So unabashedly romantic and passionately goofy that it not only confirms LaBute as one of America's great talents but also clocks in as one of the year's best American films.
Possession (2002)
Tomatometer
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Reviews Counted:154
Fresh:99
Rotten:55
Average Rating:6.3/10
Consensus: Based on Byatt's novel of the same name, Possession is a lovely, literate romance.
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: Set in both contemporary and Victorian England, POSSESSION, directed by Neil LaBute, is based on the novel by A.S. Byatt. The tale begins with Roland Michell (Aaron Eckhart), a laid-back American... Set in both contemporary and Victorian England, POSSESSION, directed by Neil LaBute, is based on the novel by A.S. Byatt. The tale begins with Roland Michell (Aaron Eckhart), a laid-back American studying the renowned Victorian poet Randolph Henry Ash (Jeremy Northam) on a fellowship. When Roland discovers what may be a love letter from Ash, a supposedly devoted husband, to the reclusive poet Christabel LaMotte (Jennifer Ehle), he recognizes that he's on to a big literary discovery. Enlisting the help of skeptical British academic Maud Bailey (Gwyneth Paltrow), Roland embarks on journey to discover more about the link between the two revered poets. As Roland and Maud track Ash and LaMotte's elusive romance across the British countryside, the two scholars begin a relationship of their own. Although this film presents a kinder, gentler LaBute--who is known for emotionally caustic movies such as IN THE COMPANY OF MEN and YOUR FRIENDS AND NEIGHBORS--POSSESSION still focuses on the relationships between men and women with skillful attention. Paltrow reprises her convincing British accent from films such as SHAKESPEARE IN LOVE and SLIDING DOORS, while Northam and Ehle lend gravity to their Victorian characters. However, it's Eckhart, a longtime LaBute collaborator, who proves to be the film's heart and soul; his relaxed yet complex personality grounds both the movie and its two intertwined stories. As the two tales progress, the relationships between the characters wax and wane, leading to an ending with a surprising twist. [More]
Starring: Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam, Jennifer Ehle
Starring: Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam, Jennifer Ehle, Tom Hollander, Toby Stephens, Lena Headey
Director: Neil LaBute, Barry Levinson
Director: Neil LaBute
Screenwriter: Laura Jones, Neil LaBute, David Henry Hwang
Producer: Paula Weinstein
Director: Barry Levinson
Producer: David Barron, Len Amato
Studio: USA Films
Reviews for Possession
'Possession,' based on the book by A.S. Byatt, demands that LaBute deal with the subject of love head-on; trading in his cynicism for reverence and a little wit
As directed by Neil LaBute, there's no visual enchantment to accompany the heightened prose.
There's no point in extracting the bare bones of Byatt's plot for purposes of bland Hollywood romance.
Just about everything in this dry bit of business seems limp, building toward a poorly staged scene in a graveyard, which could be just where this slumbering bit of folly will land.
A captivating excursion in which a fascination with literary academia spawns a lushly romantic tale that's impossible to resist.
A literate, delicately woven romantic drama that plays itself out more as a book would than a movie.
This ambitious film about yearning registers on the senses and offers some interesting insights into sexual politics in different eras.
A shockingly horrid effort from acclaimed writer-director Neil LaBute, who does much better work when his characters spend their time being nasty to each other.
Neil LaBute has taken another large and confident step into an unexpected genre with gratifying results.
What's supposed to be a deep examination of the transcendence of love and art and poetry turns into another shallow film about how repressed the British are.
It may be faint praise, but praise nonetheless, to say that LaBute (and co-writers Laura Jones and David Henry Hwang) have done the best they can with A.S. Byatt's Booker-winning 1990 novel.
LaBute's trademark bite is absent here -- his movie feels trivial next to the book that inspired it.
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