Just lovely, and a magnificently enjoyable coda to an extraordinary career.
A Prairie Home Companion (2006)
Tomatometer
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Reviews Counted:186
Fresh:151
Rotten:35
Average Rating:7.1/10
Consensus: The final film by the great Robert Altman, A Prairie Home Companion, the big screen adaptation of Garrison Keillor's radio broadcast, showcases plenty of the director's strengths: it's got a gigantic cast and plenty of quirky acting and dialogue. Much like the radio show, Companion features clever jokes, rousing tunes, and endearing characters. With strong work from Lindsay Lohan, Meryl Streep, Kevin Kline, and Tommy Lee Jones, it's a worthy swan song from one of the cinema's best.
Theatrical Release:05-01-2007
Synopsis: Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has... Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has managed to survive in the age of television. Meryl Streep and Lily Tomlin star as the Johnson Sisters, Yolanda and Rhonda, a country duet act that has survived the county-fair circuit, and Lindsey Lohan plays Meryl's daughter, Lola, who gets her big chance to sing on the show and then forgets the words. Kevin Kline is Guy Noir, a private eye down on his luck who works as a backstage doorkeeper, and Woody Harrelson and John C. Reilly are Dusty and Lefty, the Old Trailhands, a singing cowboy act. Add Virginia Madsen as an angel and Tommy Lee Jones as the Axeman and Maya Rudolph as a pregnant stagehand and Keillor in the role of a hangdog emcee, and you have a playful story set on a rainy Saturday night in St. Paul, Minnesota, where fans file into the Fitzgerald Theater to see "A Prairie Home Companion," a staple of radio station WLT, not knowing that WLT has been sold to a Texas conglomerate and that tonight's show will be the last. Shot entirely in the Fitzgerald, except for the opening and closing scenes which take place in a nearby diner, the picture combines Altman's cinematic style and intelligence and love of improvisation and Keillor's songs and storytelling to create a fictional counterpart to the "A Prairie Home Companion" radio show. The film uses the musicians and crew and stage setting of the actual radio show, heard on public radio stations coast to coast for the past quarter-century (and which, in real life, continues to broadcast). The result is a compact tale with a series of extraordinary acting turns, especially Kevin Kline's elegant Keaton-esque detective and Lily Tomlin and Meryl Streep's singing ("Goodbye to My Mama") and their beautiful portrayal of two sisters who talk simultaneously. And Virginia Madsen's serene angel. And Lindsay Lohan's version of "Frankie and Johnny". --© Picturehouse [More]
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor, Kevin Kline, Virginia Madsen, Maya Rudolph, Meryl Streep, Robin Williams, Lily Tomlin, Lindsay Lohan
Director: Robert Altman
Director: Robert Altman
Screenwriter: Garrison Keillor
Producer: Wren Arthur, Robert Altman, George Sheanshang, Tony Judge, Joshua Astrachan, William Pohlad, John Penotti, Fisher Stevens
Composer: Richard Dworsky
Studio: Picturehouse
Reviews for A Prairie Home Companion
It's a warm and dignified end to a sometimes erratic but often enthralling career.
A fitting swansong for Altman's career, this is an enjoyable comedy drama with strong performances, lively musical numbers and a handful of decent jokes.
This ode to a bygone style of entertainment is a fitting swan song for Altman.
Swan songs are seldom as sweet or melodic as A Prairie Home Companion.
In the end, the movie's wistful, warm-hearted ways win its audience over to the light side, just like Keillor wants it.
A late, minor addition to the Robert Altman collection but a treasure all the same A Prairie Home Companion is more likely to inspire fondness than awe.
It sparkles with a magic all its own as an engagingly performed piece of Midwestern whimsy and stoicism. Mr. Altman’s flair for ensemble spectacle and seamless improvisation in the midst of utter chaos is as apparent as ever.
...charming, enjoyable, and less complex than the director's best: it's Altman Lite, which is a fine thing to be.
A radio writer earlier in life, 81-year-old Altman is obviously still in love with the art form, and "A Prairie Home Companion" is a passionate ode to a skill that has lost its romanticism.
the entire film is an inside joke: someone can explain it to you, but it will never be as fun as if you just... got it.
Set during the final broadcast of a fictional version of Garrison Keillor's real-life radio variety show -- which is still on the air after 25 years -- this backstage fable is particularly suited for auteur director Robert Altman.
Worth a look, especially for the sheer enjoyment of watching Streep and Tomlin do their schtick, but the film is, at best, Altman lite.
Long musical numbers make it difficult to loyally follow through with.
You don't have to be an NPR junkie to appreciate Garrison Keillor and Robert Altman's sweet, gently funny tale about an old-fashioned radio show taking its last bow.
'A Prairie Home Companion' makes us laugh and care and cry with characters who never say die.
Fans should enjoy A Prairie Home Companion, a movie based on Keillor's satirical radio show, known for its dry Midwestern wit and fake ads for biscuits and duct tape.
It's a sweet thing to hear and see -- and when have we been able to say that about an Altman movie?
...a lovely and bittersweet fable about morality, the fleetingness of fame, drawing strength from the past and finding the inevitable beauty in the darkest of situations.
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