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Movies / On DVD / Andrew Lloyd Webber's The Phantom of the Opera
Andrew Lloyd Webber's The Phantom of the Opera

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Andrew Lloyd Webber's The Phantom of the Opera (2004)

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Reviews Counted:163

Fresh:54

Rotten:109

Average Rating:5/10

Consensus: The music of the night has hit something of a sour note: Critics are calling the screen adaptation of Andrew Lloyd Webber’s popular musical histrionic, boring, and lacking in both romance and danger. Still, some have praised the film for its sheer spectacle.

Rated: 12A [See Full Rating] for brief violent images

Runtime: 2 hrs 23 mins

Genre: Musical & Performing Arts

Theatrical Release:10-12-2004

Synopsis: Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd... Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd Webber's Broadway musical THE PHANTOM OF THE OPERA, these moody set devices--and countless others--make every scene an atmospheric vision of souped-up 19th-century Gothic bliss. Christine Daee (a luminescent Emmy Rossum) is a tortured young star who is haunted by the voice of the phantom (Gerard Butler--who also played the lead in DRACULA 2000), a musician who hides in the shadows to hide a facial disfigurement, yet sings to her obsessively. Dwelling in the dark, damp chambers beneath the Paris opera house, the phantom lords over the cast and management with artistic autocracy--he writes the shows, casts them, and threatens all who disobey his plans with dramatically violent outbursts. But when his young student Christine falls for the rich and dapper Raoul (Patrick Wilson), the phantom descends into madness. Webber's memorable songs are performed with aplomb by Rossum, whose background includes singing with the Metropolitan Opera, and Wilson and Butler provide ample accompaniment. One of the treats of the proceedings is Minnie Driver's deeply exaggerated portrayal of the jealous diva, giving this PHANTOM a very appropriate dose of comic relief. [More]

Starring: Gerard Butler, Emmy Rossum, Minnie Driver, Patrick Wilson

Starring: Gerard Butler, Emmy Rossum, Minnie Driver, Patrick Wilson, Miranda Richardson

Director: Joel Schumacher

Director: Joel Schumacher
Screenwriter: Andrew Lloyd Webber, Joel Schumacher
Producer: Andrew Lloyd Webber
Composer: Andrew Lloyd Webber
Studio: Warner Bros.

[See More Credits]

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Reviews for Andrew Lloyd Webber's The Phantom of the Opera

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121 - 140 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

If you loved the show, you'll likely love the movie; if you detest the show, you'll hate the movie. Personally, I fall closer to the middle.

Full Review Source: Window to the Movies | comment Comment
12/21/04
Jeffrey Chen
Jeffrey Chen
Window to the Movies

Batman meets Liberace.

Full Review Source: Film Freak Central | comment Comment
12/21/04
Walter Chaw
Walter Chaw
Film Freak Central

A flamboyant failure, unwilling and/or unable to open itself up to anyone who wasn't totally in love with the show already.

Full Review Source: FilmJerk.com | comment Comment
12/21/04
Edward Havens
Edward Havens
FilmJerk.com

On paper, the teaming looks solid gold, yet the film is an experience that results in more yawns than goosebumps.

Full Review Source: FilmJerk.com | comment Comment
12/21/04
Brian Orndorf
Brian Orndorf
FilmJerk.com

One of the worst filmed musicals I’ve ever seen, and that includes Cop Rock

Full Review Source: eFilmCritic.com | comment Comment
12/21/04
Erik Childress
Erik Childress
eFilmCritic.com

While The Phantom of the Opera is not the greatest movie I have seen this year, it certainly deserves a chance. It's a decent, sometimes breathtaking film.

Full Review Source: WaffleMovies.com | comment Comment
12/21/04
Willie Waffle
Willie Waffle
WaffleMovies.com

The songs generally suffer on the screen, with only the Phantom's organ-driven theme and the sexual frenzy of the climatic 'Past the Point of No Return' having any real energy

Full Review Source: Reeling Reviews | comment Comment
12/21/04
Laura Clifford
Laura Clifford
Reeling Reviews

Much like his adaptations of The Client and the French film Cousin, Cousine, Schumacher is able to fully embrace the spectacle of the source material.

Full Review Source: FilmStew.com | comment Comment
12/21/04
Todd Gilchrist
Todd Gilchrist
FilmStew.com

The screen version of Andrew Lloyd Webber's musical lacks both authentic romance and the thrill of memorable spectacle.

Full Review Source: New York Times | comment Comment
12/21/04
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

Emmy Rossum’s ethereal beauty and spectacular singing voice are a perfect fit for the role of Christine.

Full Review Source: About.com | comment Comment
12/21/04
Rebecca Murray
Rebecca Murray
About.com

It's questionable whether fans of the musical will be enamored with this adaptation. The energy that characterizes a live performance is absent, resulting in a production that often feels sluggish and slow-moving.

Full Review Source: ReelViews | comment Comment
12/21/04
James Berardinelli
James Berardinelli
ReelViews

The story has an intrinsic appeal, part nostalgic valentine and part root-for-the-underdog thriller. For all the film's missteps, it remains watchable.

Full Review Source: Dallas Morning News | comment Comment
12/21/04
Philip Wuntch
Philip Wuntch
Dallas Morning News

Though admirably anti-MTV, Schumacher's film is often so baroque, it comes off like some joke.

Full Review Source: Los Angeles Daily News | comment Comment
12/21/04
Bob Strauss
Bob Strauss
Los Angeles Daily News

The movie has no sense of its own ridiculousness.

Full Review Source: St. Paul Pioneer Press | comment Comment
12/21/04
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

It's an inviting playground for repressed desire of an enduring favorite in pulp fiction to explode anew.

Full Review Source: South Florida Sun-Sentinel | comment Comment
12/21/04
Jack Zink
Jack Zink
South Florida Sun-Sentinel

For some of us, the phenomenal popularity of Phantom remains the greatest mystery of all, one left unsolved by this interminable screen spectacle.

Full Review Source: Newsday | comment Comment
12/21/04
Jan Stuart
Jan Stuart
Newsday

On its own terms, the film is just about perfect. Viewers who accept it on those terms will be swept away.

Full Review Source: Minneapolis Star Tribune | comment Comment
12/21/04
Colin Covert
Colin Covert
Minneapolis Star Tribune

A stylish, emotionally rich and supremely satisfying adaptation of Webber's musical that successfully transitions it to film while also deepening its dramatic core.

Full Review Source: Boxoffice Magazine | comment Comment
12/21/04
Wade Major
Wade Major
Boxoffice Magazine

Its close-ups of belted numbers command attention without truly commanding our hearts.

Full Review Source: Houston Chronicle | comment Comment
12/21/04
Bruce Westbrook
Bruce Westbrook
Houston Chronicle

Butler doesn't have the necessary screen presence, and without a good Phantom, the movie fails to capture the imagination.

Full Review Source: Arizona Republic | comment Comment
12/21/04
Bill Muller
Bill Muller
Arizona Republic
 
 
121 - 140 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
all

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