Perhaps finally flawed by its overt political assumptions, but the film remains a desperate kind of masterpiece.
Pickup on South Street (1953)
Tomatometer
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Reviews Counted:25
Fresh:22
Rotten:3
Average Rating:7.6/10
Runtime: 81 mins
Genre: Dramas
Synopsis: This film noir classic plays on America's paranoia about a Communist takeover in the 1950s. Dwelling in a neon-lit nightscape are: a pickpocket, Skip McCoy; an abused dame, Candy; a... This film noir classic plays on America's paranoia about a Communist takeover in the 1950s. Dwelling in a neon-lit nightscape are: a pickpocket, Skip McCoy; an abused dame, Candy; a seen-it-all stoolie, Moe; Joey, Candy's violent boyfriend and Communist plotter; shifty G-Men; cynical cops; and a whole nest of vipers in fedoras and trenchcoats. Joey forces Candy to deliver a secret package for him. Then Skip snatches Candy's purse and inadvertently takes a cryptic film that some underground Reds have stolen. A pair of Feds tracking the film's whereabouts witness the pickpocket and close in on him. But Skip first considers cutting a deal with the Communists. Then he realizes that several parties are interested in the film -- and some are even willing to kill for it! [More]
Starring: Richard Widmark, Jean Peters, Thelma Ritter, Richard Kiley
Starring: Richard Widmark, Jean Peters, Thelma Ritter, Richard Kiley, Murvyn Vye, Willis Bouchey, Milburn Stone, Jerry O'Sullivan, Harry Carter
Director: Samuel Fuller
Director: Samuel Fuller
Screenwriter: Samuel Fuller
Producer: Jules Schermer
Composer: Leigh Harline
Reviews for Pickup on South Street
It's probably been a while since you watched a film as tough as Pickup On South Street.
Both Widmark and Peters are superb, but it is Ritter, as the seedy but much-loved Moe, who gives the film its emotional punch.
Sam Fuller, who wrote it and directed, appears to have been more concerned with firing a barrage of sensations than with telling a story to be believed.
It isn't his best, but this 1953 feature may be the archetypal Sam Fuller film, a condensation of his themes and techniques with the steam still rising.
Engagingly captures the hysteria over Reds and the underworld scene of the early 1950s.
The 1953 picture does a nice job capturing the mentality of the Cold War United States.
Opens with a scene that is downright dazzling, even by today's standards.
One of Fuller's few studio-financed pictures, this bruising, brutal movie still manages to emanate waves of B-movie street cred at every juncture.
80 minutes of breathless genre fun infused with pure, uninhibited passion.
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