If you have a chance to see the 3-D IMAX version of the movie, ignore any objections.
The Polar Express (2004)
Tomatometer
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Reviews Counted:185
Fresh:104
Rotten:81
Average Rating:6.4/10
Consensus: Though the movie is visually stunning overall, the animation for the human characters isn't lifelike enough, and the story is padded.
Theatrical Release:03-12-2004
Synopsis: Director Robert Zemeckis revolutionized the art of animated film in 1998's WHO FRAMED ROGER RABBIT by dropping cartoon characters into the same frame with flesh-and-blood actors. In THE POLAR... Director Robert Zemeckis revolutionized the art of animated film in 1998's WHO FRAMED ROGER RABBIT by dropping cartoon characters into the same frame with flesh-and-blood actors. In THE POLAR EXPRESS, live action and animation have merged seamlessly, resulting in sparkling super-realism. A landmark technique Zemeckis and his Sony Pictures Imageworks team call "Performance Capture" perfectly suits the tenor of this wondrous children's Christmas story by Chris Van Allsburg. A disillusioned little boy, just old enough to doubt the existence of Santa Claus, has the adventure of a lifetime one fateful Christmas Eve. Clad in his pajamas, he climbs aboard a magic train to the North Pole, driven by a kindly train conductor (voiced by Tom Hanks who starred in both of Zemeckis's Academy-Award winning films FORREST GUMP and CASTAWAY). Among myriad jaw-dropping moments, the train plummets brakeless through crystalline mountains in a simulated roller coaster ride. Going off the rails, skidding sideways, and snaking violently across a frozen lake, the train arrives at the North Pole (a vast, glowing city of brick buildings). At that moment, the car carrying the kids detaches and they're sent tumbling down never-ending chutes and slides until they land in the middle of Santa's Workshop. With its fascinating tale and impressive technical frolics, THE POLAR EXPRESS is destined to become both a holiday classic and a new turning point in the art of animated cinema. [More]
Starring: Tom Hanks, Michael Jeter, Peter Scolari, Nona Gaye
Starring: Tom Hanks, Michael Jeter, Peter Scolari, Nona Gaye, Eddie Deezen, Charles Fleischer, Daryl Sabara
Director: Robert Zemeckis
Director: Robert Zemeckis
Screenwriter: William Broyles, Robert Zemeckis
Producer: Steve Starkey, Gary Goetzman, William Teitler, Robert Zemeckis
Composer: Alan Silvestri
Studio: Warner Bros.
Reviews for The Polar Express
Truth be told, there were a few scenes when it felt like this movie could have been more aptly described as a Halloween trick than a Christmas treat.
It's utterly sincere in its storytelling ... but [overuses shallow, vague, and sentimental] platitudes until we weary of the word 'believe.'
A truly satisfying holiday picture, the kind everyone can enjoy, and which may even restore a little lost childhood in many adult viewers.
Zemeckis stuffs his holiday package with roller-coaster thrills, sticky songs, Jewish elves and a Santa Claus that either looks like Zeus or a pot-bellied monster.
Frankly put, this film does not look good. It creates a bizarre, ugly world where everything seems more than a little bit off.
Except for children, who might find this a breathless gift, the film's personality is defined by its locomotive: showmanship.
Certain moments will amaze... but these new digital characters very often look stiff and spooky, like a wax museum dummy that you could swear just moved.
Its single best scene...comes courtesy of the vastly superior, similarly themed, thirty minute UK animation, "The Snowman."
Modeled upon real actors though the movie's characters are, they lack the communicative power of genuine human expression. Frankly, they're creepy.
No matter where you stand on the jolly guy in the red suit, believe this. The Polar Express is the most magical, captivating animated Christmas adventure of all time.
Anytime a movie is this dependent on new technology, it becomes a science fair exhibit for what works and what doesn’t about the process.
All the shiny images in the world can't hide the emptiness of the narrative.
It takes major issues of belief and loneliness and (implied) child abuse and turns them into a Hallmark card.
It's visually astonishing and mostly engaging, but ultimately lacks the one quality essential for a true holiday classic: genuine warmth.
Latest News for The Polar Express
May 19, 2009:
Cannes 2009: Carrey and co. Present A Christmas Carol
Big, fat flakes of white snow suddenly began tumbling down in the roasting afternoon heat of the Cannes Film Festival yesterday. It wasn't global warming. It was just Cannes.... More...
November 15, 2007:
Box Office Guru Preview: Beowulf Set To Conquer Multiplexes
One animated film will bump another from the number one spot at the North American box office. But the new warrior Beowulf is no B movie but an A-list production from an... More...
August 23, 2007:
One Justice League of America Rumor Cleared Up, Another Started
Forget The Dark Knight and Iron Man -- the big comic-book adaptation everyone's talking about this week is Justice League of America, the superhero extravaganza that's... More...
July 31, 2007:
Sony Planning Three More Motion Capture Flicks
You know that fancy "motion capture animation" technique that's been employed in The Polar Express, Monster House, and the upcoming Beowulf? Looks like Sony Imageworks is... More...
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