Is this meant to be dark comedy? It's hard to tell.
Penelope (2008)
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Reviews Counted:121
Fresh:61
Rotten:60
Average Rating:5.5/10
Consensus: Though Penelope has a charming cast and an appealing message, it ultimately suffers from faulty narrative and sloppy direction.
Rated: U [See Full Rating] for thematic elements, some innuendo and language.
Runtime: 1 hr 42 mins
Genre: Comedies
Theatrical Release:01-02-2008
Synopsis: Like Tim Burton's EDWARD SCISSORHANDS and the TV show PUSHING DAISIES, PENELOPE is a modern fairy tale, complete with candy colors and whimsical cinematography. PENELOPE begins with a... Like Tim Burton's EDWARD SCISSORHANDS and the TV show PUSHING DAISIES, PENELOPE is a modern fairy tale, complete with candy colors and whimsical cinematography. PENELOPE begins with a generations-old curse by a jilted lover: the next girl in the aristocratic Wilhern family will be born with a pig's snout and ears. Though ages pass, the bad luck finally manifests itself in young Penelope (Christina Ricci) much to the shame of her mother (Christopher Guest favorite Catherine O'Hara). In an effort to break the curse, her mother and father (Richard E. Grant, WITHNAIL AND I) try to bring in a series of blue-blooded suitors. But when they see her face, the men all run screaming. Enter Max (James McAvoy), a down-on-his-luck gambler who connects with Penelope. But when he is exposed as a fraud, the heartbroken girl escapes into the surrounding city. Though she hides her face with a scarf, Penelope gets to experience life outside her family's mansion for the first time. Pig nose and all, Ricci is adorable as the title character, excellent in alternating between naïveté and independence. Oscar winner Reese Witherspoon succeeds in double duty as both a producer and in a small acting role as Penelope's first friend in the big city. But it's McAvoy, a standout in ATONEMENT and THE LAST KING OF SCOTLAND, who threatens to steal hearts. The pair's romance is believable, and it makes the film good viewing for fairy tale fans of all ages. The PG rating should appeal to families, as should the film's message about the importance of inner beauty and self confidence. [More]
Starring: Christina Ricci, James McAvoy, Catherine O'Hara, Reese Witherspoon
Starring: Christina Ricci, James McAvoy, Catherine O'Hara, Reese Witherspoon, Peter Dinklage, Richard E. Grant, Nick Frost, Simon Woods, Nigel Havers, Lenny Henry
Director: Mark Palansky
Director: Mark Palansky
Screenwriter: Leslie Caveny
Producer: Reese Witherspoon, Scott Steindorff, Jennifer Simpson
Composer: Joby Talbot
Studio: Summit Entertainment
Reviews for Penelope
The convictions of the cast and an extremely snappy script fill in most of the gaps caused by the wobbly plotlines.
I can truthfully say that watching this abysmal fantasy-comedy is less rewarding than being slapped across the face with a large wet fish.
Despite an extremely uneven style, this modern-day fairy tale has plenty of charm.
A modern-day fairytale, the film is tarted up like a hyperactive five-year-old's lurid fantasy of interior decor.
Watchable but patchy fantasy romance that doesn't quite work, despite strong performances from Ricci and McAvoy.
Penelope manages to be entertaining while at the same time pounding you over the head with its "I'm okay with myself" hammer.
Despite Christina Ricci's charming performance, Penelope is trapped in a twilight zone between fairy tales and play-it-safe romantic comedies.
Produced according to a formula for squeezing the maximum amount of cloying charm out of the minimum investment.
If you're looking for something a little bit offbeat, Penelope won't send you diving out any windows to escape its quirky humour and gentle moralizing.
There is an underlying sweetness to Penelope, a root-for-her vibe that's only slightly diluted by the predictable story.
No offense intended, but a pig snout is very becoming on Christina Ricci.
Entire plot strands crop up from out of nowhere only to disappear without explanation, never to be heard from again. It’s as if [director] Caveny had so many ideas that she simply couldn’t bear to leave any of them crumpled up on her office floor.
Director Palansky is trying for a deft, hip, modern fairy-tale feel, but the odd material, sprawling story, and complicated tonal balancing act get away from him, and the film winds up as a poorly paced tug-of-war between sweet quirk and sloppy camp.
At its core the movie lacks the sureness and lucidity of even a fractured fairy tale.
Like its hero and heroine, this movie is not for everyone, but it will be loved by those who know how to appreciate it.
Less-than-magical fairytale about girl who must find true love in order to break the family curse that left her with the nose of a pig.
The message in Leslie Caveny's script is ultimately too dispiriting a cop-out. This story could have gone in a number of more inspiring allegorical directions but winds up your average bedtime story instead.
The most successful films in this genre rely heavily on production design, but unfortunately director Palansky decides to play it fairly straight here. Luckily, the film has an interesting story, for which all credit should go to writer Leslie Caveny.
Latest News for Penelope
July 12, 2008:
With only a DNA witch's curse pig's snout compromising Ricci's otherwise exceedingly alluring physical assets, it doesn't make a lick of sense that prospective suitors are jumping out of windows after catching a glimpse of her disfigured beak. ![]()
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February 28, 2008:
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February 28, 2008:
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This week at the movies, we've got hapless hoopsters, snouted socialites, and scandalous siblings. What do the critics have to say? More...
February 28, 2008:
With only a DNA witch's curse pig's snout compromising Ricci's otherwise exceedingly alluring physical assets, it doesn't make a lick of sense that prospective suitors are jumping out of windows after catching a glimpse of her disfigured beak. ![]()
More...
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