The Prestige is a ridiculously, almost uncomfortably engaging film.
The Prestige (2006)
Tomatometer
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Reviews Counted:184
Fresh:138
Rotten:46
Average Rating:7.1/10
Consensus: Full of twists and turns, The Prestige is a dazzling period piece that never stops challenging the audience.
Theatrical Release:10-11-2006
Synopsis: British director Christopher Nolan's (BATMAN BEGINS) eclectic resume gains another interesting entry with THE PRESTIGE. The basic plot, which concerns the rivalry between two magicians in early... British director Christopher Nolan's (BATMAN BEGINS) eclectic resume gains another interesting entry with THE PRESTIGE. The basic plot, which concerns the rivalry between two magicians in early 20th-century London, closely resembles a fellow 2006 movie--Edward Norton's THE ILLUSIONIST--and the two films are sure to be closely compared. In Nolan's film, Hugh Jackman and Christian Bale bring the characters of Robert Angier and Alfred Bordon to life. Robert and Alfred were young magician apprentices together, but became bitter rivals as their careers began to shape their adult lives and a terrible accident claimed the life of Robert's wife. In the subsequent years Robert has become wildly jealous of Alfred's superior talents, so in a last ditch attempt to steal some artistic ground he sends his assistant, Olivia (Scarlett Johansson), to infiltrate his rival's lair and steal the secret to a spectacular trick called "The Transported Man." Nolan's film twists and turns down a number of unexpected avenues as it flits back and forth between numerous time periods, creating a movie that needs to be watched as closely as the tricks his leading characters perform. Bale and Jackman perfectly execute their roles, winding up the tension to an unbearable degree as they willfully enter into some dangerously competitive patterns of behavior. Michael Caine makes his second appearance in a Nolan film, almost reprising his role of Alfred in BATMAN BEGINS by playing Cutter, Jackman's mentor; and Johansson pouts and flounces across the elaborate sets like a classic Hollywood screen siren. Stylistically, THE PRESTIGE is full of dark, gloomy colors and a palpable feeling of menace, which is an impeccable visual match for the viewer's growing unease as the protagonists push each other to increasingly ridiculous lengths. It's not an easy film to digest, but Nolan's movie offers intelligent and challenging fare that will likely reveal further cinematic magic on repeated viewings. [More]
Starring: Christian Bale, Hugh Jackman, Scarlett Johansson, David Bowie
Starring: Christian Bale, Hugh Jackman, Scarlett Johansson, David Bowie, Michael Caine, Piper Perabo, Andy Serkis, Daniel Davis, Jim Piddock, Christopher Neame, Roger Rees, Jamie Harris
Director: Christopher Nolan
Director: Christopher Nolan
Producer: Aaron Ryder, Emma Thomas
Studio: Touchstone Pictures
Reviews for The Prestige
Mientras unos encontrarán enigma y adicción %u2014como si se tratase de una historia del genio Hitchcock%u2014 otros, aquellos que buscan el piso falso en el tablado del escenario, porque simplemente no creen en la verdadera magia, saldrán desilusionados
Like a great magician, Nolan makes the pledge, takes the turn and delivers the prestige.
Christopher Nolan presenta la rivalidad entre dos magos como si se tratara de un vistozo y complejo truco de magia cuyo secreto nos es develado.
Tout comme le magistral Batman Begins, The Prestige se veut une %u0153uvre de marque dont le raffinement et l'intelligence n'ont d'égal que sa grande accessibilité.
[The Nolans] could not have conjured a more chimerical story than this transcontinental thriller about two men selling their souls to destroy each other.
It's a very cool piece of filmmaking -- as it has to be, given the intellectual sleight-of-hand that lies at its heart. Yet it succeeds as both great entertainment and an absorbing rumination on the dangers of playing God.
A sleight-of-hand thriller set in Britain's Victorian era where magic was mysterious and performing it precarious, the film is a dark and aggressive emotional roller coaster that challenges the imagination.
If movies are among our greatest, most enduring vehicles for illusion, then a movie about dueling illusionists should, in theory, offer that same sleight of hand--only amplified. In this case, it does.
Perhaps it is because the film focuses so much on the mechanical and the material that the sudden intrusion of the genuinely magical feels forced and even somewhat silly.
Há filmes que se tornam ainda mais fascinantes quando revisitados, já que o fato de sabermos seus segredos oferece leituras novas e surpreendentes; em outras palavras: o que era mera surpresa transforma-se em rica ironia dramática. é o caso deste longa.
It isn't my favorite Nolan film, but it's better than most of the films I see.
We invest in the furious battle because there is more at stake than a magic trick: each man has to sacrifice things near and dear to him
It lodges itself as not much more than a (perhaps shockingly) bitter little pill.
Part homage to the art of performance, part admiration of science and technology, part unexpected turn to science fiction, and total mind-melting madness.
... this odd tale about obsessive Victorian-era magicians and their blood feud isn’t nearly as enchanting as it should be.
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