Van Sant manages to make a small elegy about adolescence out of a film which in other hands might have become a slightly grisly thriller.
Paranoid Park (2008)
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Reviews Counted:109
Fresh:82
Rotten:27
Average Rating:6.8/10
Consensus: Director Gus Van Sant once again superbly captures the ins and outs of teenage life in Paranoid Park, a quietly devastating portrait of a young man living with guilt and anxiety.
Rated: 15 [See Full Rating] for some disturbing images, language and sexual content.
Runtime: 85 mins
Genre: Dramas
Theatrical Release:26-12-2007
Synopsis: While Gus Van Sant's PARANOID PARK is in keeping with the atmospheric work of the films in his previous "death trilogy" (GERRY, ELEPHANT, LAST DAYS), this time around he's working from a more... While Gus Van Sant's PARANOID PARK is in keeping with the atmospheric work of the films in his previous "death trilogy" (GERRY, ELEPHANT, LAST DAYS), this time around he's working from a more conventional narrative to capture the awkwardness and pressures of adolescence. The result is a work of breathtakingly personal cinema--intimate, beautiful, and moving. Based on the novel by Blake Nelson, PARANOID PARK tells the troubled story of Alex (Gabe Nevins), a Portland high school student who loves to skateboard. But after accidentally causing the death of a security guard, Alex must come to terms with the guilty feelings that are threatening to overwhelm him. Unable to tell anyone what has happened, including his best friend, Jared (Jake Miller) and his nagging girlfriend, Jennifer (Tayler Momsen), he keeps it all inside at the risk of imploding with guilt. Van Sant is an impressionistic and deeply sensitive director. His decision to work with acclaimed cinematographer Christopher Doyle (FALLEN ANGELS, IN THE MOOD FOR LOVE) pays off immeasurably, as Doyle combines naturalistic full-frame 35mm with grainy super-8 to create a lush, moody atmosphere. As usual, Van Sant's sonic tastes are impeccable. He once again employs the music of Elliott Smith to great effect, contrasting Smith's heartbreaking songs with slow-motion imagery, further establishing a sense of confusion and loss. The cast, all recruited from the social networking website MySpace, are more than serviceable, yet it is Nevins who steals the show. His Alex is a likeable figure to whom the audience can relate, further personalizing an already intimate tale. PARANOID PARK is a gorgeous, unforgettable tone poem that captures the myriad complexities of teenage life. [More]
Starring: Gabe Nevins, Taylor Momsen, Jake Miller, Dan Liu
Starring: Gabe Nevins, Taylor Momsen, Jake Miller, Dan Liu, Lauren McKinney, Scott Green
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Gus Van Sant
Producer: Marin Karmitz, Nathanael Karmitz
Studio: IFC Films
Reviews for Paranoid Park
Filming in his characteristically dreamy, dislocated fashion, Van Sant seems as interested in the innocently beautiful face of his young star as he is in the docu-style story-telling.
Transposed from a novel by Blake Nelson, the boy is played by newcomer Gabe Nevins with all the complexity and three-dimensionality of a magazine centrefold.
Van Sant's film is almost calculatedly minor, but it gets at something about adolescence as a wobbly and transitional business, not the semi-permanent grunge idyll he's sometimes guilty of loving a little too much.
The movie doesn't narrate what happened so much as immerse itself in Alex's numb state of alienation and denial, which I didn't find quite as rewarding as I guess I was supposed to.
A formally daring attempt to capture the rhythms of adolescence wrapped around a murder mystery, Paranoid Park continues Van Sant's fascination with American youth.
A teenage art-flick, Paranoid Park proves the most fluent and coherent of Gus Van Sant’s recent experiments. Part crime mystery, part coming-of-age story, it’s positively overflowing with burnished imagery and adolescent turmoil.
The story is fragmented into flashforwards and flashbacks as Alex’s narration skirts around the traumatic event, but culminates in a low-key but meaningful realization of sorts for the quiet teen.
A build-up of secrecy and anxiety are well-served by Van Sant’s chopped-up narrative of the slow reveal, and again the director shows a keen eye for the rituals and worries of teenage life.
Beautifully shot, superbly acted and thoroughly engaging, this is quite simply Gus Van Sant's masterpiece.
Van Sant’s low-key, experimental high-school drama is an affecting rites-of-passage tale, told with bold style and quiet integrity.
Artily composed, highly subjective and light on plot - it's still a long way from the mainstream, but well-built suspense and an instinctive feel for teen and skate life keep things ticking over until the paranoia peters out.
One of [Van Sant's] most razor-sharp films, with an involving plot, solidly realistic characters and exquisite cinematography.
Bears some similarities with Elephant. A similarly photogenic teen milieu is shot with fluid, graceful camerawork; a non-linear structure slots together like a puzzle to reveal the panicked mindset of a boy under agreat deal of stress.
The teenager's impressionistic headspace is his canvas, layered like a Keats poem and scored like an iPod
It's breathtaking, heartbreaking, tragic, gorgeous, and true all at the same time.
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