Just lovely, and a magnificently enjoyable coda to an extraordinary career.
A Prairie Home Companion (2006)
Tomatometer
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Reviews Counted:186
Fresh:151
Rotten:35
Average Rating:7.1/10
Consensus: The final film by the great Robert Altman, A Prairie Home Companion, the big screen adaptation of Garrison Keillor's radio broadcast, showcases plenty of the director's strengths: it's got a gigantic cast and plenty of quirky acting and dialogue. Much like the radio show, Companion features clever jokes, rousing tunes, and endearing characters. With strong work from Lindsay Lohan, Meryl Streep, Kevin Kline, and Tommy Lee Jones, it's a worthy swan song from one of the cinema's best.
Theatrical Release:05-01-2007
Synopsis: Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has... Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has managed to survive in the age of television. Meryl Streep and Lily Tomlin star as the Johnson Sisters, Yolanda and Rhonda, a country duet act that has survived the county-fair circuit, and Lindsey Lohan plays Meryl's daughter, Lola, who gets her big chance to sing on the show and then forgets the words. Kevin Kline is Guy Noir, a private eye down on his luck who works as a backstage doorkeeper, and Woody Harrelson and John C. Reilly are Dusty and Lefty, the Old Trailhands, a singing cowboy act. Add Virginia Madsen as an angel and Tommy Lee Jones as the Axeman and Maya Rudolph as a pregnant stagehand and Keillor in the role of a hangdog emcee, and you have a playful story set on a rainy Saturday night in St. Paul, Minnesota, where fans file into the Fitzgerald Theater to see "A Prairie Home Companion," a staple of radio station WLT, not knowing that WLT has been sold to a Texas conglomerate and that tonight's show will be the last. Shot entirely in the Fitzgerald, except for the opening and closing scenes which take place in a nearby diner, the picture combines Altman's cinematic style and intelligence and love of improvisation and Keillor's songs and storytelling to create a fictional counterpart to the "A Prairie Home Companion" radio show. The film uses the musicians and crew and stage setting of the actual radio show, heard on public radio stations coast to coast for the past quarter-century (and which, in real life, continues to broadcast). The result is a compact tale with a series of extraordinary acting turns, especially Kevin Kline's elegant Keaton-esque detective and Lily Tomlin and Meryl Streep's singing ("Goodbye to My Mama") and their beautiful portrayal of two sisters who talk simultaneously. And Virginia Madsen's serene angel. And Lindsay Lohan's version of "Frankie and Johnny". --© Picturehouse [More]
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor, Kevin Kline, Virginia Madsen, Maya Rudolph, Meryl Streep, Robin Williams, Lily Tomlin, Lindsay Lohan
Director: Robert Altman
Director: Robert Altman
Screenwriter: Garrison Keillor
Producer: Wren Arthur, Robert Altman, George Sheanshang, Tony Judge, Joshua Astrachan, William Pohlad, John Penotti, Fisher Stevens
Composer: Richard Dworsky
Studio: Picturehouse
Reviews for A Prairie Home Companion
This ode to a bygone style of entertainment is a fitting swan song for Altman.
It's a warm and dignified end to a sometimes erratic but often enthralling career.
Swan songs are seldom as sweet or melodic as A Prairie Home Companion.
A fitting swansong for Altman's career, this is an enjoyable comedy drama with strong performances, lively musical numbers and a handful of decent jokes.
By the movie's own reckoning, it's a success: a dented, mysterious item that you would find buried in a secondhand store -- a relic of the old, weird America that Keillor so loves.
Simply put, it is a pleasure to watch and a film that I'd gladly see again.
The director's dreamy pacing perfectly captures the radio show's comforting, Sunday afternoon nostalgia.
Robert Altman adapts the radio to the screen, or the screen to the radio, in this affectionate, mortality-fixated salute to old-timey music, values and the timeless allure of Powdermilk biscuits.
It looks and feels like an Altman film, but one made completely on a pointless lark
Fans of Altman's naturalistic style and admirers of Keillor's wit will find plenty to love in A Prairie Home Companion.
Altman enjoys the company of the characters and their swirl of sweet-and-sour chemistry but has little luck creating any drama from the situation...
A radio writer earlier in life, 81-year-old Altman is obviously still in love with the art form, and "A Prairie Home Companion" is a passionate ode to a skill that has lost its romanticism.
A perplexingly kooky comedy about death, [it] manages to do what Altman has almost never done before: allow a different artist their own voice.
It's been a very long time since any Robert Altman film has been as enjoyable as A Prairie Home Companion.
A gentle, graceful movie so preoccupied with death and the end of things that it seems like the work of a man politely preparing his own funeral service -- corny jokes included -- to save his loved ones the trouble.
A few homilies about death aside, the film has nothing more on its mind than telling some jokes and singing some songs.
Despite a folksy, low-key appeal, this movie is likely to primarily interest fans of Garrison Keillor's popular radio program.
Latest News for A Prairie Home Companion
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November 21, 2006:
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November 02, 2006:
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