It's impressionistic and risks incoherence, but it works as a successful montage of the unruly life of a sensitive, talented, but conflicted man whose self-destructiveness it never tries to sugarcoat or deny.
Piņero (2001)
Tomatometer
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Reviews Counted:61
Fresh:26
Rotten:35
Average Rating:5.4/10
Consensus: Though Bratt is great in the title role, the biopic itself is messy and Piņero grows tiresome.
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: Miguel Piņero was a New York City poet and playwright who wrote what he knew: a world of "stabbing, shooting and dying." This gritty, non-linear biographical film presents Piņero's dark charisma... Miguel Piņero was a New York City poet and playwright who wrote what he knew: a world of "stabbing, shooting and dying." This gritty, non-linear biographical film presents Piņero's dark charisma and even darker life in all it's angry glory. A junkie, a drug dealer, and a thief, Piņero (played by Benjamin Bratt) spent time in SIng-SIng prison, an experience which was the basis of his most famous play, SHORT EYES, which won the Tony award in 1974. Piņero also pioneered the spoken-word poetry (the forebearer to rap and hip-hop) of the Nuyorican Poets Cafe, which he helped found. Mixing digital video in color with 16mm film in black and white, the film creates a convincingly harsh and lively portrait of life on the mean streets of Lower East Side Manhattan in the 1970s and '80s. There were a number of people in Piņero's life who recognized his genius and tried to save him from self-destruction: his mother (Rita Moreno), theater impresario Joseph Papp (Mandy Patinkin), and his longtime girlfriend (Talisa Soto). But the allure of crime and drugs won him over, and Piņero finally crashed and burned, dying young in 1988. This film is a passionate tribute to a passionate artist who remains an important Puerto Rican-American icon. [More]
Starring: Benjamin Bratt, Talisa Soto, Mandy Patinkin, Rita Moreno
Starring: Benjamin Bratt, Talisa Soto, Mandy Patinkin, Rita Moreno, Jaime Sanchez, Giancarlo Esposito
Director: Leon Ichaso
Director: Leon Ichaso
Screenwriter: Leon Ichaso
Producer: Fisher Stevens
Studio: Miramax Films
Reviews for Piņero
There's no denying that [Bratt's] riveting, live-wire performance as the title character here energizes an otherwise sketchy biography.
What makes the film so grueling and, eventually, tiresome is the relentlessness of the guy's self-destruction.
Never comes close to convincing us that this guy is worth a movie at all.
One would wish that the end result of their labors, which is an obvious effort of love, would be better.
Benjamin Bratt gets to show off a lot in the title role, but to his credit he nails Piņero's Beat poetry and transmits startling savagery through his flashing eyes.
A daring, free-spirited and ultimately moving performance by Benjamin Bratt lies at the beating heart of Pinero.
This character was an abusive swine. Perhaps it would be best to let his art stand on its own.
Seems like it's scrawled in blank verse on the back of a greasy paper bag -- and that's a compliment.
For all the film's spectacle, its visual flash and approximation of street 'realism,' its most daring aspect is its willingness to represent Piņero as a vicious, frightened thug.
Overall, Ichaso's mosaic of a celebrated misfit has the potential moodiness to resonate as something engagingly reflective.
Bratt's performance becomes little more than a set of flashily donned 'street' attitudes.
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