The film works on multiple levels: as a history lesson, as a primer on Middle Eastern politics and as an artist biography.
Persepolis (2007)
Tomatometer
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Reviews Counted:130
Fresh:125
Rotten:5
Average Rating:8.2/10
Consensus: Persepolis is an emotionally powerful, dramatically enthralling autobiographical gem, and the film's simple black-and-white images are effective and bold.
Rated: 12A [See Full Rating] for mature thematic material including violent images, sexual references, language and brief drug content.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:25-04-2008
Synopsis: NEW YORK PREMIERE AT NEW YORK FILM FESTIVAL 2007 (Limited) PERSEPOLIS presents a deeply personal coming-of-age tale about finding one's place in the world. Based on her bestselling graphic... NEW YORK PREMIERE AT NEW YORK FILM FESTIVAL 2007 (Limited) PERSEPOLIS presents a deeply personal coming-of-age tale about finding one's place in the world. Based on her bestselling graphic novel, Marjane Satrapi teamed up with underground comic book artist Vincent Paronnaud to co-direct this animated big screen adaptation. The result is an electrifying, heartfelt, and original portrait of a spunky girl who surmounts countless obstacles to grow into a wise young adult. Marjane (voiced by Chiara Mastroianni) is an innocent nine-year-old living in Iran, surrounded by a loving but incredibly protective mother (Catherine Deneuve) and father (Simon Abkarian). She finds comfort in the carefree spirit of her loving grandmother (Danielle Darrieux), as well as music by artists as diverse as ABBA and Iron Maiden. When Marjane's uncle is killed in the Iran/Iraq war, her parents send her to school in Austria, where she can study in safety. The only trouble is that her Middle Eastern appearance frightens people, giving her a harsh lesson in racial prejudice. Somehow, Marjane's fiery spirit doesn't succumb to any of the negativity. Eventually, she returns home to Iran to be closer with her family. But even though she settles into married life, the tyrannical pressures of Iranian society force her to abandon her country once again, sending her to France on another journey. Satrapi and Paronnaud retain the stark, spare animated style of the graphic novels that inspired the film. This is a wise decision: the less specific they get in their visual presentation, the more universal their story becomes. PERSEPOLIS gives viewers several movies in one. It is equal parts coming-of-age story, history lesson, and an animated adventure tale. [More]
Starring: Chiara Mastroianni, Catherine Deneuve, Danielle Darrieux, Simon Abkarian
Starring: Chiara Mastroianni, Catherine Deneuve, Danielle Darrieux, Simon Abkarian, Gabrielle Lopes, François Jerosme, Sean Penn, Iggy Pop, Gena Rowlands
Director: Marjane Satrapi, Vincent Paronnaud
Director: Marjane Satrapi, Vincent Paronnaud
Screenwriter: Marjane Satrapi, Vincent Paronnaud
Producer: Marc-Antoine Robert, Xavier Rigault
Composer: Olivier Bernet
Studio: Sony Pictures Classics
Reviews for Persepolis
It's a cultural Rosetta Stone, bridging disparate cultures with a universal language %u2014 the pain of growing up.
The characters are so rich and so human that they transcend the simple animation.The vocal performances also help give the film universal appeal.
It is a marvelous piece of filmmaking with a story that begs to be seen and understood.
There is nary a hint of CGI or any other computer-aided special effects --- which makes its impact all the more remarkable.
Clicks on ever level, visual and narrative, with a sort of inventiveness that seems intoxicated by the liberating possibilities of cinema.
If anything, the tonal simplicity of the film lends itself to graphic wit, a rich array of emotional experience and an austere impression of Iran as a place where ordinary fun, as Satrapi remembers it, could get a young person in trouble.
Persepolis represents a novel kind of animated feature and a worthy addition to the growing canon of fine films made from graphic novels.
A film as personal and eccentric as Satrapi's original book, a black-and-white, hand-drawn memoir of growing up and away from Iran.
More than just the first film in recent memory to be considered a must-see, Persepolis begs for a second viewing, if only to chart the way it so delicately weaves together the different stages of Marjane's life.
Few movies capture so well the fluid, fulsome response of children to their (and our) complex worlds.
Marjane Satrapi's acclaimed 2003 autobiographical graphic novel series has been turned into one of the most complexly moving animated films I've ever seen.
While not visually explicit, "Persepolis" is an uncompromising look at the culture of Iran as seen by an observant and open-minded child...
Marjane Satrapi, with co-director Vincent Paronnaud, has taken her work and turned it into a vigorous, revealing and tragic film.
There's a good lesson here about Iranian history but it's not exactly gripping material. Amounts pretty much to a "so what?"
No attempt has been made to go beyond two dimensions with the images, but the story and characters spring to three-dimensional life.
Persepolis feels abstract, never deeply personal, because Satrapi offers only surfaces and push-pin thoughts while sharing here sincere but glib sisterhood with Iranian history.
The story's greatest value lies in its elegant twining of the universal and the obscure: Satrapi's coming-of-age should be familiar to all, but along with it come startling glimpses of everyday life under the heavy hand of a Muslim theocracy.
In spite of all the idealistic baggage, the film feels like it's traveling light. The fluid handmade visuals hang onto the uniqueness of Satrapi's heavy-lined work while giving them a smoothness and a visual depth they previously lacked.
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