Boasting strong performances and lightened by a few flashes of much-needed easy humour, Precious is let down by Daniels’ ropey direction – which leaves you feeling like it could/should have been a much better film.
Precious: Based on the Novel PUSH by Sapphire (2009)
Tomatometer
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Reviews Counted:139
Fresh:127
Rotten:12
Average Rating:7.9/10
Consensus: Precious is a grim yet ultimately triumphant film about abuse and inner-city life, largely bolstered by exceptional performances from its cast.
Runtime: 1 hr 49 mins
Genre: Dramas
Synopsis:
Lee Daniels’s PRECIOUS: BASED ON THE NOVEL “PUSH” BY SAPPHIRE is a vibrant, honest and resoundingly hopeful film about the human capacity to grow and overcome.
Set in Harlem in 1987, it is...
Lee Daniels’s PRECIOUS: BASED ON THE NOVEL “PUSH” BY SAPPHIRE is a vibrant, honest and resoundingly hopeful film about the human capacity to grow and overcome.
Set in Harlem in 1987, it is the story of Claireece “Precious” Jones (Gabourey Sidibe), a sixteen-year-old African-American girl born into a life no one would want. She’s pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother (Mo’Nique), a poisonously angry woman who abuses her emotionally and physically. School is a place of chaos, and Precious has reached the ninth grade with good marks and an awful secret: she can neither read nor write.
Precious may sometimes be down, but she is never out. Beneath her impassive expression is a watchful, curious young woman with an inchoate but unshakeable sense that other possibilities exist for her. Threatened with expulsion, Precious is offered the chance to transfer to an alternative school, Each One/Teach One. Precious doesn’t know the meaning of “alternative,” but her instincts tell her this is the chance she has been waiting for. In the literacy workshop taught by the patient yet firm Ms. Rain (Paula Patton), Precious begins a journey that will lead her from darkness, pain and powerlessness to light, love and self-determination.
In Official Selection at the 2009 Cannes Film Festival - Un Certain Regard, and winner of three awards at the 2009 Sundance Film Festival including the Grand Jury Prize and Audience Award in the U.S. Dramatic Competition, PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE stars Mo’Nique, Paula Patton, Mariah Carey, Sherri Shepherd, Lenny Kravitz and introducing Gabourey Sidibe.
Lionsgate in association with Oprah Winfrey and Tyler Perry present A Lee Daniels Entertainment / Smokewood Entertainment Group Production of PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE, directed by Lee Daniels from a screenplay by Geoffrey Fletcher based on the novel Push by Sapphire. --© Lionsgate
Starring: Gabourey "Gabbie" Sidibe, Mo'Nique, Paula Patton, Lenny Kravitz
Starring: Gabourey "Gabbie" Sidibe, Mo'Nique, Paula Patton, Lenny Kravitz, Mariah Carey, Sherri Shepherd
Director: Lee Daniels
Director: Lee Daniels
Screenwriter: Damien Paul
Producer: Lee Daniels, Sarah Siegel-Magness, Gary Magness
Composer: Mario Grigorov
Studio: Lions Gate Films
Reviews for Precious: Based on the Novel PUSH by Sapphire
Second-time director Lee Daniels creates a must-see portrait of life’s underprivileged which is utterly compelling.
The film is never shy of pressing the viewer's buttons, but it's put across with heartfelt power.
This raw and honest drama tells a story that cuts to the core of some extremely serious issues
Winfrey, Perry and Daniels make an unholy triumvirate. They come together at some intersection of race exploitation and opportunism.
Precious: Based on the Novel Push by Sapphire is concerned with lasting effects of poverty -- on individuals and especially, on communities.
Daniels does everything to hold the melodrama at bay, but there’s only so much he can do.
One for the Stuff White People Like canon, Precious: Based on the Novel Push by Sapphire is an impeccably acted piece of trash.
The girl's story is almost unbearably painful, and when Precious finally reclaims her dignity and self-worth, her accomplishment seems genuinely heroic.
The acting talent on display in this movie is staggering but the bleak tone and Daniels' erratic directing make it less than the movie it should have been
It’s a shame that Daniels is so unconvincing in his execution, because the performances mostly go for broke and there does seem to be a nugget of courage to Fletcher’s screenplay.
Given the months-long hype, what’s most bewildering about Sundance sensation Precious is its overall shrug-worthiness.
Daniels and screenwriter Geoffrey Fletcher pile tribulations onto their protagonist not to inform but merely to exploit.
So overdone that at a certain point,it begins to resemble one of those demented and depraved melodramatic satires that John Waters used to specialize in back in the days before "Hairspray" made him respectable.
Baby Mama Dearest minus the coat hangers and Hollywood mansion, this bad parenting horror movie boasts exceptional performances, but is social pornography at its worst, festering in racial self-loathing and oblivious to a system that ignores its neediest.
The whole thing begins to feel like The Color Purple as rewritten for a poetry slam, heaping on the abuse like a horror film.
A hybrid, a mash-up that might have been ungainly, but that manages to be graceful instead.
While the director, Lee Daniels, does not shy away from the grimmest elements of the story, his eclectic filmmaking style is almost exhilarating, finding room for fantasy, operatic melodrama, and authentic humor.
All too often we rely on movies solely for entertainment, but "Precious" is one of those exceptions where you can really learn something about yourself and life in general.
While Precious isn't perfect, it's a moving drama that gives veteran performer Mo'Nique and first-timer Gabourey Sidibe the opportunity to create indelibly-etched characterizations.
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