Such is Altman's gift with actors that he even makes Lindsay Lohan seem fresh-faced, building the film to a climax in which the pop tartlet makes the most of her thin voice.
A Prairie Home Companion (2006)
Tomatometer
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Reviews Counted:186
Fresh:151
Rotten:35
Average Rating:7.1/10
Consensus: The final film by the great Robert Altman, A Prairie Home Companion, the big screen adaptation of Garrison Keillor's radio broadcast, showcases plenty of the director's strengths: it's got a gigantic cast and plenty of quirky acting and dialogue. Much like the radio show, Companion features clever jokes, rousing tunes, and endearing characters. With strong work from Lindsay Lohan, Meryl Streep, Kevin Kline, and Tommy Lee Jones, it's a worthy swan song from one of the cinema's best.
Theatrical Release:05-01-2007
Synopsis: Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has... Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has managed to survive in the age of television. Meryl Streep and Lily Tomlin star as the Johnson Sisters, Yolanda and Rhonda, a country duet act that has survived the county-fair circuit, and Lindsey Lohan plays Meryl's daughter, Lola, who gets her big chance to sing on the show and then forgets the words. Kevin Kline is Guy Noir, a private eye down on his luck who works as a backstage doorkeeper, and Woody Harrelson and John C. Reilly are Dusty and Lefty, the Old Trailhands, a singing cowboy act. Add Virginia Madsen as an angel and Tommy Lee Jones as the Axeman and Maya Rudolph as a pregnant stagehand and Keillor in the role of a hangdog emcee, and you have a playful story set on a rainy Saturday night in St. Paul, Minnesota, where fans file into the Fitzgerald Theater to see "A Prairie Home Companion," a staple of radio station WLT, not knowing that WLT has been sold to a Texas conglomerate and that tonight's show will be the last. Shot entirely in the Fitzgerald, except for the opening and closing scenes which take place in a nearby diner, the picture combines Altman's cinematic style and intelligence and love of improvisation and Keillor's songs and storytelling to create a fictional counterpart to the "A Prairie Home Companion" radio show. The film uses the musicians and crew and stage setting of the actual radio show, heard on public radio stations coast to coast for the past quarter-century (and which, in real life, continues to broadcast). The result is a compact tale with a series of extraordinary acting turns, especially Kevin Kline's elegant Keaton-esque detective and Lily Tomlin and Meryl Streep's singing ("Goodbye to My Mama") and their beautiful portrayal of two sisters who talk simultaneously. And Virginia Madsen's serene angel. And Lindsay Lohan's version of "Frankie and Johnny". --© Picturehouse [More]
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor, Kevin Kline, Virginia Madsen, Maya Rudolph, Meryl Streep, Robin Williams, Lily Tomlin, Lindsay Lohan
Director: Robert Altman
Director: Robert Altman
Screenwriter: Garrison Keillor
Producer: Wren Arthur, Robert Altman, George Sheanshang, Tony Judge, Joshua Astrachan, William Pohlad, John Penotti, Fisher Stevens
Composer: Richard Dworsky
Studio: Picturehouse
Reviews for A Prairie Home Companion
Robert Altman has a real knack for making quality, quirky movies. 'A Prairie Home Companion' is no exception.
I'm ready to see it again, if only to watch Garrison Keillor voicing a commercial via his old-fashioned radio mike.
Either you like that brand of music and humor or you don’t. I am not a huge fan.
A beautiful farewell party, one that balances drama and comedy with ample, unexpected heart.
It's often those small, tossaway moments - Keillor reviewing script unabashed in his underpants, Streep cheekily yipping extra 'ees' out of a sung 'prairie,' that make it special.
'A Prairie Home Companion' makes us laugh and care and cry with characters who never say die.
Gets big laughs in its clever, rapid-fire delivery and finds beauty and wisdom within its narrative simplicity.
Between Robert Altman, Garrison Keillor and all the award winning actors just waiting to use all their drama school techniques, there's no room for anyone looking for entertainment or insight.
This is an Altman show, through-and-through. Fans will be elated to discover that everything that makes him such a singular filmmaking voice is present and accounted for.
Instead of giving us something forceful or poignant, Altman seems to prefer a sort of objective curtain, shrouding the story and the characters.
Keillor may be the only one in history to keep happy both the sentimentalists who love Kinkade and the cynics who love po-mo happy, each thinking they're the only ones who really get him.
As it stands, it entertains quite a bit, frustrates too much, and leaves you feeling slightly undernourished, like a meal of tasty but not filling hors d'oeuvres.
Altman and Keillor's A Prairie Home Companion is fittingly both a celebration and a winning example of the joys of collaboration.
A Prairie Home Companion is nothing short of a real treat and an experience lovers of the radio show and future lovers of it shouldn’t miss.
If Companion were merely an exercise in styles, it would be a complete success. Problems arise in conjuring a storyline to fill the space between acts, or to give the movie an arc.
Overall, the film falls into some comforting cocoon midway between affectionate spoof and adoring homage, much like Keillor's warmly nostalgic show.
Oh where oh where has Lake Wobegon gone? Oh where oh where could it be? This mythical place is the heart and soul of pretty much everything Garrison Keillor has done in the last three decades. It's not there!!!! AAAAAAAAAARG!!!!
It's a tribute to music's power to heal us, to the way a familiar tune brings a comfortable old-shoe smile and the way a group sing-along bonds those within it, creating a community in that moment.
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