Bratt's fast-talking, all-attitude interpretation is showboating without soul--which can be said of the entire movie.
Piņero (2001)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:61
Fresh:26
Rotten:35
Average Rating:5.4/10
Consensus: Though Bratt is great in the title role, the biopic itself is messy and Piņero grows tiresome.
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: Miguel Piņero was a New York City poet and playwright who wrote what he knew: a world of "stabbing, shooting and dying." This gritty, non-linear biographical film presents Piņero's dark charisma... Miguel Piņero was a New York City poet and playwright who wrote what he knew: a world of "stabbing, shooting and dying." This gritty, non-linear biographical film presents Piņero's dark charisma and even darker life in all it's angry glory. A junkie, a drug dealer, and a thief, Piņero (played by Benjamin Bratt) spent time in SIng-SIng prison, an experience which was the basis of his most famous play, SHORT EYES, which won the Tony award in 1974. Piņero also pioneered the spoken-word poetry (the forebearer to rap and hip-hop) of the Nuyorican Poets Cafe, which he helped found. Mixing digital video in color with 16mm film in black and white, the film creates a convincingly harsh and lively portrait of life on the mean streets of Lower East Side Manhattan in the 1970s and '80s. There were a number of people in Piņero's life who recognized his genius and tried to save him from self-destruction: his mother (Rita Moreno), theater impresario Joseph Papp (Mandy Patinkin), and his longtime girlfriend (Talisa Soto). But the allure of crime and drugs won him over, and Piņero finally crashed and burned, dying young in 1988. This film is a passionate tribute to a passionate artist who remains an important Puerto Rican-American icon. [More]
Starring: Benjamin Bratt, Talisa Soto, Mandy Patinkin, Rita Moreno
Starring: Benjamin Bratt, Talisa Soto, Mandy Patinkin, Rita Moreno, Jaime Sanchez, Giancarlo Esposito
Director: Leon Ichaso
Director: Leon Ichaso
Screenwriter: Leon Ichaso
Producer: Fisher Stevens
Studio: Miramax Films
Reviews for Piņero
The deliberately lackadaisical, almost improvisational approach occasionally achieves striking moments, but mostly seems more flat and redundant.
Who'd have thought Benjamin Bratt could give such an impassioned, stormy, totally absorbing performance that he would leave you gaping in astonishment and admiration?
Director Leon Ichaso circles around the life and the work of Piņero with an intensity that matches the Puerto Rican-born artist's creativity.
You get the feeling Ichaso is trying to bluff us into becoming believers.
With his cinematic artyness, Ichaso the director may be trying to dazzle us out of seeing the holes that Ichaso the writer has left gaping.
Offers a highly impressionistic portrait of this self-described 'junkie Christ,' played with riveting intensity by Benjamin Bratt.
A sustained piece of showboating mythmaking, and something of a snow job.
Despite the quality of Bratt's performance, the movie is like its subject: provocative, impenetrable and tiresome.
Has its moments ... but overall it doesn't do justice to Bratt's brave performance.
A dizzying, constantly moving ride through an exciting decade in the blossoming of 'Nuyorican' culture with its most flamboyant figure as our focus.
Bratt resurrects the spirit of the playwright, poet and actor Miguel Piņero with the kind of thrilling brio that Dustin Hoffman brought to his screen portrayal of Lenny Bruce 27 years ago.
Biopics about inebriated artists are always stranded by their own non-stories, and Piņero's short life was apparently little more than a series of dimebag mooches and public stumbles.
Pinero's life may move by quickly here, but Bratt does a masterful job of finding the flow in this shooting star who burned bright and burned out too soon.
The film's rhythm is so deftly crude it unwinds like an underground 80s cinematic relic.
What makes this one different, and therefore MUCH better, is that it avoids the typical 'this happened and then this happened' structure that makes most biographical films such heavy lifting.
Benjamin Bratt's harrowing and electric performance anchors Pinero in place as the wayward narrative jumps from one time period to the next.
In a career-making performance, Benjamin Bratt inhabits the title role with mesmerizing fury.
Latest News for Piņero
More DVDs
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
What’s Hot On RT
Other News
Sponsored Links
Fresh Links
Featured

Subscribe to RT's YouTube channel and don't miss a second of our cracking video content.

Follow Rotten Tomatoes and join us as we tweet about the week's releases.



Top Critic

