A handsome, old-fashioned melodrama that is entertaining enough but it merely skims the surface of the period.
Paris 36 (2008)
Tomatometer
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Reviews Counted:75
Fresh:44
Rotten:31
Average Rating:5.7/10
Consensus: Sweet and light, this homage to French vaudeville -- and Francophilia in general -- is pretty, but its air of nostalgia occasionally borders on the saccharine.
Runtime: 2 hrs
Genre: Comedies
Theatrical Release:26-01-2009
Synopsis:
Spring 1936 - in a working-class district in the north of Paris, a neighborhood that probably had a name once but that everyone now simply calls the Faubourg. At the top of the hill, a view over...
Spring 1936 - in a working-class district in the north of Paris, a neighborhood that probably had a name once but that everyone now simply calls the Faubourg. At the top of the hill, a view over Paris to one side and, to the other, the burgeoning suburbs of the city. A small square, a few shops, lopsided buildings, cobbled streets and the peeling façade of the neighborhood music hall, the Chansonia.
In this blue-collar neighborhood, the triumphant election of the Popular Front government is greeted with enthusiasm and hopes for a brighter tomorrow, yet stirs up all kinds of extremism. Among the new government's promises, the famous law on paid holidays that will allow numerous workers to see the sea for the first time.
In early May, three inhabitants of the Faubourg, show-business workers and close friends, do not share other people's wild hopes, the Chansonia, the music hall that employed them, closed down four months earlier, leaving them all unemployed.
Pigoil (Gérard Jugnot), a stage-hand, thirty years with the Chansonia.
Without a job, he could lose custody of his 12-year-old son, JOJO (Maxence Perrin)and have to give up his plans to take him to see the sea.
MILOU (Clovis Cornillac), a hotheaded electrician and a skirt-chaser. Symbol of the "workers aristocracy," spokesman for every kind of demand, he is determinded to "change the world."
JACKY (Kad Merad), former sandwich man at the Chansonia. After carrying aroundthe names of stars on his sandwich board for years, Jacky has started dreamingthat he will be the king of the music hall himself one day. Convinced that he has a talent for imitation, he continually seeks engagements that he never finds.
Supported by the locals who live to the rhythm of Monsieur TSF's (Pierre Richard) radio, the three friends decide to take hold of their destiny: they try to force the hand of fate by occupying the Chansonia and producing the "hit" musical that will allow them to buy the place. Each one of them has different motives but they all share the same goal: finding new balance in their lives.
In addition to their lack of experience, they have to deal with the hostile antagonism of the neighborhood "godfather", Galpiat (Bernard-Pierre Donnadieu), and come to terms with the arrival of a mysterious and attractive young singer, Douce (Nora arnezeder).
The dream of a whole neighborhood, can the Chansonia "rise from its ashes" in this joyous month of June?
--© Sony Pictures Classics
Starring: Gerard Jugnot, Nora Arnezeder, Clovis Cornillac, Bernard-Pierre Donnadieu
Starring: Gerard Jugnot, Nora Arnezeder, Clovis Cornillac, Bernard-Pierre Donnadieu, Kad Merad, Pierre Richard, Maxence Perrin, Francois Morel, Elisabeth Vitali, Eric Prat
Director: Christophe Barratier
Director: Christophe Barratier
Story: Frank Thomas, Jean-Michel Derenne, Reinhardt Wagner
Producer: Jacques Perrin, Nicolas Mauvernay
Composer: Reinhardt Wagner
Studio: Sony Pictures Classics
Reviews for Paris 36
Beautifully realised homage to 30s theatre and French cinema, this is thoroughly charming and entertaining throughout.
The phrase that comes to mind is cinéma de papa, the term used by the nouvelle vague to decry the bland, old-fashioned movies against which they rebelled.
Paris 36 is exquisitely designed by Jean Rabasse and handsomely photographed by Tom Stern.
Tiring toward the end as it breathlessly runs around tying-up loose ends, Paris 36 may ultimately bite off more than it can chew but is as lively as the titular city of lights.
Solid, well-played and unabashedly sentimental ’30s-set music-hall melodrama.
French viewers flocked to see Paris 36 like they were giving away neon cagoules and bumbags. Brits will probably be less impressed. But it won me over—sucker for cheap European whimsy that I am.
Chock full of engaging narrative developments, with splendid sets, an appealing original score and gung-ho performances, there's still something perplexingly peculiar about the whole shiny package.
big, overwrought melodrama that celebrates the joy of big, overwrought melodramas
A frothy concoction that thrives on the improvisational creativity found on a stage.
It is a musical comedy/drama set in another time and place that asks you to give yourself over... If you're willing to play along the result is magnifique.
It's clearly old-fashioned entertainment, and while the blue-hairs will dig it, I suspect many of us with brown, blonde, black or red hair will embrace it as well.
A stereotypical 'little' French film that nevertheless comes wrapped in an awfully sweet package.
Those who like their movies (a) cute and (b) in French will go oui, oui, oui all the way home after spending 120 minutes with this rose-tinted homage to the neighborhood music halls of France...
This flaky French import can't stick to one story and can't find a way to resolve its myriad story lines in the proper fashion.
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