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Piñero (2001)
Tomatometer
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Reviews Counted:24
Fresh:
Rotten:24
Average Rating:0.8/10
Consensus: Though Bratt is great in the title role, the biopic itself is messy and Piñero grows tiresome.
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: Miguel Piñero was a New York City poet and playwright who wrote what he knew: a world of "stabbing, shooting and dying." This gritty, non-linear biographical film presents Piñero's dark charisma... Miguel Piñero was a New York City poet and playwright who wrote what he knew: a world of "stabbing, shooting and dying." This gritty, non-linear biographical film presents Piñero's dark charisma and even darker life in all it's angry glory. A junkie, a drug dealer, and a thief, Piñero (played by Benjamin Bratt) spent time in SIng-SIng prison, an experience which was the basis of his most famous play, SHORT EYES, which won the Tony award in 1974. Piñero also pioneered the spoken-word poetry (the forebearer to rap and hip-hop) of the Nuyorican Poets Cafe, which he helped found. Mixing digital video in color with 16mm film in black and white, the film creates a convincingly harsh and lively portrait of life on the mean streets of Lower East Side Manhattan in the 1970s and '80s. There were a number of people in Piñero's life who recognized his genius and tried to save him from self-destruction: his mother (Rita Moreno), theater impresario Joseph Papp (Mandy Patinkin), and his longtime girlfriend (Talisa Soto). But the allure of crime and drugs won him over, and Piñero finally crashed and burned, dying young in 1988. This film is a passionate tribute to a passionate artist who remains an important Puerto Rican-American icon. [More]
Starring: Benjamin Bratt, Talisa Soto, Mandy Patinkin, Rita Moreno
Starring: Benjamin Bratt, Talisa Soto, Mandy Patinkin, Rita Moreno, Jaime Sanchez, Giancarlo Esposito
Director: Leon Ichaso
Director: Leon Ichaso
Screenwriter: Leon Ichaso
Producer: Fisher Stevens
Studio: Miramax Films
Reviews for Piñero
Pinero asks us to applaud the author's art, not his life, but the film provides us little of either to praise.
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