that Solondz is an equal-opportunity misanthrope, mocking the garishly insensitive rah-rah-abortion mom, the thoughtlessly fanatical opposition, and everyone in between.
...this time around there’s not even much humor to keep the onscreen misery tolerable.
[A] triumph of Solondz’s bleak fatalism over his heroine’s ingenuously American insistence on the possibility of happiness.
With his sense of predestination, [director] Solondz is like the Sam Shepard of sterile suburban strip malls.
Solondz's use of 8 characters to portray one person distances us emotionally.
I would like Palindromes a lot better if I thought Solondz were actually satirizing something.
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