Accept the process Zemeckis and Hanks have chosen and the journey they take you on is wondrous.
The Polar Express (2004)
Tomatometer
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Reviews Counted:185
Fresh:104
Rotten:81
Average Rating:6.4/10
Consensus: Though the movie is visually stunning overall, the animation for the human characters isn't lifelike enough, and the story is padded.
Theatrical Release:03-12-2004
Synopsis: Director Robert Zemeckis revolutionized the art of animated film in 1998's WHO FRAMED ROGER RABBIT by dropping cartoon characters into the same frame with flesh-and-blood actors. In THE POLAR... Director Robert Zemeckis revolutionized the art of animated film in 1998's WHO FRAMED ROGER RABBIT by dropping cartoon characters into the same frame with flesh-and-blood actors. In THE POLAR EXPRESS, live action and animation have merged seamlessly, resulting in sparkling super-realism. A landmark technique Zemeckis and his Sony Pictures Imageworks team call "Performance Capture" perfectly suits the tenor of this wondrous children's Christmas story by Chris Van Allsburg. A disillusioned little boy, just old enough to doubt the existence of Santa Claus, has the adventure of a lifetime one fateful Christmas Eve. Clad in his pajamas, he climbs aboard a magic train to the North Pole, driven by a kindly train conductor (voiced by Tom Hanks who starred in both of Zemeckis's Academy-Award winning films FORREST GUMP and CASTAWAY). Among myriad jaw-dropping moments, the train plummets brakeless through crystalline mountains in a simulated roller coaster ride. Going off the rails, skidding sideways, and snaking violently across a frozen lake, the train arrives at the North Pole (a vast, glowing city of brick buildings). At that moment, the car carrying the kids detaches and they're sent tumbling down never-ending chutes and slides until they land in the middle of Santa's Workshop. With its fascinating tale and impressive technical frolics, THE POLAR EXPRESS is destined to become both a holiday classic and a new turning point in the art of animated cinema. [More]
Starring: Tom Hanks, Michael Jeter, Peter Scolari, Nona Gaye
Starring: Tom Hanks, Michael Jeter, Peter Scolari, Nona Gaye, Eddie Deezen, Charles Fleischer, Daryl Sabara
Director: Robert Zemeckis
Director: Robert Zemeckis
Screenwriter: William Broyles, Robert Zemeckis
Producer: Steve Starkey, Gary Goetzman, William Teitler, Robert Zemeckis
Composer: Alan Silvestri
Studio: Warner Bros.
Reviews for The Polar Express
I loved watching this movie; I loved even more watching children hugging mothers watching this movie.
Not overly sappy or preachy, this movie also has the power make you bawl your eyes out, so pack the tissues.
Looks as reassuringly retro as a 1950s Lionel train set still in its original box.
Although it occasionally makes us feel as if whimsy has been run over by a train, Polar Express achieves some genuine enchantment, offering just enough storybook comfort to keep from flying off the rails.
The source material has been broadened with great respect and tenderness, while the illustrations that made the book so special have served as inspiration for some of the most beautiful computer-generated imagery ever.
Those human characters in the film come across as downright ... well, creepy. So The Polar Express is at best disconcerting, and at worst, a wee bit horrifying.
While the 29 pages of [Van Allsburg's] mini-classic would have made a superb half-hour TV special, Zemeckis and writer William Broyles Jr. have created a steroidal monster with a heart about one size too small.
A holiday oddity of the first rank: a breathtaking visual feast peopled by dead-eyed mannequins.
It is a cold, distant and failed experiment, with a molasses-mired plotline and an obvious moral forced upon us like a mug of bad eggnog.
Robert Zemeckis has taken Chris Van Allsburg's beloved book and transformed it into a painting of breathtaking beauty but also an animated tale that's stilted and stiff.
I could probably have tolerated the incessant jitteriness of The Polar Express if the look of it didn't give me the creeps.
There's a deeper, shivery tone, instead of the mindless jolliness of the usual Christmas movie.
I only wish there were more of the disorienting -- more of the silently, hypnotically Van Allsburgian -- and less of the flat, linear, polished, technical brilliance with which this big-ticket vehicle runs its route.
Lacking a human touch here and there, The Polar Express is still a brilliant effort in CGI-animation and will certainly evoke the Christmas spirit in us all.
Now it can be said, Santa Claus is a fascist dictator who likes to kidnap and endanger children so that they can learn the true value of Christmas.
Latest News for The Polar Express
May 19, 2009:
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November 15, 2007:
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One animated film will bump another from the number one spot at the North American box office. But the new warrior Beowulf is no B movie but an A-list production from an... More...
August 23, 2007:
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July 31, 2007:
Sony Planning Three More Motion Capture Flicks
You know that fancy "motion capture animation" technique that's been employed in The Polar Express, Monster House, and the upcoming Beowulf? Looks like Sony Imageworks is... More...
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