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Perfume: The Story of a Murderer (2006)
Rated: 15 [See Full Rating] for aberrant behavior involving nudity, violence, sexuality, and disturbing images.
Runtime: 2 hrs 27 mins
Theatrical Release: 26-12-2006
Synopsis: Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this production helmed by Tom Tykwer (RUN LOLA RUN). The film stays remarkably faithful to the... Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this production helmed by Tom Tykwer (RUN LOLA RUN). The film stays remarkably faithful to the author's vision, perfectly summoning up the brooding ominousness of small-town life in 18th-century France, and getting the casting of its central character, Jean-Baptiste Grenouille (Ben Whishaw), exactly right. Grenouille is an orphan whose sense of smell is extraordinarily acute. He impresses master perfumer Baldini (Dustin Hoffman) enough to work for him, and this sets Grenouille off on an epic quest to find the perfect scent. When he discovers that killing young women and bottling their essence is the only way he can achieve his dream, Grenouille is soon a wanted man with multiple murders to his name. However, when it comes to making one last kill--namely the attractive redhead Laura (Rachel Hurd-Wood)--the young perfumer may have met his match in her overprotective father, Richis (Alan Rickman). Tykwer's film is an impressive achievement, not least because the subject of scent and the cinematic medium were always going to make uneasy bedfellows. Couple that with the weight of expectation caused by the millions of readers who have delighted in Suskind's words, and it needed a brave director to take on such a project. Whishaw is a revelation in his first major screen appearance, and Tykwer made a wise choice in bringing in some older heads (Rickman, Hoffman) to support the younger actor. Visually, the film is stunning, and cinematographer Frank Griebe clearly worked hard to bring Suskind and Tykwer's visions to life. But ultimately this is an ensemble piece, with cast and crew all pulling together to create a film that simmers with a hushed menace throughout. [More]
Genre: Dramas
Starring: Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood
Reviews
This is a thoroughly enjoyable, brilliantly directed thriller with a great script and a terrific central performance from Ben Whishaw. One of the best films of the year. Unmissable.
It’s a film so sumptuous that afterwards you’ll feel you’ve consumed a very, very rich meal indeed.
The odd conclusion renders it somewhat oblique, but Perfume is a feast for the senses. Smell it with your eyes...
This tale of a brilliant sociopath is disturbing and often uncomfortable to watch. And it's also magical filmmaking.
[Its] off-the-charts screwiness obscures virtually all shortcomings.
While you might not come away from a viewing feeling entirely satisfied, you will almost certainly have lots to talk about.
Tykwer squeezes every possible drop of melodramatic beauty out of this material. ...But the gorgeous visuals aren't enough to keep the drama from occasionally degenerating into beautifully produced hokum.
Una estupenda reconstrucción histórica y un atractivo tratamiento visual son los principales valores de esta interesante aunque irregular adaptación.
Plenty of high profile movies are about the tormented lives of artists. Perfume: The Story of a Murderer takes it up a notch: It's a legitimate artwork.
Agree or disagree, this is a work so bold and provocative and distinctive that it demands to be seen.
In a time when the serial killer subgenre is practically the definition of derivative, Perfume is %u2013 for better or for worse %u2013 a whiff of something uniquely fresh.
Ghastly and horrific, entertaining and mesmerizing, and it smells fantastic.
An intoxicating fable about a man whose phenomenal sense of smell sets him on an irrevocable course, Perfume is a captivating, if overlong adaptation.
We want to root for him, but he is more of a villain. The dichotomy is savory.
Stanley Kubrick e Martin Scorsese chegaram a declarar que [Perfume], livro do alemão Patrick Süskind, seria "infilmável". Pois até os gênios erram.
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