The movie shows that the only thing worse than a generically screwy thriller is one with a selective narrator -- and one that doesn’t give viewers a fair chance to play along.
Perfect Stranger (2007)
Tomatometer
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Reviews Counted:11
Fresh:0
Rotten:11
Average Rating:2.9/10
Consensus: Despite the presence of Halle Berry and Bruce Willis, Perfect Stranger is too convoluted to work, and features a twist ending that's irritating and superfluous. It's a techno-thriller without thrills.
Rated: 15 [See Full Rating] for sexual content, nudity, some disturbing violent images and language.
Runtime: 1 hr 49 mins
Genre: Thriller, Murder, Reporters, Theatrical Release, Dating, Internet
Theatrical Release:13-04-2007
Synopsis: Ace New York Courier reporter Rowena Price (Halle Berry) will do anything to get her story---even if it verges on the unethical. After her plans to out a U.S. senator's homosexual relationship with... Ace New York Courier reporter Rowena Price (Halle Berry) will do anything to get her story---even if it verges on the unethical. After her plans to out a U.S. senator's homosexual relationship with an intern are thwarted, Price's next chance at a big scoop falls right into her lap. When her friend Grace (Nicky Lynn Aycox) is found murdered, the main suspect is revealed to be Harrison Hill (Bruce Willis), a philandering high-powered ad exec with a very jealous wife. With some help from her right-hand tech guru, Miles (Giovanni Ribisi), Rowena goes undercover as a temp at Hill's agency, where her own good looks are bound to draw Hill closer to her, taking her to the facts behind Grace's murder. No simple plot description can truly explain James Foley's (AT CLOSE RANGE) twisty, tech-y thriller. It begins with a false setup, takes a whole other route, and makes a series of bizarre 11th hour revelations that not even the most seasoned viewer will be able to predict. The always watchable Berry makes us root for a character whose methods aren't always the most scrupulous, and Giovanni Ribisi does a lot with the "sidekick" role. Anastas Michos's cinematography gives Manhattan a slightly sinister glow of cool blue, appropriate to this tale in which nothing is what it seems, and trusting in someone is sure to cause regret---or worse. PERFECT STRANGER may occasionally defy logic, but that is not likely to deter those hungering for a handsomely made, star-fueled studio film with plenty of surprises. [More]
Starring: Halle Berry, Bruce Willis, Giovanni Ribisi, Gary Dourdan
Starring: Halle Berry, Bruce Willis, Giovanni Ribisi, Gary Dourdan, Patti D'Arbanville, Clea Lewis, Richard Portnow
Director: James Foley
Director: James Foley
Screenwriter: Todd Komarnicki, Jon Bokenkamp
Producer: Elaine Goldsmith-Thomas
Composer: Antonio Pinto
Studio: Revolution Studios
Reviews for Perfect Stranger
There is entertainment to be had here, but it's mostly at the expense of the film's rambling, increasingly ridiculous plot.
Instead of eroticism, there is tacky sub-porn; instead of twists, there are knotty plot problems which may or may not have been fixable with script rewrites.
A twist-burdened techno-thriller that would be by-the-numbers if it could count.
The movie would perhaps like to say something serious about the ease with which modern communications allows us to be multiple personalities, but that effort is lost in ineptitude.
Just when you thought The Reaping was the most convoluted and overwrought flashback-riddled thriller starring an Academy Award-winning actress in theaters, along comes Perfect Stranger.
Even after it lurches from the far-fetched into the preposterous, Perfect Stranger leaves a clammy residue of unease.
It might be selling itself as a "sexy thriller," but the cheesy, smirk-inducing reality is that Perfect Stranger would have been on the direct-to-DVD fast track had it not been for the names Halle Berry and Bruce Willis above the title.
By the time everything falls into place, it doesn't much matter. The best thrillers don't just show up for the closing credits, they are involving all along the way. That's where Perfect Stranger goes imperfectly wrong.
Pink is the new black, 50 is the new 30 and, at the movies, confusion is the new suspense.
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