Scott is simply awesome as the one-of-a-kind General George Patton.
Patton (1970)
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Reviews Counted:36
Fresh:35
Rotten:1
Average Rating:8.2/10
Consensus: George C. Scott's sympathetic, unflinching portrayal of the titular general in this sprawling epic is as definitive as any performance in the history of American biopics.
Runtime: 5 hrs 36 mins
Genre: Dramas
Synopsis: PATTON is a three-dimensional bronze bust of World War II field general George S. Patton (George C. Scott) who wrote poetry, fired pistols at strafing fighter planes, and loved America with a lofty... PATTON is a three-dimensional bronze bust of World War II field general George S. Patton (George C. Scott) who wrote poetry, fired pistols at strafing fighter planes, and loved America with a lofty and historical zeal. Tracing his personal rivalries with such generals as Rommel and Montgomery, his problematic treatment of his own men, and his nearly runaway contempt for diplomacy, the film triumphs as an enduring portrait of a complex and larger-than-life figure. PATTON was recipient of 10 Academy Award Nominations and winner of eight, including Best Picture, Best Director, Best Actor--Scott, Best (Adapted) Screenplay--Francis Ford Coppola/Edmund H. North. [More]
Starring: George C. Scott, Karl Malden, Stephen Young, Michael Strong
Starring: George C. Scott, Karl Malden, Stephen Young, Michael Strong, Michael Bates, Edward Binns, Lawrence Dobkin, John Doucette, Morgan Paull, Karl Michael Vogler
Director: Franklin J. Schaffner
Director: Franklin J. Schaffner
Screenwriter: Francis Ford Coppola, Edmund H. North
Producer: Frank Caffey
Composer: Jerry Goldsmith
Producer: Frank McCarthy
Reviews for Patton
The film lays bare the roots of Patton's lust for power in his willingess to sacrifice everything to his vaunting ego, a trait which is mirrored in George C Scott's superb performance.
An absorbing, polished character study powered by an epic performance.
Nixon's favorite movie, which proves he was blind to ambiguity as well as a few other things.
Features one of the most effective openings in the history of cinema.
As written by Coppola and directed by Shaffner, Patton bears an ambiguous message, attempting to please both right-wing and left-wing viewers, letting each type of audience see the character, splendidly played by Scott, in its own way.
Scott appears not to act, but to fully inhabit his role, from his profanity spewing down to the swagger of his walk.
Remains to this day one of Hollywood's most compelling biographical war pictures.
George Patton was born (at least once) for these big-screen dimensions. By the end of the movie you may hate the half-crazed son of a b!tch, but you can't not admire him.
A spectacular and unvarnished look at a man who thrives in war while also sowing the seeds of his own downfall.
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