There's also strong support from Juliet Stevenson and ... Claire Keelan, who stands out in a small role as, well, a tart.
Pierrepoint: The Last Hangman (2007)
Tomatometer
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Reviews Counted:50
Fresh:38
Rotten:12
Average Rating:7/10
Consensus: Director Adrian Shergold doesn't shy away from the darker elements of the movie's subject, and Timothy Spall is mesmerizing as the title character.
Rated: 15 [See Full Rating] for disturbing images, nudity and brief sexuality
Runtime: 90 mins
Genre: Dramas
Theatrical Release:07-04-2006
Synopsis: Timothy Spall (Professor Pettigrew from the Harry Potter movies) gives a magnificently multilayered performance as the protagonist in PIERREPOINT: THE LAST HANGMAN. Spall plays Albert Pierrepoint,... Timothy Spall (Professor Pettigrew from the Harry Potter movies) gives a magnificently multilayered performance as the protagonist in PIERREPOINT: THE LAST HANGMAN. Spall plays Albert Pierrepoint, a grocery deliveryman who decides to apply for his father's old job--a hangman for the British courts. Soon he is perfecting the execution procedure, fulfilling his duties in record time and with no problems whatsoever. Though proud of his success, Pierrepoint prefers to keep it to himself, not even telling his wife, Anne (Juliet Stevenson), what he does when he leaves the house for days at a time. But when General Montgomery himself (Clive Francis) asks Pierrepoint to execute dozens of Nazis who have been sentenced to death, for the first time Pierrepoint starts questioning what he does, and soon his relatively calm, quiet world is turned upside down. Based on a true story, PIERREPOINT: THE LAST HANGMAN is a gripping period drama, bathed in grays by cinematographer Danny Cohen and production designer Candida Otton. Spall is mesmerizing as Pierrepoint, his slow walk and penetrating eyes filling the screen. Stevenson is excellent as his loyal wife, standing by him through thick and thin. PIERREPOINT is directed with careful precision by Adrian Shergold, a longtime actor and television director who trained at the feet of Mike Leigh, who has cast Spall in many of his own films. And Eddie Marsan excels as Tish, a compatriot of Pierrepoint's who lands himself in a very nasty bit of trouble. [More]
Starring: Timothy Spall, Juliet Stevenson, Eddie Marsan, James Corden
Starring: Timothy Spall, Juliet Stevenson, Eddie Marsan, James Corden, Christopher Fulford, Tobias Menzies, Tim Woodward
Director: Adrian Shergold
Director: Adrian Shergold
Screenwriter: Bob Mills, Jeff Pope
Producer: Christine Langan
Composer: Martin Phipps
Studio: IFC Films
Reviews for Pierrepoint: The Last Hangman
In the wrong hands this could have been capital punishment, but as a low key drama about one man's unique approach to life and other people's deaths, it's actually just, er, capital.
The actors' understated performances, coupled with an underwritten screenplay, ultimately leave the audience dangling.
What the film does have, however, is the courage of its dark convictions; it’s a bleak subject and, commendably, the director doesn’t shy away from it.
The key to the film is in the performances by Spall and Stevenson -- and by Marsan. The utter averageness of the characters, their lack of insight, their normality, contrasts with the subject matter in an unsettling way.
A suitably sombre treatment of a sombre story, Pierrepoint is nevertheless a riveting drama, sketching out not only the salient facts of Albert Pierrepoint's life but the turmoil in which that life caused in his soul
Albert Pierrepoint single-handedly killed over 450 people in his career, dispatching most of them with an icy precision in less than 30 seconds.
Based on their press materials, they think they have made a film damning capital punishment and exploring Britain's most famous executioner. In fact, they haven't. But they have made a film of artistic beauty and endless fascination.
The movie grows more compelling in the latter half as British public opinion turns against capital punishment and Pierrepoint begins to have his own doubts.
There is a great deal of food for thought in a film that personalizes the effects of the death penalty on both the executed and the executioner.
A genuine and skillful account of one of Britain's most morally ambiguous working-class characters.
...a powerful pairing of work by two terrific actors [Spall and Stevenson].
The very title of this movie seems to message its doom. What could possibly be dramatic enough about Britain's last hangman to carry our interest over a 90-minute film? A whole lot, it turns out.
A completely engaging film. It's all about performance, and Timothy Spall is riveting as the earnest hangman. If you're desperate for a movie that has nothing to do with sequels or product placement, look no further.
[The film's] grittiness instantly adds to the historically and socio-economically convincing picture of working-class Yorkshire in the last century.
Latest News for Pierrepoint: The Last Hangman
May 31, 2007:
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